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Category Archives: Fiction

My So-Called Earth

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a god’s story

One millennium, with less than normal to do, I again visited one of the most peculiar planets I have ever created, known by its most destructive inhabitants as Earth.

I am an amoral god.

I create worlds, I create life for no specific purpose other than to see what happens, to satisfy my aesthetic and scientific interests at the time.

My so-called Earth conceived itself as a simple water, ground, and sky experiment. The underlying physical and chemical start-up properties are of course complex but irrelevant to my main interest apart from the workings of the experiment itself which is Life.

Life in all its great diversity and complexity.

Now after a few dozen millennia between visits to Earth what do I find?

I find these little monsters who call themselves Human Beings to be systematically destroying my peculiar little experiment, planet Earth.

Unfortunately I cannot interfere, not chemically nor physically, for that would invalidate the nature and results of the experiment.

But I find I cannot waft idly by because these little monsters are effectively destroying my experiment, along with myriad forms of life I so greatly appreciate and admire.

So what to do about the little monsters?

I have an impulse to form a giant hand of GOD in the sky and use it to reach out of the clouds to strike down the leading monsters, the bankers and presidents, the CEOs and the idiot preachers of materialistic plunder.

But I fear the results would be equally destructive, or worse. I fear that the most ill-cultured power grabbers would launch into the breach destroying ever more of the world, and faster.

So, what to do about the little monsters who are so maniacally voracious that they are eating the planet even at the ultimate cost of destroying the very foundations of their civilization, one by one?

Who will stop the little monsters but the god who created the experiment they so stupidly and brutally devour?

In the interests of chemical and physical science, I cannot intervene materially.

Thus, I write to you personally, through this weblog, all of you, you little monsters. I am going to need some help to save the world. I am going to need the help of you all. Read the rest of this entry

StrikeTube

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Holy Shyt Day

I went to school the other day to read a book to my daughter’s first grade class, and you know it’s almost Christmas and the school is very careful to call it the holiday season instead of, you know, the main Christian party time, or the Jewish festival of whatever, or the Muslim feast of who knows what, but the only books they give me to read are these Santa Claus hang your stockings by the fire type books about Christmas.

Oh sure there was also a book about just snowmen and the little Muslim boy in front of me said he did not want to read the Christmas book, and I said, no kidding, little boy, I don’t blame you one little bit, but your religion is make-believe too, just like Christianity, and just like Judaism, and just like every other religion that claims a God. Because it’s all a lie. People say they know and they don’t know. Nobody can know that any God exists and yet they claim that they do. Nobody. It’s all a lie and the only books they give me to read are these lying religion books. Well to hell with it all!

“To hell with it all!” I shouted out to the first graders. “To hell with all religions! Gods are lies! Make-believe! To hell with lies!”

“Wait, wait,” said Tommy the first-grader. “Hell is a Christian word. A religion word. You see what I’m saying? You are saying to hell with hell. It doesn’t make sense!”

“Well, holy Jesus, Allah, Buddha, and Yahweh, you are correct, my astute young pupil. When I say to hell with hell, I mean, Down with hell! Down with religion! Down with lies! Stop lying to us, you liars, for God’s sake!”

“Sir!!!”

“Oops! My mistake. No Gods, No Masters! Okay, come on now, everybody clap: Down with religion! Down with lies!”

I was clapping and all the first graders were clapping and shouting and singing, “Down with religion! Down with lies!” The Muslim children and the Christian children and the Jewish children as happy as happy can be, as happy as befits a great festival of holidays: “Down with religion! Down with lies!”

The first grade teacher had passed out and was lying in a lump on the floor. A few of the children went over and looked at her and pronounced, “She’ll be okay. She does that sometimes. This is a tiny bit more extreme than usual but she likes to act like we are killing her when we don’t pay attention and when we don’t do what she says and when we don’t even hear her in the first place. How are we supposed to know when to hear her? How are we supposed to know when to listen and when to think for ourselves?”

“Precisely! Yes! Yes!” I could have wept. Instead I sang with the children: “Down with religion! Down with lies!”

All the children rose to their feet and skipped and pranced and traipsed around the room. Oh it was wonderful! History and philosophy and recess wrapped up in one! Read the rest of this entry

Life in the Wartagon

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By 2010, at latest, official life in the United States of America, as in the rest of the privileged world, had devolved into a circus freak show. The only officials and educated people in the world who did not know the great corruption of ruling circles did not wish to know. One had to commit to being a freak of negligence and delusion to rule under such conditions. Unfortunately, the sane were not strong enough to stop the insane. And so the ever so polite and decorous but brutal and murderous official freak show rolled on, infecting and obliterating the bodies and minds of people far and near.

Even among the insane, they said it could not be done.

When the great President Doller FirstStrike announced a few generations ago that the mightiest of all nation states The Incorporated Estates of Wartagon (IEW) would one day extend its military headquarters (formerly known as the Pentagon) to the entire world, literally and physically, no one believed him. Well who is laughing now?

Stiel Drumhead lived all his life in the Wartagon and wished never to leave. Born in the Wartagon he believed he would die in the Wartagon because it was in the Wartagon where he thrived. Stiel was the new man, a Wartagon Man. Stiel modeled himself after the IEW’s great General become President, Doller FirstStrike, who signed the legislation officially changing the name of the Pentagon to the Wartagon.

Stiel Drumhead married happily though for many years remained without child. He felt he hardly need reproduce as there were so many of his type on Wartagon grounds. Wartagon lifers seemed to sprout spontaneously from the handy prefab walls now produced on Wartagon bases throughout the world. Stiel’s wife, Turret, was the sensible sort who did not see children as a necessity. Not that there was anything wrong with children. She was sure she could happily produce six or seven if she felt the need, and she would happily lay her body down to any pressing IEW call for extra soldiers. In the meantime she served the main body of the IEW, the Wartagon, in other ways.

Exactly per the vision of the great President Doller FirstStrike, the Wartagon at long last existed by block tunnel and cavity into and through, beneath and above not only every continent, ocean, country, state, province and county but within every city of any size, and into many towns. The Wartagon extended from its original nexus, the old Pentagon, in the form of long tunnels of endless block walls made from an off-white cement mixed with coal ash for extra strength and sporting the occasional small window not big enough to squeeze a body through.

These Wartagon tunnels, or tentacles as they came to be known, ran along every interstate and international roadway, along every rail line and transport artery into all major settlements known to, of, and by humankind. Necessarily, much of the tunnels consisted of nothing more than empty hallway, especially across the vast expanses of mountains, plains, and deserts, but the building dollars meant something to the regional economies and even more to the contractors, and in any case the Wartagon occasionally opened the vast empty tunnels to incredible long distance feats of indoor running, biking, walking, and related adventures. Much of the civilian housing that these tunnels ran past was not in great shape, which made the Wartagon works appear even more reassuring to passersby no matter how much of the sturdy structure sat entirely empty over a great expanse. Fortunately the tunnels scarcely needed repair as they were built to be all but indestructible against any civilian uprising.

The power and supremacy of the Wartagon infrastruture physically and psychically stretched over Earth like a celestial octopus with a main body the size of Mars and tunnel-like tentacles long enough to reach to the Moon and back. The octopus exercised by tossing objects whether explosive or not all about Earth and out to and around the Moon and on into the universe depths beyond imagination. The Wartagon octopus performed all these feats while clasping the planet tight to its bulk as if never to be released.

As a patriotic boy, Stiel Drumhead doodled a grand cartoon of the Wartagon as just such an Earth-hugging octopus. He pressed the image onto T-shirts and sold the banner-like gear at Wartagon ballgames. He did so under the censorious and enduring eyes of the Wartagon adults, which may have poked at bit at their seen-it-all-if-not-quite-yet energy and fatigue. A few of the kindlier moms bought the shirts. The Wartagon was always keen to cultivate patriotic entrepreneurs, the younger the better, so he sold the shirts with tacit Wartagon approval, just as he and his fellow Future Warriors of IEW had been selling flag buttons since age three. They performed skits on and about IEW holidays and invasions in military fatigues throughout kindergarten, pre-school and grade school. Nothing remarkable in that. It was the sort of thing that had been produced and celebrated even in civilian schools long before the Pentagon name change to Wartagon. A proud people in a proud land with big guns.

Meanwhile the Wartagon brick-and-mortar missile-throwing octopus suctioned and swarmed increasingly everywhere that dared to be anywhere-but-there in the command and control of the Wartagon. Stiel Drumhead desired nothing but Wartagon life for his own personal well-being and satisfaction. Stiel’s loving wife Turret Gunnar felt the same. Or, almost.

Stiel had heard of the outside world of course, the civilian world, don’t get him wrong. He perused the pictures of chaos in The Wartagon Times. He watched blockbuster films produced off Wartagon base. These civilian films struck him as a lark on the one rifle, and on the other rifle as signs of a universe rarely well-ordered, prone to riot, and, let’s face it, deeply ungodly. Stiel wasn’t going anywhere. He could tell you that.

When on rare strangely impulsive occasion Stiel’s wife Turret Gunnar wished to leave Wartagon it was never on a lark. Not that she ever did. Occasionally she dreamed. But why should she? The world outside produced danger as a rule. Everyone knew. Danger for everyone at all times everywhere. Except for the lucky few off base born to great privilege. Or just lucky. Neither of which applied to Turret.

Turret Gunnar felt herself to be the furthest thing from lucky. Blessed, deeply blessed, but not lucky. She did not care to be, did not wish to be lucky. She wished to be blessed and she was, she knew she was, and that was all that mattered in this world, and in any other, The Other, World. Turret Gunnar had faith like most everyone she knew. She wore her faith like a necklace on the inside. Modestly but proudly. And with faith, anything was possible. Anything. Even luck, which nevertheless she looked right straight down her humble but proud little nose upon.

Sure it made Turret sad that Wartagon saw its fair share of bumps and bruises. Turret believed the violence on Wartagon to be maybe not that bad, war by passing war and that it became maybe easier to bear each and every training crash by accidental explosion by friendly fire. Wartagon violence was predicable, after all, almost controlled. Civilian violence was chaotic, scary, wild. Wartagon violence was spectacular, familiar, righteous. Civilian violence was strange and barbaric. Violence on planet Wartagon was for the ultimate cause, one could always comfort oneself. It was worth it. Besides, what choice did a poor trooper have in this world?

The ultimate cause of causes in all the Wartagon world, it went without saying, was the defense and the infinite growth of the Wartagon.

What else? The Wartagon was all.

Certainly plenty of Wartagon jobs required regular patrols off base. However, Stiel and Turrets’s Wartagon jobs were more pure than that. They never once had need to leave the compound. Wartagon’s tunnels and Wartagon planes took them to any and every Wartagon locale where their presence was required.

Did Turret Gunnar and Stiel Drumhead never go outside?

Don’t be ridiculous! They played and lived and worked and loved out and about the grass and trees, the woods and waters as often as not but they never went off base.

They did not need to. The Wartagon holdings were immense the world over. They did not feel they ought to. The loyalty of Turret and Stiel was even more immense. Proud base babies through and through they were. They would be the first to tell you. At least, they used to be. As they aged, they no longer were so quick to jump to the exaltation of themselves in relation to the Wartagon. They were more quick to consider that other lives might be equally worthy to theirs. In theory at least. In the meantime, in reality, they had their own high priority jobs to do and gave serious consideration to little else. So they remained Proud Base Babies, oddly secure and privileged IEW workers as they hopped around the world from job to job occasionally coming under attack

There was another T-shirt of, by, and for the young Stiels and Drumheads and Gunnars everywhere:

Proud
Base
Baby

One word stenciled directly over the other in solid formation. Stiel had worn the shirt proudly as a child and planned to buy his own children the same should he and Turret at some point embark upon a family.

No one was more proud of her Wartagon life than Turret Gunnar even if she sometimes wondered what the outside world might be like for real. She scarcely dared think of venturing into the surprisingly vast reaches off base. What could it mean to a base baby to go off base? Nothing good, surely. In any case the Wartagon offered the ultimate in freedom and the next-to-latest in shopping. Free health care too but one did not speak too loudly about free anything other than free-dom.

What an entity was Wartagon! an honest-to-goodness living outgrowth of the inanimate, tentacular endless limbs pods attached, detached, covalent to the main octopus, accessible by Wartagon Airlines (WA). Massive firing grounds, highly structured campuses, tropical beaches, and hundreds of golf courses were found on Wartagon holdings and could be enjoyed the world over. Any Wartagon base of any size basically mimicked a midwestern suburb. If you got good at wrangling your duties just so, you could spend winter in the tropics, summer in the arctic. Or what need was there to ever leave a base that held both beach and golf? Every schoolboy and schoolgirl in the Incorporated Estates of Wartagon could recite by heart the major territorial acquisitions of the IEW, whether by conquest, purchase, or fiat, year by region, nation by installation. Stiel Drumhead could go further and name the commanding officer of the governing sectors of the military at each point and time of acquisition.

Born a “base baby” like her loving husband Stiel Drumhead, Turret Gunnar knew herself to be if anything more inescapably married to the Wartagon than to Stiel. She had lived and loved both the place and the man all her life, or may as well have. Together they attended Wartagon Corrections Institute, main campus, pre-kindergarten through college where Corrector Stiel Drumhead now held the prestigious chair of Corrector of Freedom for the Program of Vassal Relations (formerly PR) in the Department of Economic and Historical Necessity.

Who would want to live in the outside world as mere vassal when one could work in the belly of the Wartagon as an agent for security and order, as a militant entrepreneur for the power and the glory of all that is good in the world, as determined disciple of the late great President FirstStrike, as an unapologetic apostle of peace? The Drumhead choice was stark indeed.

Turret felt the same, almost like Stiel.

She labored as medic in the infirmary where she tempered and treated an unending flux of melted faces, incinerated limbs, and crushed skeletons.

More spiritual work was hard to find.

Or even to imagine.

Turret Gunnar felt truly she was doing the work of the great Warrior in the sky. And no one could argue otherwise.

What Stiel Drumhead understood, as esteemed Corrector of Freedom for the Program of Vassal Relations in the Department of Economic and Historical Necessity, was power. He knew that the walls of the Wartagon were moving ever outward to encompass the planet and universe. What Stiel struggled to understand was people’s inherent stubbornness in accepting reality. Why did they not all rush the walls to get inside, not in conquest but in acceptance, to live the live of the secure and the ordered and the strong? Granted, not everyone could be blessed with the privileged sight and knowledge of the Wartagon that came with being born inside it, at least not yet. But people should know. By now, long since they should know and embrace history. By even as far back as the turn of the millenium the military budget of the Wartagon had accounted for essentially more than half the budget of the state that would be the IEW. Morever, even at that pregnant time the military spending controlled by the Wartagon’s predecessor the Pentagon had amounted to more than was spent by the entire rest of the world combined on military endeavors. Even then at the second millenium, the military owned more than 200 golf courses around the world, a ski resort, and some of the most spectacular beaches in the tropics, many dozen jets for the Generals. Munitions manufacturing account for the vast, vast majority of all the manufacturing in the country, which also no coincidence was the lead arms seller on the planet.

Just so today did the Wartagon control the vast majority of land across Earth, along with its oceans, skies, and outer space not least. Young teenage warriors with joysticks sitting in plush air conditioned comfort at Fort Anywhere deeply safe in the Homeland piloted flying tank-like drones against desperate rag-clad insurgents crouching pathetically behind crumbling stone walls in some forsaken desert half the globe away. One hardly need to paint this picture that everyone knows: the Wartagon’s unmatched military prowess. Yet somehow this incredible power fails to sufficiently impress the vast majority of vassals around the world who continue with their lives as if they should not be scrambling to the nearest Wartagon base for cover, the ultimate protection and security that only the Wartagon can provide.

Stiel Drumhead tried not to judge too harshly. After all, he had never faced the Wartagon test: Do I or don’t I sign over my life to the Wartagon? He was a proud base baby who tried not to let it make him conceited.

His father had been crushed to death by a 2000 pound bomb that slipped its leash, and not long after that his mother bag-and-pilled herself to death either over the weight of  the disaster or some other terror. But this sort of thing happened everywhere not just on base. And while it was true that Turret’s uncle had shot and killed his wife in front of the judge on the day of their divorce and that Turret’s mother had been killed in a raid against her supply convoy in Iraq and that Turret’s father died in a freak training incident with dummy fire (one little spark, one big gas tank explosion), these sorts of things happened in the natural world too. Nature was red in tooth and claw, and the Wartagon was red in steel and powder. That said, the more Stiel thought about it the more he figured choosing life in the Wartagon over life on the outside might not be the no brainer he had first thought.

The young warrior in back of the class wearing sunglasses seemed somehow familiar to Corrector Stiel. No matter that he could not place him and did not know why he had shown up today and slipped into the back row. The young warrior was neither enrolled in the course nor as young as the warriors who were. Corrector Stiel assumed a former student had dropped in to bend his ear after class about an old idea or two. Maybe some new field application relevant to past theory. So when class ended and the young warriors filed out, Corrector Stiel was not surprised to find the young man staying on, though it seemed odd that he remained seated in back.

“Can I help you?” Stiel called out.

The young warrior laughed in a way that Stiel had not quite heard before. Stiel examined the man more closely as he uncoiled himself from the back seat and came forth. The man seemed only a few years older than his students physically but psychially, well, he had that battle wizened air of bloody, hard, and heavy duty. Plus…there was something…else.

“Correct Drumhead, I’m Sergeant T. J. Slew.”

“Yes, Sergeant Slew, it was some years ago.”

“Counterinsurgency Theory and Vassal Relations. You were the most capable Corrector I ever had.”

“I’m surprised to hear you say that, Sergeant Slew. As I recall, at the end of the course you came up to me very much like today and told me you did not believe a word I had said the whole while, and by consequence you did not believe a word you had written to ace the course.”

“Is that what I told you? Not quite.”

“‘Well something like it.”

“I told you the theory was fine but none of it applied. I told you that our job in the field was to kill people faster and quicker than ever before, and to find more ways to kill people faster and quicker. I told you our job was to kill and not to politick. I told you our job was to gut the enemy not rinse his mind. Corrector, I sensed even then what I later confirmed that you cannot travel half way around the globe to Afghanistan or anywhere else and convince anyone of anything that they do not already believe. And you can especially not do that at the point of a gun. No matter the COIN theory. No matter the vassal relations techniques. What on Earth would make you think it could be done?”

“The Wartagon training manuals. They all show the effective use of counterinsurgency theory and vassal relations technique. Look at the case studies!”

“The case studies are cherry picked. Some are distorted. Others may be faked. It makes for good politics, provides politicians cover, gives everyone lofty things to say to everyone else in case there is anyone around silly enough to believe it.”

“Sit down, Sergeant Slew.

“Why don’t we.”

“Mine is the last class of the day. We have the room. And that’s what I mean, you did not believe a word I said or a word you wrote to earn the best marks in the class.”

“School is all about lying, is it not, Corrector?”

“On the contrary. You are suffering from cynicism of the battlefield, Sergeant. It’s not uncommon.”

“It’s more common that not, you mean.”

“You may be right.”

“I believed in your professionalism, Corrector. Your course was nonsense, but I respected the professional way in which you conducted it, and I consoled myself that there was nothing anyone could teach me on base that I would not have to learn for real on the field of battle. But you at least passed on a sense of your great professionalism.”

“I don’t know whether to thank you or send you cursing out of here.”

Sergeant Slew shifted his hips and pulled a gun out of a thigh holster. He held it on his lap, barrel pointing forward.

“Do you recognize this?” asked Sergeant Slew

What Stiel Drumhead recognized was that he suddenly felt in no position to send Sergeant Slew anywhere, a thought that struck him simultaneously as unusually disturbed and disturbing. Guns on military bases were no big deal. Stiel Drumhead was an esteemed Corrector at the Wartagon, mightest of all military bulwarks. This was his classroom not the young warrior’s. What I say goes, he thought, but realized Sergeant Slew had pointed out out how he could not care less what the Corrector thought, said, or wished.

“Recognize it? Who would not? It’s a real old timer. Colt .45. Back in the days of the Wild West.”

“Who slaughtered who then, do you remember?”

“That’s a bleak view of the age.”

“No, it was wild. Pioneers, settlers, Indians, and the Army. Plenty of slaughter to go around. In the end the Army always wins. It only seems to go away and that everyone else wins. But the Army does not go anywhere. You’ve got Wartagon bases all across the West and the country and the world. The Wartagon grows bigger by the year. The whole planet is becoming one complete base. Have you traveled to Afghanistan, Corrector? And to the massive bases even in Kansas. Dorothy’s old home. Dorothy of Oz. Dorothy is dead.”

“You spend too much time in the field, Sergeant,” Stiel Drumhead said gently. “I guess it can’t be helped. But you need to rest up.”

” Don’t worry about me.” With that Sergeant Slew aimed the Colt .45. He fired a shot through the center of the dry erase board behind the Corrector’s lectern. “Teach those warriors well, Drumhead.”

Sergeant Slew restored his sunglasses to his face and left the room in no apparent hurry.

By the time Corrector Drumhead was able to move he could not decide if he wanted to.

Seargeant Slew was gone. The shot had been heard outside though it took awhile before anyone figured out which room it had occurred in. A young officer found Corrector Drumhead sitting as if paralyzed.

“What happened?”

“A former student of mine came into my classroom and fired a hole through my dry erase board.”

“Are you hit?”

“Do I look hit? He was sitting right here, right beside me. We were sitting side by side. He showed me his Colt .45 – “

“The Wild West gun.”

“– then he wasted my dry erase board.”

“A former student? Do you know his name?”

“I know exactly who he was. He wanted me to know. He introduced himself to jog my memory. Yes of course I know who he was. But I hate to tell you.”

“Why?”

“Because he’s sick. Sick on war, sick of war, sick by war, I don’t know. He’s ill. Goddamn! Who shoots a goddamned dry erase board!?”

The young officer about fell over. To no one’s knowledge had Corrector Stiel Drumhead ever cursed before.

The room began to fill with officers. A few remembered to have the base shutdown: no one in, no one out. Corrector Drumhead was asked to repeat what he knew by a growing group of warriors. When he finally mentioned Sergeant Slew’s name, “Sergeant Slew is dead,” a senior officer announced. “He was killed a months ago in Afghanistan. I knew him. And I know how he was killed. Sergeant Slew did not shoot that dry erase board.”

Corrector Stiel Drumhead blinked. He stared at the bullet hole in the dry erase board.

“How?”

“It’s classified.”

“Of course it is.”

“I’m sorry. It just is.”

“That makes perfect sense.” Corrector Stiel Drumhead stood up at last. He walked to the dry erase board continuing to study the bullet hole. Then he ran his finger around the tiny edge. “How many died with him?” he asked the officer.

“Pardon, Sir?”

“How many died with him?”

“Uhhh, well, Sir, I didn’t say that – “

“It’s classified, correct?”

“Yes, Sir.”

Corrector Stiel Drumhead turned on the officer. “How many? A dozen?”

The officer reeled back. “Come with me, Sir.” He clasped the Corrector on the arm.

They went straight to the base commander’s office and were received alone almost at once, where the situation was explained. At which point, the base commander ordered the senior officer to pat down Corrector Drumhead. “I apologize for this, Corrector.”

“Oh course. I’m glad to be cleared this way.” No Colt .45 or any other gun was found on the Corrector.

“Now I think we can safely say that you did not shoot your own dry erase board, Corrector. So tell me: what do you know about Sergeant Slew’s death?” The man asking the question was Base Commander General Brill Flashpointe.

Stiel Drumhead shook his head with regret. “Slightly more than you, General, Sir. I did not ask for such information. I can only tell you that Sergeant Slew faked his own death and that he killed those other soldiers.”

The three men had been standing in a rough triangle. Two of them, after a moment spent staring at Corrector Drumhead, slowly sat down. Stiel Drumhead stood alone, awaiting orders.

“Please, sit,” said General Flashpointe. Stiel did. “Let me ask you something, Corrector Drumhead. Have you left base recently? Let me be clear. Have you ever left any Wartagon base for the field ever?”

“No, sir.”

“So the rumors are true.”

“Rumors, sir?”

The General waved it off. “The problem is this, Corrector Drumhead. And this you will not repeat in any portion to anyone ever. We have it on the best of Army intelligence that one entire remote base in Afghanistan was overrun in the middle of the night. There were 100 percent casualties. Do you understand what I’m saying? All fatalities. Then the bodies were gathered in a mass and blown up with high ordinance explosive. And then what was left was burned with enough gasoline to torch a city. This was Sergeant Slew’s base, his unit. His personal effects along with those of everyone else on base who was not Afghani were found among the char. So it was clearly an inside Afghan job. With plenty of help from the outside no doubt. But let me make this perfectly clear: the Afghan personnel all survived. The Wartagon warriors all perished. And now you tell us Sergeant Slew is alive. What are we to make of that?”

“General, Sir, I don’t know. I do know that Sergeant Slew just shot a hole through my dry erase board. He is my former student. I know nothing of the great tragedy of which you speak. Yes, I am changing my story. I never lied to as Wartagon professional before I lied to you a moment ago. I don’t know who Sergeant Slew may have killed, if anyone. As soon as I was told with great authority that the Sergeant Slew with whom I had just chatted and shared gunfire was killed three months ago, the cogs in my mind turned. I put 2 and 3 and 4 together and got: soldier snapped; soldier too clever to catch; soldier capable of anything; soldier has great blood in his past; Wartagon misinformed. I guessed that something terrible had happened that the Wartagon was anxious to keep quiet, General. I guessed because I knew that guessing and hitting in the vicinity of reality was the only way you or anyone was going to sit down with me and tell me what really happened to or around Sergeant Slew. Or what you think really happened. Clearly, it did not. You can know that now. Of course those men are dead if you say they are but Sergeant Slew was not one among them even though you say he was. Ergo. He snapped. He killed them. Why he came to see me and shoot my dry erase board I have no idea. Though I’m sure the investigation team will wish to take down our brief conversation before the shooting as best as I can recall it.”

“That’s just brilliant,” muttered General Flashpointe. He plucked the big shiny plastic EASY BUTTON off his desk and with a fierce snap of shoulder and elbow and wrist and no small force of back he flung it across the room. It bounced off a side wall and careened across the floor.

Corrector Stiel Drumhead’s life would never be the same. Wartagon command sent him off base into the field for the first time ever. He half suspected the Wartagon of trying to kill him. Possibly the high brass would not mind if he were disappeared, beheaded, exploded knowing what he knew. Or what he and they thought he knew. He could not blame them and was sure he would feel the same in their position.

Just so, Stiel Drumhead found himself where he found himself: rifling through the mountains of Afghanistan in search of the Afghanis who had long since fled the incinerated base. He hauled gear from village to village without much hope far out on the fringe of the heart of Wartagon holdings, Greater Oila. What was he doing here? What was the Wartagon doing here? What was anyone doing here? Invade and hold Iraq to control huge oil wells. Invade and control Afghanistan to manage strategic pipelines. Figure out what really happened at the pyroed base so that it could be prevented from happening again. Stiel was under strict orders: Learn the real facts of the night of the great massacre. Only then return to base. Stiel understood the orders to be a kind of death sentence, whether professional or mortal it hardly mattered. And he agreed with the logic. A Wartagonian’s role depended upon his capabilities. Stiel had a new Wartagon job to do and he was going to try to do it to the best of his abilities. The assignment happened to be his first off base. What remained of absolutely no surprise to Corrector Stiel Drumhead was that this first venture off Wartagon base might also be his last. An inglorious end, no doubt, but then he had never signed up for a hero’s role. He was a steadfast Wartagon lifer, nothing more, nothing less. He thought of Turret warm and safe on the main Wartagon campus. He thought of the family they had never had. He searched for the truth of catastrophe by fire in the icy mountains of Afghanistan, Greater Oila, as the Wartagon knew it.

Stiel thought incessantly of the mystery of Sergeant Slew. He repeated his name to everyone, everywhere he went. Usually cold silence followed but then finally came total revelation. “I know what happened.” An Afghani named Dahr told Stiel and his interpreter. “Step outside.” From the back of the local eatery the man soon emerged with a box of pictures.

“These are pictures of my sister and cousin.”

The sister and cousin lay in dirt, dead, ripped apart by gunfire.

“They were working in the field when Sergeant Slew and his men killed them for fun. You see what trophies they took.” The pictures showed Dahr’s sister with three of her fingers missing, a toe, and half of her teeth smashed out. Dahr’s cousin had lost both ears and thumbs.

Dahr had worked on Sergeant Slew’s Wartagon base. His family had remained in this distant valley and were killed with no realization of their relation to Dahr.

The slaughter did not stop there. The next day the Wartagon warriors killed one of their fellow soldiers who was outraged by the cold-blooded slaughter and threatened to not keep quiet, Joe Campbell. Sergeant Slew set him up on the next patrol and friendly-fired him to death. Slew wrote the battle report too: death by enemy fire.

Dahr heard the news in the gossip of the soldiers. When he learned of his family’s own fate he fled the base for home.

And then the incredible happened. Months later, the younger sister of Joe Campbell appeared in his village, asking questions. Dahr told Cassie Campbell everything, the fate of her brother, his family, himself. He showed Cassie the pictures of his slaughtered kin, blasted like vermin, butchered like meat.

Cassie ventured a crazy plan. If she could get the men on base to trust her, she was sure she could kill them all.

Dahr never thought she could do it. He thought she would be found out and sent home.

He helped smuggle her onto base, where she surprised Sergeant Slew by who she was. She romanced him. It was easy as could be in a desperate and isolated war zone. She became the great base secret, Sergeant Slew’s covert pet and lover. She conned him out of much physical violation of herself. Even so it was like rape every time. Even Sergeant Slew was put off by it. She explained and apologized. She said she was basically incapable of intimacy due to some nonexistent abuse she had suffered in the past. Of course Sergeant Slew took advantage of her nevertheless.

Dahr could not admit to Stiel Drumhead the help he gave Cassie, though it was clear enough that Dahr and other locals provided Cassie all the explosives and the detonator, the knowledge of blast angles.

Cassie promised the men under the command of Sergeant Slew a special film of herself, a striptease to reward them for hiding her and, also, it was understood, for not raping her, for letting her be only the Sergeant’s girl.

At midnight, all the men gathered to watch. All the Afghanis had been warned off by Cassie and Dahr from a distance and had left base never to return.

Sergeant Slew boasted all week of the skin tape he was helping Cassie edit for the men. He had even forced her to tone it down, to cut out entirely the part she wanted to open the film with: a close-up shot of her asshole filling most of the screen staring straight into the lens. She put it back in, behind his back. Some of the rest of the tape too he thought seemed a little grim, the sucking of the rifle barrel as she brought it down into her throat and the way she put the rifle deep inside herself between her legs and pretended to shoot it.

Watching the Cassie make the film it seemed to make sense to Sergeant Slew why she was so cold with him. Because she was so cold in general. He thought he should feel excited by this and wondered why instead he began to feel uneasy.

As the start of the midnight film drew near, Sergeant Slew began to feel unexpectedly nervous. He no longer wished to share his Cassie with the men, not even on film. He felt for her. He had not expected to. He had not expected to feel human again after his time trying to survive on the Wartagon killing grounds. He had killed this young woman’s brother. He had killed young Afghani women like her. He had killed and killed and dodged death himself. And now Sergeant Slew perversely, it was so perverse even he could see it, had fallen for the sister of the soldier under his own command that he had purposefully slain. Nervously he left the room immediately before the start of the film. He slipped out the back. He had not seen Cassie slip out before him.

A moment later, the world exploded. Knocked face first into sand and gravel, he woke up stunned to see Cassie tossing cans of gasoline and oil onto the raging fire. None of his men had staggered up out of the blast. None could, none would. The cans of gas and oil began to heat and explode. Cassie screamed and cursed.

She never saw him.

He killed her with his knife through her throat.

The only witness was the fire.

He began to cut off her fingers and had to yank her body away from the fire as it grew more intense. He cut of three fingers and sealed them in a baggie. He knew with brilliant clarity exactly whom to return them too.

Then he threw his identifying effects into the blaze.

Sergeant Slew dressed and traveled like an Afghani. He returned the fingers to Dahr. They circled one another like wild beasts. Slew heavily armed. Dahr lightly, taken by surprise. They both managed to survive the encounter. Sergeant Slew escaped the country with a simple idea of what he might do, who he might see, how he might find a way not to be killed by the Wartagon. He would have to kill the Wartagon before it killed him. He thought strategically. How would he do it? Where would he start? How would he make himself superior to the Wartagon? He had carried the Wartagon’s unhinged logic in a distant land to its murderous end. He could carry it no farther. Now he must avenge himself. Now he must strike back at the Wartagon. But how to do so and survive?

He needed to strike the Wartagon in its heart but in a way that it would not strike back. Sergeant Slew returned to the Wartagon and the classroom of Corrector Stiel Drumhead.

In the Afghan town, Dahr gave the withered fingers to Stiel, who sent them off to be DNAed. Their identity verified, the Wartagon resorted to a standard cover-up that mainly consisted of silence and censorship on grounds of Wartagon Security.

Corrector Stiel Drumhead’s assignment was unexpectedly complete.

He returned home to Turret.

He killed himself the next day.

He had gone off base. And it had killed him. Turret was as certain of the cause as she was of the effect. Poor Stiel.

She took a few days off from work. She remained on base. Then she got on with it. Turret needed the Wartagon and the Wartagon needed her. Stiel, she believed, the old Stiel, the Stiel she knew and loved, would be proud.

Fok Killing

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This is a story I can scarcely bear to tell. It involves my childhood, my father’s mistress, and my great aunt. It’s like a dream I can scarcely bear.

There was precious little great about my great aunt. She had a habit, quite noxious, of pacing in little circles in her living room while smoking three or four packs of cigarettes per day.

My father’s story is no less dreary. His mistress, a barely adult orphan from Verlutsk, watched soap operas four days of each week. The fifth day she went to town and shopped so as to provide more intrigue in her shows when she tried to figure out what was going on the following week. Success if she kept it fresh.

My childhood, you might have guessed, was an utter disaster. I was fat, an unpleasant child agreeable only in the consistency of my disagreeableness. A series of pets – chipmunks, skunks, and gerbils – all died on a regular basis more or less consistent with my emotional state.

My father got his mistress (“got” basically describes the transaction as well as approximates the sound of her surname) through not so much as a magazine but a catalog printed on gray paper with blurry photos of young desirables looking for a way out of the economically collapsed former Soviet blocs. I can’t say the mistress found the rust belt of eastern Ohio much more desirable than eastern Europe but all out access to the soaps seemed to make the difference. She did a half decent job of keeping my father clean, in both most literal and most figurative senses, and probably as a fundamental measure of self protection.

My great aunt who lived in a little shack on the same lot behind our slightly bigger shack of a house took a smoke break once per day by coming in to help prepare lunch or dinner, and that was about all we managed to see of her. She was on a fixed income, widowed, surviving. We didn’t need to worry about her, we assumed, and in any case apparently could manage no more.

My mother, drugs got her. Alive or dead, no idea. She followed her supplier south to Texas or Florida, years ago, according to a couple postcards we received in the ensuing months and then that was the end of that. I did not really understand the protocol of sending postcards to people you had run out on but there was a lot I did not understand. I felt I could hardly blame her for splitting as I was on the verge of always running out myself. Mostly I was numb so as to keep myself somehow alive to the world, at least as I thought of it. May well have been kidding myself. My parents were never married so apparently no divorce was necessary for my father to marry Ms. Verlutsk and make a legal soap opera watching resident out of her. No idea what the common law marriage rules are in Ohio. No one seems to care. No one I know. They have their own rules, we do.

Oh I fantasized all right about my father’s mistress wife. For years. She wasn’t much physically but neither was I. It was sort of messed up. To tell you the truth it felt like she was more married to me than to my father. I mean I felt that more than once. And some days she seemed to feel that too, or wish for it maybe sort of wistfully, dreamily. Very sad, mixed up. The mistress mothered me with an occasional look or word or gesture. Maybe she considered me to be an orphan of a sort like her, as I sometimes imagined I was. Maybe her whole existence to me was my own projection, or half.

And then my great aunt died when I was sixteen. A smoking stroke, I guess. It was like she died just for me. I don’t mean to sound flip about it but I was touched somehow. I moved right in to her shack, that little house. It was like she did it just for me, dying so I could have shelter. It was the perfect time to quit school and I did then in my junior year and began working full time changing oil.

I loved that job, I have to say. It was something to do with some guys you could talk to. It wasn’t school. The little bit of money was good to have. My father let me live rent free in the shack out back and any time I got seriously hungry, Ms. Verlutsk was glad for the company, glad to feed me.

She had zero imagination, Ms. Verlutsk. So that’s what I called her. That’s why she stayed with my father. If she had ever grown up, or gotten a job, maybe I could have called her by her real name, Petra – my father called her Pay – but she never did, she never left Europe really, so I called her ma’am, and decided to not ever be anything like her. Passive in everything except aggressive in trying to stay in place.

She never left Europe, I have to say again, though I’ve never been there and wouldn’t know.

I changed oil for one year until it began to seem like old Europe to me too. I needed upward mobility. There were some cars I could have stolen for the parts. I knew where to take them. There were drugs I could have tried to move, but for that I didn’t really have the connections, wasn’t what you would call middle class, so I could not exactly get on the lucrative end of that trade. You want to make money off drugs you got to have class and move among those people. My mother taught me that. I think she saw drugs as her chance at upward mobility but drugs for my people are really for those whose mobility has tapped out. The selling side anyway. I don’t know what became of my mother. And since I saw myself as just getting started, I joined the Army.

They helped me get the GED, the recruiters. They talked to me a lot, so that in basic training I knew just what to expect – just hard, man, go hard and do what you’re told – and just like they promised I came out of it a man. I felt strong, decisive, and so full of energy it seemed a shame really that I had to go to Iraq. I mean, I felt now I could really do something here in the states. Make it good, make a good life, you know? I felt I could finally afford to move somewhere curious, somewhere I just wanted to see, somewhere – California or Arizona – somewhere I was compelled to live and love the sun and sky and life the way I never had, the way I had never dared dare, and could scarcely dream. Somewhere, man, alive. After basic, I said to myself, I want to try it out west, I want to ride this life out there into the dry sun and shine of the southwest. That was almost the most glorious moment of my life, that longing, and I knew I was going to make it. Felt I knew what life was, after basic. These dreams got me through sometimes. I got through well enough. Except then I had to go to Iraq.

In Iraq, let me put this delicately, we had to give people the fokken business. The fokken business. You think they wanted us there? Not the most of them. You think we wanted to be there? Almost nobody. It felt like Ohio all over again, except more of a throwback to when Ohio was the Western frontier in a bad year where you had nothing but nothing, and attacks.

In Iraq we were like camouflaged cowboys, and the Indians were everywhere. I thought a lot about the Western movies I had seen growing up. A lot of people died in those Westerns. I thought a lot about that. I thought about Clint Eastwood in The Outlaw Josey Wales. He made it. And he even made peace there among the Natives. He made peace for a little group of people along a creek with pure water and a beautiful stand of cottonwoods. And when the federal Army came riding up to capture or kill Josey Wales, his little clan fought off the Army from their bit of paradise along the creek. In fact, they killed every last soldier. It wasn’t like most Westerns. It sure as hell wasn’t like Iraq. Then they sang and danced and celebrated life. Okay, well there I was in the Army, you know. In Iraq, I did not really know what I was – soldier, Indian, settler, invader, or simple jobber. Made it hard to work out my dreams sometimes. Made it hard to carry the day. One day I said to myself, Fok Killing. I kept saying it over and over again. Fok Killing. Fokken killing.

Survived my hitch. Two years. And then miracle of miracle did not get stop-lossed. They tempted me with tens of thousands of dollars worth of re-up bonuses and extras. I walked away.

I bought a car and drove through little tough towns in eastern Arizona. Kept driving. Cruised through Tucson, checked out Phoenix, sprawl and all, and then returned to Tucson. Got a job changing oil. Later, got a municipal maintenance job; next, the same sort of work but for the federal park system. Now, if a truck breaks down out there among the saguaro, I’m the one to fix it.

I have the feeling I’m going to marry a poor Navajo girl, if she’ll ever have me. Maybe not too poor, not too dull. It’s sort of my dream now. I almost think I know what I’m getting into every day of my life now, and you know it’s never easy. But it ain’t Iraq, and it ain’t eastern Ohio, and it sure as hell ain’t Verlutsk, I hope, wherever and whatever the hell that is.

I figure once I get with wife, and maybe a child or two, then I’ll go back to eastern Ohio and see what’s still there, if anything. My old man? Ms. Verlutsk? Some strung out dude paying rent, in a good month, in the backyard.

I figure I’ll go back but that time is not yet. I’m not ready to see the bitter look in the eyes of Ms. Verlutsk or the anger and sad in my father. I’m not ready to face myself so far from their dreams. Or my own. I’ve come a long way in America. It ain’t Iraq. It ain’t AfPak. And I plan on going a long way more.

Iraq War Fiction

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The good and the bad, and the in-between – an incomplete list of Iraq and Afghanistan War fiction, 2003 – 2009:

NOVELS / GRAPHIC NOVELS / PLAYS / VIDEO, FILMS, MOVIE

IRAQ WAR NOVELS:
Story of the Sand – Mark B. Pickering
Lost Boys – James Miller

Zubaida’s Window – Iqbal Al-Qazwini
The Ghost – Robert Harris
Like No Other – Robert Mercer Nairne
A Desert Called Peace – Tom Kratman
Operation Supergoose – William Hart
Hocus Potus – Malcolm MacPherson
The Sirens of Baghdad – Yasmina Khadra
Last One In - Nicholas Kulish
Homefront – Tony Christini
The Conquest of Oila – Tony Christini
Still the Monkey – Alivia C. Tagliaferri
The Scorpion’s Gate – Richard A. Clarke
The Human War – Noah Cicero
Homeland – Paul William Roberts
Outsourced – R. J. Hillhouse
Body of Lies – David Ignatius
The Contractor – Charles Holdefer
Bowl of Cherries – Millard Kaufman
Jasmine’s Tortoise – Corinne Souza
Ever After – Karen Kingsbury
Refresh, Refresh – Benjamin Percy
The L. P. – David Walks-As-Bear
Checkpoint – Nicholson Baker
A Medic in Iraq – Cole Bolchoz
The Chameleon’s Shadow – Minette Walters
Ammi: Letter To A Democratic Mother – Saeed Mirza
We Are Now Beginning Our Descent – James Meek
Mojave Winds – Mark Biskeborn
Sufi’s Ghost – Mark Biskeborn
No Space for Further Burials – Feryal Ali Gauhar
Queen of Hearts & Black Hands – Daniel Homan
Blind Fall – Christopher Rice
One of Us – Melissa Benn
Sunrise Over Fallujah – Walter Dean Myers
Concealed…Inside the Enemy – Barbara Kline
100 Days and 99 Nights – Alan Madison
A Thousand Veils – D. J. Murphy
You Leader Will Control Your Fire – Roy William Scranton
The Reluctant Fundamentalist – Mohsin Hamid
Linger – M. E. Kerr
Homefront – Kristen Tsetsi
Nothing to Lose – Lee Child
A Dangerous Age – Ellen Gilchrist
One Weekend a Month – Craig Trebilcock
No Time for Ribbons – Craig Trebilcock
The Third River – Nisreen Ghandourah
One September Morning – Rosalind Noonan
Wrongful Death – Robert Dugoni
When You Come Home – Nora Eisenberg
Castle – J. Robert Lennon

IRAQ WAR GRAPHIC NOVELS:
Army@Love – Rick Veitch
Shooting War – Lappe and Goldman
“Greendale” as graphic novelNeil Young & Joshua Dysart
Pride of Baghdad – Vaughan and Henrichon
Iraq: Operation Corporate Takeover – Wilson and O’Connor
DMZ – Brian Wood
To Afghanistan and Back – Ted Rall
The War Within – Gary Trudeau

IRAQ WAR PLAYS:
The Wolf – Sean Huze
1984 – Tim Robbins
Peace Mom – Dario Fo
Stuff Happens – David Hare
The Vertical Hour – David Hare
9 Parts of Desire – Heather Raffomore info
Flags – Jane Martin
Black Watch – Gregory Burke1 | 2
Ward 57 – Jessica Goldberg
March On, Dream Normal – Jeanette Scherrer
Betrayed – George Packer (additional)
Get Your War On – Shawn Sides / David Rees
One Shot, One Kill – Richard Vetere
Palace of the End – Judith Thompson
Beast – Michael Weller
In Conflict – Yvonne Latty/students
The Warrior – Jake Gilhooley
Only We Who Guard the Mystery Shall be Unhappy – Tony Kushner
Prayer For My Enemy – Craig Lucas
Iraq War, The Musical! – Paul Cross
The Eyes of Babylon – Jeff Key
Prophecy – Karen Malpede
Bring the King, Bring Him – Haider Munathar
Welcome Home, Jenny Sutter – Julie Marie Myatt
How Many Miles to Basra? – Colin Teevan
The Lonely Soldier Monologues – Helen Benedict
Old Glory – Brett Neveu
Baghdad Wedding – Hassan Abdulrazzak
The Women of… – Edgecombe, Harrison, Pollack, cast
Soldiers Circle – Russell Vandenbroucke

IRAQ WAR FICTION FILMS AND VIDEO:
Lions for Lambs
Over There
Valley of the Wolves Iraq
The Tiger and the Snow
Stop-Loss
The Situation
G.I. Jesus
24
A Mighty Heart
Home of the Brave
Grace is Gone
In the Valley of Elah
Rendition
Redacted
Homecoming
Embedded
Body of Lies
The Kingdom
Battle for HadithaWalsh review
War, Inc.
A Journal for Jordan
Against All Enemies
Brothers
Shooting War
Ahlaam
Badland
Charlie Wilson’s War
“Green Zone”
Day Zero
Turtles Can Fly
Harold and Kumar Escape from Guantanamo Bay
The Lucky Ones
Diary of the Dead
The Hurt Locker
“W”
Army Wives
Saving Jessica Lynch
Generation Kill
Taking Chance
In the Loop
The Messenger
Brothers

COMMENTARY (on Iraq war fiction):
Hollywood’s New Censors – John Pilger
Hollywood Goes to War – Andrew Gumbel
Hollywood Always at War – Response to “Hollywood Goes to War”- Christini / (Pilger)
Too Soon for Iraq Dramas?
Don’t Mention the War – Eddie Cockrell
Footnotes to the Conquest: Iraq War Novels and Movies
Antiwar Novels Are “Belligerent”? – Tony Christini
The Iraq war movie: Military hopes to shape genre – Julian E. Barnes

War No More: The Antiwar Impulse in American Literature, 1861-1914 byCynthia Wachtell

See also:

Cover for 'Fiction Gutted: The Establishment and the Novel'

Iraq War Documentary Films and Video:
EXTENSIVE LIST AT WIKIPEDIA

How to Write a Novel?

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As an undergraduate I attended a writer’s talk, sponsored by an undergraduate writing group, titled How to Write a Novel. I went with a friend who also aspired to write a novel or more. We hoped to learn how that evening. Unfortunately, the author, who went on to direct multiple Creative Writing programs, did not appear to be aware of the announced title of his presentation. Instead of any explanation or analysis or even sheer speculation about how to write a novel, he talked generally about his life and career in relationship to his multiple books – the contextual whens and wheres and whats of his novels, volumes of poetry, and memoirs. No mention of how. Not much mention even of novel.

Over the years, as I attended numerous creative writing classes, listened to many writers talk and earned a degree in fiction writing, it occasionally struck me as surprising and too bad that I never again came across a talk titled How to Write a Novel.

So, how to do it?

First, whether age 16 or 26 or 56 or 86, if you experience life as broadly and deeply as you might well do, you will be able to draw on experience to create the art and the experience that is any story, or novel.

Second, if you educate yourself about people and the world in ways both wide and profound, such knowledge will feed and infuse the experience you bring to a novel.

Third, if you read many novels with great care and eagerness or disdain, and if you learn about their authors and why, when, and how they wrote the works they did, such experience and knowledge will help you to understand what you might do yourself, and how it might take off from what has been previously experienced and known.

Fourth, write.

And this is where many get stuck. If you write toward some inspiration, whether it be some fascination with specific place, or event, or type of person, or some vital moral or beautiful ideal, then you will find movement and motivation for your work. What inspires you? What do you live for? What do you read for? What would you valuing seeing more of in print? What can you contribute toward those ends? What makes your heart leap, your mind quicken, your blood boil? What is your purpose in writing? Write to that. Get the content down that moves and motivates you and your world.

Fifth, understand what you have written, to understand what you might yet write. Periodically, reread carefully, the first sentence, the first paragraph, the first page, and overview the whole thing to see again or for the first time what is going on, and how the story lives or dies, what makes it move or falter, where it might have gone and might yet go.

Novels have a lot of stuff in them, a lot of common and some uncommon facts of life, a lot of experience, a lot of feeling of one kind or another for people, for character and characters, for places and social relations, for groupings and cultural situations, for events and times, full of atmosphere and exploration, of explanation both explicit and implied, a lot of showing and telling about who did what to whom under which circumstances and why. Novels tell a large story either to some vital purpose or out of some needful birth of expression, or both.

So consider, reconsider, and decide as best you can what are you doing and why are you doing it and how well is it going, and whether or not that can be seen by a wide readership in the first sentence or two, in the first paragraph, in the first page? Does a story unfold throughout? Does it catch readers up and sweep them through? If not, why not? Address the weaknesses. Sometimes that means starting over. Or coming back to the work later.

You may find yourself repeatedly coming back to the question, Why do I write? Or who do I write for? Only you can answer such questions, though as with so much of life it can only be answered in consideration of and often in discussion with others, because whether or not you think you write for anyone, you always write among others. It’s a shared world. At its best, novel writing is not for the uncurious, nor for the fearful. Some novelists take nonfiction forms as their models for writing, such as biographies, autobiographies, travelogues, histories, journals and logs, interviews, letter exchanges…also diaries, in which case it might seem that such novelists are only interested in writing about themselves. Not so. The most interesting and valuable diaries are those written by writers, however private, who have a deep interest in the surrounding large world and the people within it. Sometimes that large world has been thrust upon them, and they turn to diary to help make sense of it, to cope. That they write for themselves does not mean they write strictly about themselves but greatly about the world and the people in it.

Sixth, once you have some sense of what you are doing in a story, or what you have accomplished in a short section, then how do you continue? How does one write at length? Significant length presumes a significant experience, often in liveliness, power, and accumulated meaning.

Take a look with a keen eye at the first section or so that you write. First, is it engaging, lively in many ways, in any way? Second, is it powerful at all? If so, great. If not, why not, and what can you do about it? Does it hold together well? Does it fly apart to any purpose. What holds together, what meaningfully coheres, has been accomplished, at least for the time being. What flies apart, what leads and lifts off in various directions, provides grounds for further exploration.

To write at length, the work does well to be more or less powerful and compelling. Lively or somehow engaging. And the story needs to be that again and again, only different and moreso, that is, in growing new relation to what came before. That’s how one writes at length. Every novel grows from the page or pages that come before it, though sometimes in very tangential ways. For a novel to become a novel, to grow from a short section, the short section must be accomplished as noted, and then the novel must change. Something must be different. Something must be added or subtracted, multiplied or divided – whether in character, place, event, or other focus. The imagination keeps going by incorporating these significant differences, expanding from the original section or abandoning it – transcending by continuous creation – sometimes substituting the original section with a new beginning that might lead to a greater or more fitting and effective end. (Not that new beginnings and endings can save a novel that fails to live throughout.) A lot changes in a novel. We tend to think of novels as a thing, a great tale, all of piece, but novels are a series of changes, brought together with some overall co-ordination or intent in the telling. Novels are verbs. Novels are in the verbs, in new actions, new thoughts, and new impulses that both illuminate and transcend old actions and modes of being.

Have we covered it, How to Write a Novel? In one way, at least.  “Once upon a time…” “Once upon a land…” “Once upon a person…” “Once upon an occasion…” “Once upon a moment…” Something valuable occured worth illuminating, approaching, exploring.

Novels tell of the time a creator wishes to explore – when and where and with whom and what began, and how it all came to its engaging and compelling end. Write toward what compels, with purpose and passion.

When Rampaging Dinosaurs Ruled the Earth

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The collective wisdom of the peoples collective was something to behold. They took seriously the task, one among many, of writing a work of epic imaginative literature to reveal the world of the past many centuries in light of the extraordinary events of today. They broke into groups, one of which embarked on a global epic from the United Estates and North America, and if feasible the Americas and all the world.

 

By consensus the creators decided to mix allegory with reality and possibility. In other words, they intended to convey the real world, along with revealing exaggerations, augmented by further possibilities.

 

They sought an allegorical and transparent name for that most powerful country in which many of the creators lived, the United Estates of America. Many possibilities occurred. The United Estates of Plutopia. The Corporate Estates of America. The Corporate Estates of Plutopia. Serfland. The Empire. Neoserfland. The United Corporate Estates of Neoserflandia. Conqueredlandia. The Occupied Country. The Smashmouth Republic. Thug Nation. The Totalitarian Tyrannical Traitors of Transylvania. The Conquered Estates of America. The Peoples’ Oblivion. The United Executives of America. The United Executors of America. America Incorporated….

 

As it happened, consensus eluded the creators. So they decided to move on to name a Ruler – an effort that quickly evolved into naming imaginary figures the world over. Jack DeHatchette. Most Honorable Thugbomb. Sir Velvet Apocalypto. Jefe “Machine Gun” Reyes. Jettens Strykkkar. Rawbe D. Bhlyndde. Chic Crushtherealm. Raajaatopcaste. Chensaw Nooseng. Raja Gunemdown.

 

Nugo Changez. Read the rest of this entry

The Strike

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The Executers Board of Daerth (EBD) met on the third day of the Global Strike and entered emergency session. The People had thrown down. The Chief Executing Officers of the 8 estates of Daerth beset the underlings of the Board, begging, asking, and threatening these rigid individuals for the resources and direction they required. The Strike had precipitated early, months ahead of anyone’s expectations. It went global almost instantly, within half a day. The People had shut the world down. Their grievances were voluminous, explicit, imperative. Capitulate or commit widespread massacre – already these seemed the only alternatives facing the Executers Board of Daerth.

Not easily controlled was Daerth – the country, the corporation, the world. Not easily controlled were the Peoples. And the Board would not relent.

In the past, the billions of People of Daerth had given in and gone along, or resisted as best they could, piecemeal. No more. Within the first few days of the Strike, the People’s organizations bloomed like some long delayed spring flamed miraculous into summer.

Read the rest of this entry

Done Dimslow Done Lost His Mind

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No one but Glinda and Abel remember where they were when John Doe Dimslow first climbed the decorative rock in the middle of the town triangle – the hollow being too narrow to afford a town square, and the mountain rising too steeply at the base of the triangle to have any construction other than steep lawn and flower beds. Upon the town rock John Doe Dimslow preached to the mountain.

Dimslow preached to the empty rising lawn and flowers, he preached to the forest blooming above and the blue sky dappled white beyond, he preached to Swift Run Creek on his left and Cold Run Creek on his right. He preached to the empty picnic tables around the rock.

He preached to the fat spring robins and the flickety chicka-dee-dee-dees. And late that morning old lady Glinda Harrison trooped out of her pancake restaurant and strolled off to the side of old man Dimslow talking to the mountains, and she pronounced what has gone to history in the time intervening and all at once, she said most clearly for old man Abel Forthwright to hear as he stepped out from the barbershop and his late morning shave, “Done Dimslow done lost his mind.”

“You’re raped, America. You’re raped and torn and murdered and slaughtered.”

“Done Dimslow done gone lost his daggone mind, his goddog mental capacity.” Glinda Harrison reserved her approval and disapproval, both ways, and nodded to confirm it. Read the rest of this entry

War Inc. Reviewed

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Joanne Laurier:
“Once War, Inc. makes its points about the outsourcing of war with all the attendant grotesqueries, it largely runs out of steam and a sloppy melodrama takes over.

“For all of its foibles, the film does tap into the deep feelings of large numbers of people, furious about American corporations that ruthlessly throw their weight around all over the world, and the demise of the US Constitution and open advocacy of torture by the political elite. It also testifies to the failings of the left-liberal milieu, which despite certain misgivings and criticisms, always finds itself running with the political pack of wolves who abet those they so despise. The pack we refer to is the Democratic Party and its apologists and hangers-on.

“In the end, War, Inc is a sometimes lacerating, but highly uneven, protest against the ever-expanding American war machine.”

http://www.wsws.org/articles/2008/jul2008/wari-j12.shtml

Also:

John Cusack: Bypassing the Corporate Media by Joshua Holland: “Cusack’s anti-war polemic, War, Inc., continues to defy expectations, despite the traditional media’s dismissive reception.”

And MovieMix

Homefront online

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Amy Goodman and Juan Gonzalez interview John Cusack about War, Inc

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From Democracy Now!:

JUAN GONZALEZ: Well, John Cusack, obviously you’re dealing with weighty and tragic situations, but you’ve chosen satire. Why the satire approach, did you feel was necessary?

JOHN CUSACK: Well, I think, you know, all satire or absurdism does is take current trends to the logical conclusion, you know, if you follow it a couple weeks or a couple years down the road. And some would argue, I think rightfully so, that we’re already there.

Review of John Cusack’s War, Inc. – by Larisa Alexandrovna

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Alexandrovna:

War Inc. magnifies that which we already know and that which we are being forced to play along with…. Think for a moment of the real-life desert of the real that we live in. The Bush administration and their paid proxies, for example, attack those who disagree with them on the Iraq war as not supporting our soldiers. The term “irony” is not remotely strong enough to convey the horror of this rhetoric given that it is pouring out of the mouths of the very people who have lied to and exploited the troops, our troops. The same people – the Bush administration and their proxies – sent thousands of US soldiers to their death through willful lies and abandoned the broken rest to a hell-hole wasteland of medical neglect -have the arrogance to actually lecture us on supporting the troops. Worse still, the corporate press echoes these same talking points. Yet we see right through all of this, don’t we? It goes in circles and never stops. Is this not excruciatingly absurd? How does one find the logic of this chaos and maintain some semblance of sanity?

There is a scene in War Inc., which quite literally takes this perverted propaganda and puts it on stage in the form of a chorus-line of women whose legs have been amputated. Watching them kick up their metal prosthetic legs all the while smiling in thanks to the fictional defense contractor who has made their dance possible is bone-chilling. Yes, I laughed at the absurdity, but a sort of nervous laughter because crying long seized to relieve the tension. This scene captures perfectly that which we know about the twisted way in which the crimes of the Bush administration have actually hurt our troops and turns inside-out the talking points of the corporate press, directly aiming the sewage back against its origin.

Out of the Bunker in Iraq

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When the President of the United States emerged from the secret underground bunker with one Iraqi insurgent gun in his right ear, another in his left ear, a third at his back – and enough explosive to obliterate all life in the near vicinity set to blow at an instant – he tried to remind the surrounding US forces, “Do not attack us, or we will all die.”

“Ho-ho,” the Commander of the insurgents said, “the President is suddenly a very wise man. Now if only he had cared a wit about human life earlier. No one need have died, but the Iraqi people were not even like ants to the President when we could not strike back at him directly. We were like harmless bacteria or lethal viruses in his mind’s eye if we even existed at all. We were collateral damage, expendable. Well who’s collateral damage now? Who here is expendable?”

Read the rest of this entry

The Oil War

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They tell me I was born without nine fifths of my brain.

I don’t know what percentage that is exactly.

I don’t know how I ended up in the US Army. In Iraq.

One day out behind barracks playing soccer with some old volleyball, the next minute driving down the main drag in Baghdad. Invaders.

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Footnotes to the Conquest: Iraq War Novels and Movies

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The media is full of articles stating that Iraq war movies and films (the fiction features) have not done well at the box office, but compared to the relative lack of, say, Hurricane Katrina movies, or, say, the ongoing national slaughter of the impoverished by the impoverishers movies, the growing numbers of Iraq war movies, by their very existence alone, are doing extremely well.

Far more such movies have been made now than were remotely ever made about the Vietnam war at a comparable time. And far more people see most any of these movies than see most any such documentary. But it’s no cause for celebration, far from it, because these movies are very careful not to be too “antiwar,” too revealing of the basic illegality and immorality of the US conquest of Iraq.

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This Our Age of Consumption

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I know it may seem ironic, but I can assure you it is not, to have the Secretary of Consumption ascend to become President of the Holy Learned Corporate States of America – the former US of A.

Quite a coincidence that the first few fellers in line for the Presidency all died accidentally on the same day the president succumbed to food poisoning. And then the next few fellers in line declared they would resign rather than serve a minute as President, and so, quite unexpectedly, the Presidency fell to me, the Secretary of Consumption. Who would’ve thought? I of course accepted this most honorable position, with relish, and with a celebratory feast, in which I was roundly toasted: “A man of your time, Mr. President Consumption!”

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Master Servant of Corporate America Beauty Pageant

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Time for the Master Servant of Corporate America Beauty Pageant.

At its highest level, the MS of CABP is staged once every four years in that mighty land of the Incorporated and Off-Shored – The Corporate States of America (CSA), formerly known as the USA. Read the rest of this entry

Fiction and the Left

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On the left in North America, the novel kind of died or was killed a long time ago, if nowhere else. Upton Sinclair’s The Jungle was not only first published in serial form in a left periodical, his research for the novel was funded by it – by the socialist newspaper, The Appeal to Reason. I’m aware of no left news periodicals that are regularly running partisan liberatory fiction. Liberation Lit is one of the few left journals of any type that runs much progressive partisan fiction, and that consciously seeks it out.

Left periodicals might find it ever more to their benefit to run Lib Lit type fiction because, at least compared to nonfiction, it reads better in print than online. Moreover, a lot of nonfiction is actually more useful online than in print, by far; whereas, probably the opposite is true for fiction, with the exception of microfiction. Plus, running liberatory fiction would give left news outlets a comparative advantage over the many news outlets that don’t run any fiction at all, or very little.

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New Mainstay Press site

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Mainstay books:

Short Order Frame Up – by Ron Jacobs

Homefront – by Tony Christini

Point of No Return – by Andre Vltchek

 Cover Image      Cover Image      Cover Image