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Author Archives: tc

My So-Called Earth

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a god’s story

One millennium, with less than normal to do, I again visited one of the most peculiar planets I have ever created, known by its most destructive inhabitants as Earth.

I am an amoral god.

I create worlds, I create life for no specific purpose other than to see what happens, to satisfy my aesthetic and scientific interests at the time.

My so-called Earth conceived itself as a simple water, ground, and sky experiment. The underlying physical and chemical start-up properties are of course complex but irrelevant to my main interest apart from the workings of the experiment itself which is Life.

Life in all its great diversity and complexity.

Now after a few dozen millennia between visits to Earth what do I find?

I find these little monsters who call themselves Human Beings to be systematically destroying my peculiar little experiment, planet Earth.

Unfortunately I cannot interfere, not chemically nor physically, for that would invalidate the nature and results of the experiment.

But I find I cannot waft idly by because these little monsters are effectively destroying my experiment, along with myriad forms of life I so greatly appreciate and admire.

So what to do about the little monsters?

I have an impulse to form a giant hand of GOD in the sky and use it to reach out of the clouds to strike down the leading monsters, the bankers and presidents, the CEOs and the idiot preachers of materialistic plunder.

But I fear the results would be equally destructive, or worse. I fear that the most ill-cultured power grabbers would launch into the breach destroying ever more of the world, and faster.

So, what to do about the little monsters who are so maniacally voracious that they are eating the planet even at the ultimate cost of destroying the very foundations of their civilization, one by one?

Who will stop the little monsters but the god who created the experiment they so stupidly and brutally devour?

In the interests of chemical and physical science, I cannot intervene materially.

Thus, I write to you personally, through this weblog, all of you, you little monsters. I am going to need some help to save the world. I am going to need the help of you all. Read the rest of this entry

Fiction & Criticism

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Fiction:

Cover for 'Texas MFA' Cover for 'Ganoga'

Nonfiction:

Cover for 'Fiction Gutted: The Establishment and the Novel'

Anthology:

Cover Image

deluge of the bankers

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historical the cash deluge

each and every year more huge

officials preach and claim to care

emotions trite and tripe they share

they harken to the mayflower

they mention ellis island too

they pose in patriotic power

and fling around clichés half true Read the rest of this entry

StrikeTube

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Holy Shyt Day

I went to school the other day to read a book to my daughter’s first grade class, and you know it’s almost Christmas and the school is very careful to call it the holiday season instead of, you know, the main Christian party time, or the Jewish festival of whatever, or the Muslim feast of who knows what, but the only books they give me to read are these Santa Claus hang your stockings by the fire type books about Christmas.

Oh sure there was also a book about just snowmen and the little Muslim boy in front of me said he did not want to read the Christmas book, and I said, no kidding, little boy, I don’t blame you one little bit, but your religion is make-believe too, just like Christianity, and just like Judaism, and just like every other religion that claims a God. Because it’s all a lie. People say they know and they don’t know. Nobody can know that any God exists and yet they claim that they do. Nobody. It’s all a lie and the only books they give me to read are these lying religion books. Well to hell with it all!

“To hell with it all!” I shouted out to the first graders. “To hell with all religions! Gods are lies! Make-believe! To hell with lies!”

“Wait, wait,” said Tommy the first-grader. “Hell is a Christian word. A religion word. You see what I’m saying? You are saying to hell with hell. It doesn’t make sense!”

“Well, holy Jesus, Allah, Buddha, and Yahweh, you are correct, my astute young pupil. When I say to hell with hell, I mean, Down with hell! Down with religion! Down with lies! Stop lying to us, you liars, for God’s sake!”

“Sir!!!”

“Oops! My mistake. No Gods, No Masters! Okay, come on now, everybody clap: Down with religion! Down with lies!”

I was clapping and all the first graders were clapping and shouting and singing, “Down with religion! Down with lies!” The Muslim children and the Christian children and the Jewish children as happy as happy can be, as happy as befits a great festival of holidays: “Down with religion! Down with lies!”

The first grade teacher had passed out and was lying in a lump on the floor. A few of the children went over and looked at her and pronounced, “She’ll be okay. She does that sometimes. This is a tiny bit more extreme than usual but she likes to act like we are killing her when we don’t pay attention and when we don’t do what she says and when we don’t even hear her in the first place. How are we supposed to know when to hear her? How are we supposed to know when to listen and when to think for ourselves?”

“Precisely! Yes! Yes!” I could have wept. Instead I sang with the children: “Down with religion! Down with lies!”

All the children rose to their feet and skipped and pranced and traipsed around the room. Oh it was wonderful! History and philosophy and recess wrapped up in one! Read the rest of this entry

Life in the Wartagon

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By 2010, at latest, official life in the United States of America, as in the rest of the privileged world, had devolved into a circus freak show. The only officials and educated people in the world who did not know the great corruption of ruling circles did not wish to know. One had to commit to being a freak of negligence and delusion to rule under such conditions. Unfortunately, the sane were not strong enough to stop the insane. And so the ever so polite and decorous but brutal and murderous official freak show rolled on, infecting and obliterating the bodies and minds of people far and near.

Even among the insane, they said it could not be done.

When the great President Doller FirstStrike announced a few generations ago that the mightiest of all nation states The Incorporated Estates of Wartagon (IEW) would one day extend its military headquarters (formerly known as the Pentagon) to the entire world, literally and physically, no one believed him. Well who is laughing now?

Stiel Drumhead lived all his life in the Wartagon and wished never to leave. Born in the Wartagon he believed he would die in the Wartagon because it was in the Wartagon where he thrived. Stiel was the new man, a Wartagon Man. Stiel modeled himself after the IEW’s great General become President, Doller FirstStrike, who signed the legislation officially changing the name of the Pentagon to the Wartagon.

Stiel Drumhead married happily though for many years remained without child. He felt he hardly need reproduce as there were so many of his type on Wartagon grounds. Wartagon lifers seemed to sprout spontaneously from the handy prefab walls now produced on Wartagon bases throughout the world. Stiel’s wife, Turret, was the sensible sort who did not see children as a necessity. Not that there was anything wrong with children. She was sure she could happily produce six or seven if she felt the need, and she would happily lay her body down to any pressing IEW call for extra soldiers. In the meantime she served the main body of the IEW, the Wartagon, in other ways.

Exactly per the vision of the great President Doller FirstStrike, the Wartagon at long last existed by block tunnel and cavity into and through, beneath and above not only every continent, ocean, country, state, province and county but within every city of any size, and into many towns. The Wartagon extended from its original nexus, the old Pentagon, in the form of long tunnels of endless block walls made from an off-white cement mixed with coal ash for extra strength and sporting the occasional small window not big enough to squeeze a body through.

These Wartagon tunnels, or tentacles as they came to be known, ran along every interstate and international roadway, along every rail line and transport artery into all major settlements known to, of, and by humankind. Necessarily, much of the tunnels consisted of nothing more than empty hallway, especially across the vast expanses of mountains, plains, and deserts, but the building dollars meant something to the regional economies and even more to the contractors, and in any case the Wartagon occasionally opened the vast empty tunnels to incredible long distance feats of indoor running, biking, walking, and related adventures. Much of the civilian housing that these tunnels ran past was not in great shape, which made the Wartagon works appear even more reassuring to passersby no matter how much of the sturdy structure sat entirely empty over a great expanse. Fortunately the tunnels scarcely needed repair as they were built to be all but indestructible against any civilian uprising.

The power and supremacy of the Wartagon infrastruture physically and psychically stretched over Earth like a celestial octopus with a main body the size of Mars and tunnel-like tentacles long enough to reach to the Moon and back. The octopus exercised by tossing objects whether explosive or not all about Earth and out to and around the Moon and on into the universe depths beyond imagination. The Wartagon octopus performed all these feats while clasping the planet tight to its bulk as if never to be released.

As a patriotic boy, Stiel Drumhead doodled a grand cartoon of the Wartagon as just such an Earth-hugging octopus. He pressed the image onto T-shirts and sold the banner-like gear at Wartagon ballgames. He did so under the censorious and enduring eyes of the Wartagon adults, which may have poked at bit at their seen-it-all-if-not-quite-yet energy and fatigue. A few of the kindlier moms bought the shirts. The Wartagon was always keen to cultivate patriotic entrepreneurs, the younger the better, so he sold the shirts with tacit Wartagon approval, just as he and his fellow Future Warriors of IEW had been selling flag buttons since age three. They performed skits on and about IEW holidays and invasions in military fatigues throughout kindergarten, pre-school and grade school. Nothing remarkable in that. It was the sort of thing that had been produced and celebrated even in civilian schools long before the Pentagon name change to Wartagon. A proud people in a proud land with big guns.

Meanwhile the Wartagon brick-and-mortar missile-throwing octopus suctioned and swarmed increasingly everywhere that dared to be anywhere-but-there in the command and control of the Wartagon. Stiel Drumhead desired nothing but Wartagon life for his own personal well-being and satisfaction. Stiel’s loving wife Turret Gunnar felt the same. Or, almost.

Stiel had heard of the outside world of course, the civilian world, don’t get him wrong. He perused the pictures of chaos in The Wartagon Times. He watched blockbuster films produced off Wartagon base. These civilian films struck him as a lark on the one rifle, and on the other rifle as signs of a universe rarely well-ordered, prone to riot, and, let’s face it, deeply ungodly. Stiel wasn’t going anywhere. He could tell you that.

When on rare strangely impulsive occasion Stiel’s wife Turret Gunnar wished to leave Wartagon it was never on a lark. Not that she ever did. Occasionally she dreamed. But why should she? The world outside produced danger as a rule. Everyone knew. Danger for everyone at all times everywhere. Except for the lucky few off base born to great privilege. Or just lucky. Neither of which applied to Turret.

Turret Gunnar felt herself to be the furthest thing from lucky. Blessed, deeply blessed, but not lucky. She did not care to be, did not wish to be lucky. She wished to be blessed and she was, she knew she was, and that was all that mattered in this world, and in any other, The Other, World. Turret Gunnar had faith like most everyone she knew. She wore her faith like a necklace on the inside. Modestly but proudly. And with faith, anything was possible. Anything. Even luck, which nevertheless she looked right straight down her humble but proud little nose upon.

Sure it made Turret sad that Wartagon saw its fair share of bumps and bruises. Turret believed the violence on Wartagon to be maybe not that bad, war by passing war and that it became maybe easier to bear each and every training crash by accidental explosion by friendly fire. Wartagon violence was predicable, after all, almost controlled. Civilian violence was chaotic, scary, wild. Wartagon violence was spectacular, familiar, righteous. Civilian violence was strange and barbaric. Violence on planet Wartagon was for the ultimate cause, one could always comfort oneself. It was worth it. Besides, what choice did a poor trooper have in this world?

The ultimate cause of causes in all the Wartagon world, it went without saying, was the defense and the infinite growth of the Wartagon.

What else? The Wartagon was all.

Certainly plenty of Wartagon jobs required regular patrols off base. However, Stiel and Turrets’s Wartagon jobs were more pure than that. They never once had need to leave the compound. Wartagon’s tunnels and Wartagon planes took them to any and every Wartagon locale where their presence was required.

Did Turret Gunnar and Stiel Drumhead never go outside?

Don’t be ridiculous! They played and lived and worked and loved out and about the grass and trees, the woods and waters as often as not but they never went off base.

They did not need to. The Wartagon holdings were immense the world over. They did not feel they ought to. The loyalty of Turret and Stiel was even more immense. Proud base babies through and through they were. They would be the first to tell you. At least, they used to be. As they aged, they no longer were so quick to jump to the exaltation of themselves in relation to the Wartagon. They were more quick to consider that other lives might be equally worthy to theirs. In theory at least. In the meantime, in reality, they had their own high priority jobs to do and gave serious consideration to little else. So they remained Proud Base Babies, oddly secure and privileged IEW workers as they hopped around the world from job to job occasionally coming under attack

There was another T-shirt of, by, and for the young Stiels and Drumheads and Gunnars everywhere:

Proud
Base
Baby

One word stenciled directly over the other in solid formation. Stiel had worn the shirt proudly as a child and planned to buy his own children the same should he and Turret at some point embark upon a family.

No one was more proud of her Wartagon life than Turret Gunnar even if she sometimes wondered what the outside world might be like for real. She scarcely dared think of venturing into the surprisingly vast reaches off base. What could it mean to a base baby to go off base? Nothing good, surely. In any case the Wartagon offered the ultimate in freedom and the next-to-latest in shopping. Free health care too but one did not speak too loudly about free anything other than free-dom.

What an entity was Wartagon! an honest-to-goodness living outgrowth of the inanimate, tentacular endless limbs pods attached, detached, covalent to the main octopus, accessible by Wartagon Airlines (WA). Massive firing grounds, highly structured campuses, tropical beaches, and hundreds of golf courses were found on Wartagon holdings and could be enjoyed the world over. Any Wartagon base of any size basically mimicked a midwestern suburb. If you got good at wrangling your duties just so, you could spend winter in the tropics, summer in the arctic. Or what need was there to ever leave a base that held both beach and golf? Every schoolboy and schoolgirl in the Incorporated Estates of Wartagon could recite by heart the major territorial acquisitions of the IEW, whether by conquest, purchase, or fiat, year by region, nation by installation. Stiel Drumhead could go further and name the commanding officer of the governing sectors of the military at each point and time of acquisition.

Born a “base baby” like her loving husband Stiel Drumhead, Turret Gunnar knew herself to be if anything more inescapably married to the Wartagon than to Stiel. She had lived and loved both the place and the man all her life, or may as well have. Together they attended Wartagon Corrections Institute, main campus, pre-kindergarten through college where Corrector Stiel Drumhead now held the prestigious chair of Corrector of Freedom for the Program of Vassal Relations (formerly PR) in the Department of Economic and Historical Necessity.

Who would want to live in the outside world as mere vassal when one could work in the belly of the Wartagon as an agent for security and order, as a militant entrepreneur for the power and the glory of all that is good in the world, as determined disciple of the late great President FirstStrike, as an unapologetic apostle of peace? The Drumhead choice was stark indeed.

Turret felt the same, almost like Stiel.

She labored as medic in the infirmary where she tempered and treated an unending flux of melted faces, incinerated limbs, and crushed skeletons.

More spiritual work was hard to find.

Or even to imagine.

Turret Gunnar felt truly she was doing the work of the great Warrior in the sky. And no one could argue otherwise.

What Stiel Drumhead understood, as esteemed Corrector of Freedom for the Program of Vassal Relations in the Department of Economic and Historical Necessity, was power. He knew that the walls of the Wartagon were moving ever outward to encompass the planet and universe. What Stiel struggled to understand was people’s inherent stubbornness in accepting reality. Why did they not all rush the walls to get inside, not in conquest but in acceptance, to live the live of the secure and the ordered and the strong? Granted, not everyone could be blessed with the privileged sight and knowledge of the Wartagon that came with being born inside it, at least not yet. But people should know. By now, long since they should know and embrace history. By even as far back as the turn of the millenium the military budget of the Wartagon had accounted for essentially more than half the budget of the state that would be the IEW. Morever, even at that pregnant time the military spending controlled by the Wartagon’s predecessor the Pentagon had amounted to more than was spent by the entire rest of the world combined on military endeavors. Even then at the second millenium, the military owned more than 200 golf courses around the world, a ski resort, and some of the most spectacular beaches in the tropics, many dozen jets for the Generals. Munitions manufacturing account for the vast, vast majority of all the manufacturing in the country, which also no coincidence was the lead arms seller on the planet.

Just so today did the Wartagon control the vast majority of land across Earth, along with its oceans, skies, and outer space not least. Young teenage warriors with joysticks sitting in plush air conditioned comfort at Fort Anywhere deeply safe in the Homeland piloted flying tank-like drones against desperate rag-clad insurgents crouching pathetically behind crumbling stone walls in some forsaken desert half the globe away. One hardly need to paint this picture that everyone knows: the Wartagon’s unmatched military prowess. Yet somehow this incredible power fails to sufficiently impress the vast majority of vassals around the world who continue with their lives as if they should not be scrambling to the nearest Wartagon base for cover, the ultimate protection and security that only the Wartagon can provide.

Stiel Drumhead tried not to judge too harshly. After all, he had never faced the Wartagon test: Do I or don’t I sign over my life to the Wartagon? He was a proud base baby who tried not to let it make him conceited.

His father had been crushed to death by a 2000 pound bomb that slipped its leash, and not long after that his mother bag-and-pilled herself to death either over the weight of  the disaster or some other terror. But this sort of thing happened everywhere not just on base. And while it was true that Turret’s uncle had shot and killed his wife in front of the judge on the day of their divorce and that Turret’s mother had been killed in a raid against her supply convoy in Iraq and that Turret’s father died in a freak training incident with dummy fire (one little spark, one big gas tank explosion), these sorts of things happened in the natural world too. Nature was red in tooth and claw, and the Wartagon was red in steel and powder. That said, the more Stiel thought about it the more he figured choosing life in the Wartagon over life on the outside might not be the no brainer he had first thought.

The young warrior in back of the class wearing sunglasses seemed somehow familiar to Corrector Stiel. No matter that he could not place him and did not know why he had shown up today and slipped into the back row. The young warrior was neither enrolled in the course nor as young as the warriors who were. Corrector Stiel assumed a former student had dropped in to bend his ear after class about an old idea or two. Maybe some new field application relevant to past theory. So when class ended and the young warriors filed out, Corrector Stiel was not surprised to find the young man staying on, though it seemed odd that he remained seated in back.

“Can I help you?” Stiel called out.

The young warrior laughed in a way that Stiel had not quite heard before. Stiel examined the man more closely as he uncoiled himself from the back seat and came forth. The man seemed only a few years older than his students physically but psychially, well, he had that battle wizened air of bloody, hard, and heavy duty. Plus…there was something…else.

“Correct Drumhead, I’m Sergeant T. J. Slew.”

“Yes, Sergeant Slew, it was some years ago.”

“Counterinsurgency Theory and Vassal Relations. You were the most capable Corrector I ever had.”

“I’m surprised to hear you say that, Sergeant Slew. As I recall, at the end of the course you came up to me very much like today and told me you did not believe a word I had said the whole while, and by consequence you did not believe a word you had written to ace the course.”

“Is that what I told you? Not quite.”

“‘Well something like it.”

“I told you the theory was fine but none of it applied. I told you that our job in the field was to kill people faster and quicker than ever before, and to find more ways to kill people faster and quicker. I told you our job was to kill and not to politick. I told you our job was to gut the enemy not rinse his mind. Corrector, I sensed even then what I later confirmed that you cannot travel half way around the globe to Afghanistan or anywhere else and convince anyone of anything that they do not already believe. And you can especially not do that at the point of a gun. No matter the COIN theory. No matter the vassal relations techniques. What on Earth would make you think it could be done?”

“The Wartagon training manuals. They all show the effective use of counterinsurgency theory and vassal relations technique. Look at the case studies!”

“The case studies are cherry picked. Some are distorted. Others may be faked. It makes for good politics, provides politicians cover, gives everyone lofty things to say to everyone else in case there is anyone around silly enough to believe it.”

“Sit down, Sergeant Slew.

“Why don’t we.”

“Mine is the last class of the day. We have the room. And that’s what I mean, you did not believe a word I said or a word you wrote to earn the best marks in the class.”

“School is all about lying, is it not, Corrector?”

“On the contrary. You are suffering from cynicism of the battlefield, Sergeant. It’s not uncommon.”

“It’s more common that not, you mean.”

“You may be right.”

“I believed in your professionalism, Corrector. Your course was nonsense, but I respected the professional way in which you conducted it, and I consoled myself that there was nothing anyone could teach me on base that I would not have to learn for real on the field of battle. But you at least passed on a sense of your great professionalism.”

“I don’t know whether to thank you or send you cursing out of here.”

Sergeant Slew shifted his hips and pulled a gun out of a thigh holster. He held it on his lap, barrel pointing forward.

“Do you recognize this?” asked Sergeant Slew

What Stiel Drumhead recognized was that he suddenly felt in no position to send Sergeant Slew anywhere, a thought that struck him simultaneously as unusually disturbed and disturbing. Guns on military bases were no big deal. Stiel Drumhead was an esteemed Corrector at the Wartagon, mightest of all military bulwarks. This was his classroom not the young warrior’s. What I say goes, he thought, but realized Sergeant Slew had pointed out out how he could not care less what the Corrector thought, said, or wished.

“Recognize it? Who would not? It’s a real old timer. Colt .45. Back in the days of the Wild West.”

“Who slaughtered who then, do you remember?”

“That’s a bleak view of the age.”

“No, it was wild. Pioneers, settlers, Indians, and the Army. Plenty of slaughter to go around. In the end the Army always wins. It only seems to go away and that everyone else wins. But the Army does not go anywhere. You’ve got Wartagon bases all across the West and the country and the world. The Wartagon grows bigger by the year. The whole planet is becoming one complete base. Have you traveled to Afghanistan, Corrector? And to the massive bases even in Kansas. Dorothy’s old home. Dorothy of Oz. Dorothy is dead.”

“You spend too much time in the field, Sergeant,” Stiel Drumhead said gently. “I guess it can’t be helped. But you need to rest up.”

” Don’t worry about me.” With that Sergeant Slew aimed the Colt .45. He fired a shot through the center of the dry erase board behind the Corrector’s lectern. “Teach those warriors well, Drumhead.”

Sergeant Slew restored his sunglasses to his face and left the room in no apparent hurry.

By the time Corrector Drumhead was able to move he could not decide if he wanted to.

Seargeant Slew was gone. The shot had been heard outside though it took awhile before anyone figured out which room it had occurred in. A young officer found Corrector Drumhead sitting as if paralyzed.

“What happened?”

“A former student of mine came into my classroom and fired a hole through my dry erase board.”

“Are you hit?”

“Do I look hit? He was sitting right here, right beside me. We were sitting side by side. He showed me his Colt .45 – “

“The Wild West gun.”

“– then he wasted my dry erase board.”

“A former student? Do you know his name?”

“I know exactly who he was. He wanted me to know. He introduced himself to jog my memory. Yes of course I know who he was. But I hate to tell you.”

“Why?”

“Because he’s sick. Sick on war, sick of war, sick by war, I don’t know. He’s ill. Goddamn! Who shoots a goddamned dry erase board!?”

The young officer about fell over. To no one’s knowledge had Corrector Stiel Drumhead ever cursed before.

The room began to fill with officers. A few remembered to have the base shutdown: no one in, no one out. Corrector Drumhead was asked to repeat what he knew by a growing group of warriors. When he finally mentioned Sergeant Slew’s name, “Sergeant Slew is dead,” a senior officer announced. “He was killed a months ago in Afghanistan. I knew him. And I know how he was killed. Sergeant Slew did not shoot that dry erase board.”

Corrector Stiel Drumhead blinked. He stared at the bullet hole in the dry erase board.

“How?”

“It’s classified.”

“Of course it is.”

“I’m sorry. It just is.”

“That makes perfect sense.” Corrector Stiel Drumhead stood up at last. He walked to the dry erase board continuing to study the bullet hole. Then he ran his finger around the tiny edge. “How many died with him?” he asked the officer.

“Pardon, Sir?”

“How many died with him?”

“Uhhh, well, Sir, I didn’t say that – “

“It’s classified, correct?”

“Yes, Sir.”

Corrector Stiel Drumhead turned on the officer. “How many? A dozen?”

The officer reeled back. “Come with me, Sir.” He clasped the Corrector on the arm.

They went straight to the base commander’s office and were received alone almost at once, where the situation was explained. At which point, the base commander ordered the senior officer to pat down Corrector Drumhead. “I apologize for this, Corrector.”

“Oh course. I’m glad to be cleared this way.” No Colt .45 or any other gun was found on the Corrector.

“Now I think we can safely say that you did not shoot your own dry erase board, Corrector. So tell me: what do you know about Sergeant Slew’s death?” The man asking the question was Base Commander General Brill Flashpointe.

Stiel Drumhead shook his head with regret. “Slightly more than you, General, Sir. I did not ask for such information. I can only tell you that Sergeant Slew faked his own death and that he killed those other soldiers.”

The three men had been standing in a rough triangle. Two of them, after a moment spent staring at Corrector Drumhead, slowly sat down. Stiel Drumhead stood alone, awaiting orders.

“Please, sit,” said General Flashpointe. Stiel did. “Let me ask you something, Corrector Drumhead. Have you left base recently? Let me be clear. Have you ever left any Wartagon base for the field ever?”

“No, sir.”

“So the rumors are true.”

“Rumors, sir?”

The General waved it off. “The problem is this, Corrector Drumhead. And this you will not repeat in any portion to anyone ever. We have it on the best of Army intelligence that one entire remote base in Afghanistan was overrun in the middle of the night. There were 100 percent casualties. Do you understand what I’m saying? All fatalities. Then the bodies were gathered in a mass and blown up with high ordinance explosive. And then what was left was burned with enough gasoline to torch a city. This was Sergeant Slew’s base, his unit. His personal effects along with those of everyone else on base who was not Afghani were found among the char. So it was clearly an inside Afghan job. With plenty of help from the outside no doubt. But let me make this perfectly clear: the Afghan personnel all survived. The Wartagon warriors all perished. And now you tell us Sergeant Slew is alive. What are we to make of that?”

“General, Sir, I don’t know. I do know that Sergeant Slew just shot a hole through my dry erase board. He is my former student. I know nothing of the great tragedy of which you speak. Yes, I am changing my story. I never lied to as Wartagon professional before I lied to you a moment ago. I don’t know who Sergeant Slew may have killed, if anyone. As soon as I was told with great authority that the Sergeant Slew with whom I had just chatted and shared gunfire was killed three months ago, the cogs in my mind turned. I put 2 and 3 and 4 together and got: soldier snapped; soldier too clever to catch; soldier capable of anything; soldier has great blood in his past; Wartagon misinformed. I guessed that something terrible had happened that the Wartagon was anxious to keep quiet, General. I guessed because I knew that guessing and hitting in the vicinity of reality was the only way you or anyone was going to sit down with me and tell me what really happened to or around Sergeant Slew. Or what you think really happened. Clearly, it did not. You can know that now. Of course those men are dead if you say they are but Sergeant Slew was not one among them even though you say he was. Ergo. He snapped. He killed them. Why he came to see me and shoot my dry erase board I have no idea. Though I’m sure the investigation team will wish to take down our brief conversation before the shooting as best as I can recall it.”

“That’s just brilliant,” muttered General Flashpointe. He plucked the big shiny plastic EASY BUTTON off his desk and with a fierce snap of shoulder and elbow and wrist and no small force of back he flung it across the room. It bounced off a side wall and careened across the floor.

Corrector Stiel Drumhead’s life would never be the same. Wartagon command sent him off base into the field for the first time ever. He half suspected the Wartagon of trying to kill him. Possibly the high brass would not mind if he were disappeared, beheaded, exploded knowing what he knew. Or what he and they thought he knew. He could not blame them and was sure he would feel the same in their position.

Just so, Stiel Drumhead found himself where he found himself: rifling through the mountains of Afghanistan in search of the Afghanis who had long since fled the incinerated base. He hauled gear from village to village without much hope far out on the fringe of the heart of Wartagon holdings, Greater Oila. What was he doing here? What was the Wartagon doing here? What was anyone doing here? Invade and hold Iraq to control huge oil wells. Invade and control Afghanistan to manage strategic pipelines. Figure out what really happened at the pyroed base so that it could be prevented from happening again. Stiel was under strict orders: Learn the real facts of the night of the great massacre. Only then return to base. Stiel understood the orders to be a kind of death sentence, whether professional or mortal it hardly mattered. And he agreed with the logic. A Wartagonian’s role depended upon his capabilities. Stiel had a new Wartagon job to do and he was going to try to do it to the best of his abilities. The assignment happened to be his first off base. What remained of absolutely no surprise to Corrector Stiel Drumhead was that this first venture off Wartagon base might also be his last. An inglorious end, no doubt, but then he had never signed up for a hero’s role. He was a steadfast Wartagon lifer, nothing more, nothing less. He thought of Turret warm and safe on the main Wartagon campus. He thought of the family they had never had. He searched for the truth of catastrophe by fire in the icy mountains of Afghanistan, Greater Oila, as the Wartagon knew it.

Stiel thought incessantly of the mystery of Sergeant Slew. He repeated his name to everyone, everywhere he went. Usually cold silence followed but then finally came total revelation. “I know what happened.” An Afghani named Dahr told Stiel and his interpreter. “Step outside.” From the back of the local eatery the man soon emerged with a box of pictures.

“These are pictures of my sister and cousin.”

The sister and cousin lay in dirt, dead, ripped apart by gunfire.

“They were working in the field when Sergeant Slew and his men killed them for fun. You see what trophies they took.” The pictures showed Dahr’s sister with three of her fingers missing, a toe, and half of her teeth smashed out. Dahr’s cousin had lost both ears and thumbs.

Dahr had worked on Sergeant Slew’s Wartagon base. His family had remained in this distant valley and were killed with no realization of their relation to Dahr.

The slaughter did not stop there. The next day the Wartagon warriors killed one of their fellow soldiers who was outraged by the cold-blooded slaughter and threatened to not keep quiet, Joe Campbell. Sergeant Slew set him up on the next patrol and friendly-fired him to death. Slew wrote the battle report too: death by enemy fire.

Dahr heard the news in the gossip of the soldiers. When he learned of his family’s own fate he fled the base for home.

And then the incredible happened. Months later, the younger sister of Joe Campbell appeared in his village, asking questions. Dahr told Cassie Campbell everything, the fate of her brother, his family, himself. He showed Cassie the pictures of his slaughtered kin, blasted like vermin, butchered like meat.

Cassie ventured a crazy plan. If she could get the men on base to trust her, she was sure she could kill them all.

Dahr never thought she could do it. He thought she would be found out and sent home.

He helped smuggle her onto base, where she surprised Sergeant Slew by who she was. She romanced him. It was easy as could be in a desperate and isolated war zone. She became the great base secret, Sergeant Slew’s covert pet and lover. She conned him out of much physical violation of herself. Even so it was like rape every time. Even Sergeant Slew was put off by it. She explained and apologized. She said she was basically incapable of intimacy due to some nonexistent abuse she had suffered in the past. Of course Sergeant Slew took advantage of her nevertheless.

Dahr could not admit to Stiel Drumhead the help he gave Cassie, though it was clear enough that Dahr and other locals provided Cassie all the explosives and the detonator, the knowledge of blast angles.

Cassie promised the men under the command of Sergeant Slew a special film of herself, a striptease to reward them for hiding her and, also, it was understood, for not raping her, for letting her be only the Sergeant’s girl.

At midnight, all the men gathered to watch. All the Afghanis had been warned off by Cassie and Dahr from a distance and had left base never to return.

Sergeant Slew boasted all week of the skin tape he was helping Cassie edit for the men. He had even forced her to tone it down, to cut out entirely the part she wanted to open the film with: a close-up shot of her asshole filling most of the screen staring straight into the lens. She put it back in, behind his back. Some of the rest of the tape too he thought seemed a little grim, the sucking of the rifle barrel as she brought it down into her throat and the way she put the rifle deep inside herself between her legs and pretended to shoot it.

Watching the Cassie make the film it seemed to make sense to Sergeant Slew why she was so cold with him. Because she was so cold in general. He thought he should feel excited by this and wondered why instead he began to feel uneasy.

As the start of the midnight film drew near, Sergeant Slew began to feel unexpectedly nervous. He no longer wished to share his Cassie with the men, not even on film. He felt for her. He had not expected to. He had not expected to feel human again after his time trying to survive on the Wartagon killing grounds. He had killed this young woman’s brother. He had killed young Afghani women like her. He had killed and killed and dodged death himself. And now Sergeant Slew perversely, it was so perverse even he could see it, had fallen for the sister of the soldier under his own command that he had purposefully slain. Nervously he left the room immediately before the start of the film. He slipped out the back. He had not seen Cassie slip out before him.

A moment later, the world exploded. Knocked face first into sand and gravel, he woke up stunned to see Cassie tossing cans of gasoline and oil onto the raging fire. None of his men had staggered up out of the blast. None could, none would. The cans of gas and oil began to heat and explode. Cassie screamed and cursed.

She never saw him.

He killed her with his knife through her throat.

The only witness was the fire.

He began to cut off her fingers and had to yank her body away from the fire as it grew more intense. He cut of three fingers and sealed them in a baggie. He knew with brilliant clarity exactly whom to return them too.

Then he threw his identifying effects into the blaze.

Sergeant Slew dressed and traveled like an Afghani. He returned the fingers to Dahr. They circled one another like wild beasts. Slew heavily armed. Dahr lightly, taken by surprise. They both managed to survive the encounter. Sergeant Slew escaped the country with a simple idea of what he might do, who he might see, how he might find a way not to be killed by the Wartagon. He would have to kill the Wartagon before it killed him. He thought strategically. How would he do it? Where would he start? How would he make himself superior to the Wartagon? He had carried the Wartagon’s unhinged logic in a distant land to its murderous end. He could carry it no farther. Now he must avenge himself. Now he must strike back at the Wartagon. But how to do so and survive?

He needed to strike the Wartagon in its heart but in a way that it would not strike back. Sergeant Slew returned to the Wartagon and the classroom of Corrector Stiel Drumhead.

In the Afghan town, Dahr gave the withered fingers to Stiel, who sent them off to be DNAed. Their identity verified, the Wartagon resorted to a standard cover-up that mainly consisted of silence and censorship on grounds of Wartagon Security.

Corrector Stiel Drumhead’s assignment was unexpectedly complete.

He returned home to Turret.

He killed himself the next day.

He had gone off base. And it had killed him. Turret was as certain of the cause as she was of the effect. Poor Stiel.

She took a few days off from work. She remained on base. Then she got on with it. Turret needed the Wartagon and the Wartagon needed her. Stiel, she believed, the old Stiel, the Stiel she knew and loved, would be proud.

Duckage 13

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It changed once again, the look of the President of the USA on his 24/7 reality show channel.

He emerged from his White House bedroom with his wife on arm, cloaked as the grim reaper, and she too, each holding a scythe in their outside hand, but now with the added twist of a red-white-and-blue tie on him, and on her, red-white-and-blue locks of hair flowing around her hood from the bare bone of her skull.

They looked a beautiful couple, if you liked evil and menace incarnate.

President Reaper asked the gathered press corps, “Do you like my tie?”

And the first lady Reaper, “Do you like my hair?”

The press corps oohed and ahhed, from within their own dark cloaks, arms looped around their scythes to scribble on note pads. Others tapped eagerly on scythe-top computers.

Of course, this was not how they looked to themselves but video screens had been set up in the White House press room ever since the earliest days of the Duckotage so that the officials could see how they appeared to everyone else, throughout the USA and the world.

In this way they could keep an eye on whether or not the People’s Hour changed up the imagery suddenly. At which point, at least they would know what the world saw them as. They could even call off the press conference if need be, though they had not yet canceled one of these propaganda displays.

This time however, the press conference took a turn almost no one expected.

“First,” began President Reaper of the USA, “I wish to inform you that my health is fine. My checkup with the doctor this morning revealed no problems, no abnormalities. Stress and fatigue are what I need to watch. After taking yesterday off, I am on my way to being well rested. Second, from my daily briefing this morning, I can tell you that we have turned no corner yet in resolving the duckification and Reaperization of authority figures throughout the world. But we are working on it. Finally, I wish to address current events. I have not held a press conference in quite awhile, and for that I apologize. From now on I expect to meet the media on a far more regular frequent and regular basis. I wish to invigorate more discussion, to make matters that deeply concern the public…well…far more public. Hopefully, many people will become involved in solving our extraordinary challenges, resolving as many issues as possible, making progress as we go. Thank you. With that, and because I have found myself with little quality time to prepare a formal presentation for today, I would like to devote the remainder of this media conference to the questions of those gathered here today.”

President Reaper had randomly selected ten journalists to query him. Referring now to the list in his hands, he opened the floor to the first journalist, a fellow grim reaper, scythe propped against chair, notepad and pen in hand. He rose. “Mr. President, I am glad you are feeling more yourself today, Sir. Mr. President, the massive oil leak in the Gulf of Mexico. Mr. President there is great distress among area businesses and residents. They are angry at OilCorp who is responsible for the spill and the cleanup. They say the response by OilCorp is too slow, inadequate, and secretive. They claim much more could be done but that OilCorp either refuses or drags its feet. They also insist that the federal government is not doing enough, and could be doing far more than it currently is. Mr. President, can the federal government do anything more for the residents and businesses, and can the federal government encourage OilCorp to do more?”

“I’m very glad that you asked that question. Later today, I will sign an executive order that essentially nationalizes the response to the ongoing oil spill. The federal government will at least quadruple the cleanup efforts of OilCorp, and OilCorp will pay for it all. If OilCorp resists this nationalization, we will order out of production one of their oil producing rigs per day until they comply. If they fail to comply they will forfeit all right to drill for oil in any US territorial land or water.”

The room exploded in gasps and exclamations as the Grim Reapers with notepads looked wildly from side to side wondering who knew advance. Nationalization! Or something close to it. Holy damn! Who did the President think he was, Franklin Delano Roosevelt squared? When had the decision been made, who was party to it? What was OilCorp’s reaction? The questions flew thick and fast as no journalist waited to be called on. The President refused to answer.

“For now, I’ll tell you only who will benefit and how. The people and economy of the Gulf Coast will benefit. It’s going to be Civilian Conservation Corps camps all over again. Only this time, Civilian Cleanup Corps. We are going to have so many people cleaning up the beaches and islands and waters that we are going to cut unemployment in half and then in half again on and around the Gulf Coast. No longer will beaches and municipalities have to call in an alert of oil washing ashore and then wait for days for OilCorps to do an inspection and finally deliver a fraction of a crew. The federal government will employ and empower inspectors, and municipalities will be free to hire crews to cleanup at once any oil they discover. Send the bill to the Federal Emergency Management and FEMA will expedite it immediately. That reminds me, I will also be signing an executive order today that triples the number of FEMA personnel and that effectively raises its budget by an order of magnitude as we shift parts of other agencies under its domain.”

The President returned for a follow-up question to the journalist who had originally inquired about the spill.

On TV, the journalist appeared to stand with his scythe and bang it on the floor: “Given the government’s failure to protect New Orleans and the Gulf Coast prior to Hurricane Katrina, and given the government’s inadequate and trouble-plagued response in the aftermath, can the people of the Gulf Coast be confident that the government will improve their plight, or only make matters worse?”

“An excellent question, thank you. All that you stated is accurate. The government utterly failed the people of New Orleans and the Gulf Coast prior to Hurricane Katrina, and afterwards too. So it is that the people of the Gulf Coast cannot be confident that a nationalized government response to this oil disaster will be of any help whatsoever. However, there is only one way to find out. And that is to try. And we have not tried, not all out, full speed ahead. We have allowed OilCorp to go too much its own way. Well, no more. We will throw everything we have at this calamity, and we will order OilCorp to throw everything they have it. And at high speed. And if the result is a bankrupt OilCorp, so be it. Better a bankrupt OilCorp than our Gulf Coast destroyed because it was never given every chance to survive and prosper.”

People whooped and cheered all across the Gulf Coast and the world. What the future held no one could know for sure, but at least President Reaper sounded as if he had finally heard the people of the coast. He sounded as if he would finally and fully respond. And if he truly did, he would never be forgotten nor refused.

Meanwhile half of the journalist Reapers dropped their pens or fumbled their laptops and the other half let slip their scythes or knocked them clanking to the floor, because the President of the USA had floated the idea of a “bankrupt OilCorp,” of draining the immense company of every last drop of its money to help make whole again the Gulf waters and the Gulf Coast and its people. “A bankrupt OilCorp,” the President had said, “So be it.” Holy hot damn. It sounded revolutionary.

None of the remaining nine journalists on the President’s random list could move past the shock to ask about any other issue. Too bad. The President’s other pronouncements would have to wait. The journalists would experience a far greater shock another day.

At the close of the media conference, the President took the first lady by the hand and they proceeded to his office where there was a lot of work to be done.

That was strange, thought a few of the journalists. They could not recall the President taking the first lady by the hand very often before. Nor could they recall ever seeing the first lady respond so warmly, even exuberantly, to his touch.

All but one of the journalists basically shook it off, forgot about it in the aftermath of the stunning turn in policy. The one journalist, though, known in the profession as Eagle Eye Johnson, it shook him to the bone. He could not quite put his finger on what. Something had changed. Something maybe even greater than the government’s new response to the oil disaster. Something greater than nationalization. He shivered. His mind blinked, and blinked again, to no avail.

Eagle Eye Johnson made a quick note, then hoisted his scythe, and marched on.

Duckage 12

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And then everything changed.

The President of the USA began to act human, rather than only try to sound like he was human, by rhetoric. The shift was so uncanny and complete that there were those who said this was not the President at all but some imposter, as if some creature from outer space had snatched the President’s body and inhabited it for purposes totally alien to its former ruling self.

What remains not in dispute is that the President’s twin brother had arrived for a visit the day before the President broke down in face of the People’s Hour duck.

Then, as the duck drove the secret service agent out of the bedroom and away from the President, the twin brother entered, whereupon the President, his twin brother, and the President’s wife locked themselves in the bedroom for an entire day.

The People’s Hour movement refrained from broadcasting any audio or video of that day on the President’s 24/7 reality show.

In the following weeks, the most outlandish rumors circulated, including the old rumors that the first lady had long since been romantically involved with the President’s twin brother.

Given the President’s subsequent radical shift in policy initiatives, a shift that accorded closely with what was known of the brother’s views and values, there was some wild speculation that the President has suffered a total collapse and secretly, either, surrendered or gladly ceded both his dissatisfied wife and the office of the Presidency to his twin.

Curiously, after that pivotal day in the bedroom and in the office of the Presidency, the brother (or was it the President!?) was never heard from again. Not that he was disappeared and buried in a tomb somewhere, rather he did something seemingly totally out of character for him. He went on permanent vacation, accessing funds from no one knew where. He retired in mid-life to a little fishing village in the Caribbean Sea and spent his days doing what he said he had always wanted to do: sail. One day he sailed off into a hurricane and was lost forever.

The Duckotage

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FIRST 13 EPISODES

“Men confuse heaven’s radiant stars with a duck’s footprint in the mud.” –Victor Hugo, Les Misérables

DUCKAGE 1

Once upon a time in a land very, very nearby, a revolution occurred in a single masterstroke. It began not with a bang nor a whimper but with a laugh.

It happened like this: During the President’s State of the Union speech in the House of Representatives Chamber in the US capitol, the people hijacked the airways. Or so it appeared.

Early on in the speech, the President’s body was swallowed and replaced by that of an orange cartoon duck. The President’s face was stuck onto the body of the orange duck, and stuck onto the President’s face was a blunt and feral mustache like that of Adolf Hitler.

To no one attending the speech in the House chamber was this stupendous transformation visible, neither the mustache nor the duck body. It was merely broadcast to everyone watching by TV and computer throughout the world.

The mustached President duck filled the screen.

The duck tucked its wings to its sides when not gesticulating its presidential points, its tail feathers perky, a beautiful wildflower orange, though tinged with stains and streaks of brown that might have been mud, or dung. Behind the podium: bare duck legs and webbed duck feet.

Question: If it looks like a duck and walks like a duck and talks like the President, what is it?

Answer: Business as usual.

And the mustache?

Imperial presidencies are not pretty.

Especially not in imperial states like the USA.

Which was not the half of it.

Everyone else in authority in the House chamber was transformed in exactly the same way: out popped the same disturbing Hitler mustache and the same bizarre duck body. The authorities sat with duck legs crossed or dangling from their seats or tucked up beneath their duck bodies: the Vice President duck, the Secretary of State duck, the Secretary of Permanent War duck (check that, the Secretary of “Defense” duck) and all the Representative ducks and Senator ducks of Congress. They sat behind Hitler mustache in bright orange cartoon body, stained brown. To clap, they smacked their wings together. And when they roared their periodic approval or disapproval of the President duck, they sounded like beasts from some horrible nether world – “Bravo!” “Boo!” “Hooray!” – and not like ducks at all.

Offsite, the handlers of these august officials were mortified. Watching the State of the Union by TVs and computers, they saw with the world the Hitler mustache and the orange duck bodies.

“My God, they’re not human!” This handler was slapped on the head and knocked over by other staffers who growled like rabid wolves. The stunned individual picked himself off the floor and slipped out of the media center never to be heard from again.

Most of the handlers and executives responsible for broadcasting the address soon recovered from the shock.

“Cut to commercial!” They clawed at the air. “Go now!”

Passions aside, it did not seem right to cut entirely from the President during the State of the Union even though he had been made to speechify from behind a Hitler mustache in the body of an orange duck, stained brown. So the executives ordered the technical workers to kill the video and keep the audio.

For a moment it worked. The networks cut to luminescent screens bearing various corporate logos. The speech continued, the President unaware of having been transformed by way of infamous moustache and orange duck body. The crisis seemingly averted.

But then the orange duck came back on screens throughout the world, this time with a full duck face and a talking bill, no mustache. The duck’s bill moved in precise rhythm to the President’s voice. The duck stretched its wings and waddled, pointing its wingtips for rhetorical emphasis. Corporate logos as background.

Staffers and executives stared, stunned. The rest of the world laughed anew.

“Kill the logos!” The officials frothed. “Kill the logo screen now!” Apart from the crisis, this cry could only have sounded treasonous to corporate ears. Kill the logos? Perish the thought.

But kill the logos they did, these mighty captains of commerce, scrambling now in face of a bright orange duck speaking with the voice of the President.

The duck remained. Orange on black. Gesticulating with its wings, craning its feathered neck, mocking the rulers and the ruling class by mimicking the President’s speech. The duck moved about the stage grandly addressing the world.

And then the President duck showed a naughty streak of the type one rarely saw from high officials in public. The duck went over to a corner of the screen and crouched down a bit, and took a little shit right there. The shit too was orange, stained with brown.

The duck waddled away from the glowing pile as if nothing unusual had happened. The speech continued.

Before long, the pile of shit dissolved into the blank background. The speech resounded as never before, the declarative voice of the President broadcast in the image of an orange duck, streaked with mud and dung.

The duck delivered the State of the Union with great aplomb, pausing from time to time to preen or to nod commandingly while accepting applause from invisible authorities.

This great act of sabotage set the people of Earth talking as never before. Did the President really deserve the mustache of Hitler? Why put the President in the body of a duck? Why make the duck orange? (No one questioned the mud and dung in its feathers.) Who planned and directed this technological feat, this tremendous guerrilla ambush? Which group? Which organization? Which individuals? How had it been achieved? What would happen next? The people of the world wanted to know.

So too did the authorities.

None moreso than the National Political Police (aka, the FBI). The computers in the FBI’s cyber crimes division lit up as never before, an overload of official activity that threatened to bring down the local grid on its own, even before the people’s hackers helped out by bombarding the system with sufficient bogus electronic requests to choke and kill it.

When the FBI system rebooted there was only one problem, and it filled every screen: the bright orange duck reciting the President’s State of the Union speech in a continuous loop.

The only way to kill the duck was to cut power to all FBI computers, and to all government computers everywhere, and to all Fortune 500 corporate computers. Not an option. So the officials and executives were forced to resume business around the lecturing image of the President duck.

The officials sent emails from beneath the President duck’s ass. They wrote memos around the President duck’s talking bill. They accessed the internet around the President duck’s downy couched privates. Any audio they tried to listen to was constantly overdubbed by the President duck’s State of the Union speech.

After several days of near total disruption proving the power of the people by way of the duck, a number of computers were freed from the President duck’s interference: but only those computers actually doing the work of the people.

The computers doing the bidding of the corporate owners of the world remained blocked. The guerrillas had examined the best polls to determine the real opinions of the people in order to target corporate and governmental computer activity accordingly.

Sheer unjust force meets sheer just force. Oppression and aggression meets liberation and resistance. The officials claimed the duck arrogantly played God. The people felt the duck stood in for them, by mocking corporate state power and pretense.

Blocked by the speechifying President duck were computers in the Department of Permanent War (that is, “Defense”), the CIA, the FBI, and the Department of Injustice (that is, “Justice”), the Department of Theft (that is, the Treasury), and so on. Computers were blocked on Wall Street in all the ruling financial houses. Computers were blocked all across the menacing corporate world.

When the President returned to the White House and watched part of his looped speech in the form of the cartoon orange duck, for a moment he wondered if he might boost his popularity by appearing amused at the spectacle.

That moment quickly passed when he saw the part with his face speaking from behind the mustache of Hitler. Soon the President declared an “all-out war” against “the treasonous insurgency of the terrorist cyber guerrillas.” He appointed the Cyber Czar at the FBI to lead the charge to exterminate the duck.

There were a few problems. The “terrorist cyber guerrillas” were completely invisible and apparently untraceable, and for the time being at least, invincible.

No agency, no group, no expert cyber scientist or genius engineer could stop the ongoing broadcast of the President duck. The only option was to pull the plug, but in so doing, the government would be pulling the plug on its own electronic lifeblood.

Another problem: the people. They enjoyed the duck immensely. No matter that the state demonized this colorful act of resistance as “cyber terrorism,” the people supported the duck and the duckotage. The people spoke frequently of the duck with laughter and appreciation and gathered everywhere, in urban neighborhoods, in suburban communities, in rural areas to begin efforts to nominate the duck itself as candidate for President.

Despising the duck: the corporate owners of the USA and the world and their lapdog governments, bought and paid for. So the authorities vowed, and vowed again, to take down the duck and the “treasonous terrorist guerrillas” responsible for mocking the voice and face of the corporate state. Same old vicious story: the officials prepared to destroy whole seas of people in order to catch the fish swimming within, the fish supported by the people as they fought back against the force of the corporate state.

The authorities began implementing plans to create a Vietnam and Chile and El Salvador and Iraq and Afghanistan all over again, except this time on a far bigger scale, and far closer to home. The enemy sea this time was the people of the USA, along with the whole general populace of the world.

Thus was launched Operation Pluck the Duck, the latest CIA-military collaboration. Only moreso: this time designed to jumpstart the latest, greatest, and maybe final World War, in this possibly terminal phase of human history.

In the meantime, the duck ruled. It commanded screens far and wide. It caused the officio-execs’ war to begin like the peoples’ revolution had begun, not with a bang nor a whimper but with a laugh.

Operation Pluck the Duck?

The name was no more asinine than dozens of military operation names of the past.

Only now there was a crucial difference. The people of the USA loved the Duck. As did the rest of the world. They loved this mocking orange enemy of the corporate state.

Though the duck was a colored creature, it was neither brown nor black, the color of typical victims of USA aggression. Mostly a brilliant orange, the duck was a color the people of the USA could readily relate to.

The fact remained, the military of the USA wreaked most of the damage around the globe, with its millions of soldiers stationed in hundreds of countries, occupying, invading, bullying by way of endless armaments, disposed to kill, maim, and threaten.

Meanwhile, the military budget of the USA remained approximately equal to the military budgets of the entire rest of the world combined.

And whether or not the people of the USA owned up to the outrageous and gruesome fact of their conquistador nation state, only they could stop their military most effectively; only they could counter the CIA and FBI; only they could control their own government; only they could outlaw corporations and banks to put control of national resources, services, and the economy, into the hands of the public, the only place such power belongs in any democracy.

“We hold these truths to be self evident…”

Only the public of the USA could best rise to the defense of the duck, as the duck had risen to the defense of the public.

“When in the Course of human events it becomes necessary for one people to dissolve the political bands…”

Through it all, the supreme question remained: How would it end? As a victory for the people, spanning race, gender, and even class to some extent, or would things stay as is, as a victory for the owners, the rulers, the wealth that constantly demanded more and more power, and virtually no equality, no justice, no guarantee of human rights for all, no democracy?

It was the people versus the authorities who, in ruling, overruled the people. It was the day of the duck, the hour of the owned and the impoverished, the revolution of democracy again and at long last.

Either that or a mere video stunt ahead of its time.

For the moment, at least, the duck had risen to power. Would the people continue to rise? Would this be a winner-take-all-unparalleled-at-any-time-in-history uprising of the debtors and the doers? What would become of the duck and the people? What would be the fruit of the duckotage?

DUCKAGE 2

“‘Birds of a feather may flock together but ducks are gods.” –The Ducks’ Book of Wise Sayings

The President of the USA never appeared on TV or computer again, having disappeared into the form of the orange cartoon duck. Even archived footage was transformed every time it played.

Only the President’s voice remained. His visual turned forever into that of an orange cartoon duck, stained brown.

All other powerful corporate and state officials were similarly transformed into orange cartoon ducks in all electronic forms. Corporate media had forever been changed. News anchors and prominent reporters were transformed into orange ducks on all channels.

Military officers appearing on TV or by computer appeared as orange ducks, streaked with mud and dung. Sir, yes, sir! General duck, sir!

A clandestine group calling itself The Peoples’ Hour claimed responsibility for the electronic interventions.

During the second day of the Duckotage a dancing image of the orange duck delivered a statement:

We are The People’s Hour.

That was all.

No other details whatsoever.

In those first few days, The People’s Hour affected only authorities in the USA.

But within a week, Canadian corporate and state figures were also electronically transformed, along with authorities from countries on every continent.

Less than a month after the initial appearance of the orange cartoon duck standing in for the President of the USA, The People’s Hour broadcast their second announcement:

The People’s Hour began with a group of individuals in the USA working for  liberty, justice, equality, human and social rights for all people everywhere. We are now a global organization and part of an ever growing global movement.

Such were the words from The Peoples’ Hour. Their mocking orange creation blazed forth whenever the authorities dared open their mouths before cameras: the cartoon duck. Within a month, powerful corporate and state officials were transformed electronically in every country.

Some observers thought the presidents of Bolivia, Ecuador, and Venezuela might be spared, but not so. They all received the electronic orange duck treatment by The People’s Hour. Nevertheless, the leaders of these countries were among the very few heads of state to celebrate the efforts of The People’s Hour and their orange duck working so visibly for social change and popular revolution.

And then the quacking began.

When the authorities tried to shift their operations increasingly to radio and other audio, The People’s Hour sprinkled the officials sentences with quacking sounds and various other duck noises: the flapping of wings, water splashing, honking and squabbling. Random quacking mostly.

Quack.

Quack-quack.

Quack-quack-quack-quack.

“My fellow” quack “Americans…” quack, quack “I promise” quack, splash “you” quack “that we” quack-quack-quack “will find” quack, splish “these cyber” quack” terrorists” quack-quack, whoosh! “and we” quack “will” quack-quack “hold them” quack whoosh! splash! “accountable” quack-quack-quack-quack “and stop” quack-quack “their reign of terror” whoosh! splish! splash! quack-quack-quack, honk!

DUCKAGE 3

“Don’t do it!” he was told. His advisors, his wife, his children – the look in his dog’s eyes, the sound of the rain sheeting off the White House bedroom window, the forever prick of photographers’ flashes – all tried to discourage the President of the United States from going on camera to denounce the duck.

“Although it looks like a duck, and quacks like a duck, my fellow Americans, my fellow peoples of the world, I assure you all, it is not a” quack “duck” quack “in my case.”

At which point a six year old girl was overheard to say to her mother: “If it looks like a duck, and quacks like a duck, and walks like a duck, then why doesn’t the President just shut up?”

DUCKAGE 4

By prior agreement, the camera remained on the President and the President only. The official ducks in the House chamber applauded politely, safely offscreen. Bored at not being visible, approximately half of the official audience soon fell asleep.

The President duck continued: “I embrace this opportunity to speak directly to you once again, my fellow Americans and my fellow people of the world beyond, even if, for the time being, I must appear in this silly form as an orange cartoon duck. It could be worse.”

All at once, unbeknown to the president, a devil’s horns and pointy ears appeared upon his image as duck. Duck as devil, a Devil duck.

Within a few moments, the Devil duck disappeared, and the orange cartoon continued its waddle and shuffle.

“It may take awhile, but we will, I promise we will bring these terrorist cyber duck guerrillas to justice.”

At which point, the six year old girl said, “Duck gorillas? Mommy, what’s a duck gorilla?”

“I don’t know, Dear. I think the President is having a bad dream.”

“How can a duck be a gorilla?”

“He means a terrorist, Dear.”

“But don’t terrorists use guns and bombs, Mommy?”

“Not these terrorists, Dear. These terrorists use the power of the image.”

“But, Mommy. Aren’t terrorists supposed to make you afraid? I’m not scared of these ducks. I don’t think they are terrorists. Or gorillas. I think these ducks are funny.”

“Well, Dear, I suppose they mean well.”

“Can terrorists mean well, Mommy?”

“Well, I guess these terrorists aren’t terrorists, Dear. The President just calls them that.”

“But why, Mommy?”

“He doesn’t know what else to call them. He wants us to be afraid.”

“Of a duck?”

“Or, well… I guess.”

“Mommy, I think that president is a few feathers short of a whole duck. Don’t you?”

“I suppose so, Dear.”

“Look at him.”

“He’s very funny, Dear.”

“And I” quack “promise,” said the President, “to continue to appear before you” quack quack quack quack quack “to go on like the actor Michael Caine once” quack” said,” quack, splash, quack “I promise to ‘Be like a duck. Calm on the surface, but always paddling like the dickens underneath.’ We” honk, honk, honk, honk! “shall overcome.” quack “We will shed these cyber” quack “guerrilla” quack “ducks” quack “like water off a duck’s back.” QUACK QUACK QUACK QUACK!!!

“I wonder what he really means,” said the mother.

“I know, I know!” The little girl jumped up and down. “The President is trying to say that he is as happy as a duck in water!”

“You’re quite a little duckie yourself, aren’t you, Sweetie? Are you feeling duckie?” She turned back to the TV. “I think maybe I’m beginning to.”

“We will not long go on in duck” quack “form, I promise,” promised the President. QUACK!

“Long live the duck,” said the mother.

“Long live the duck!”

“We shall soon soar” quack “like” quack “eagles.” QUACK! QUAAAACK!

“He’s a weird duck,” said the girl.

“He’s a lame duck,” said the mother. “I think he may be quacking up.”

“He’s daffy duck,” said the girl. “Only oranger.”

“He’s all ducked up,” said the mother.

“I wish he would be quiet. I can’t hear the quack of the duck over him. The President thinks he’s more important than the duck. And he talks about terrorist duck cyber gorillas like a big meanie.”

“He would like to pluck that duck alive. You know he would. He is a big meanie, Dear. That’s his job.”

“I don’t like his job,” said the girl.

“I don’t either,” said the mother.

“Well, why does he do it then?”

“Look at him. Look at them all.  They are zombie mad. It’s like watching a teen horror flick where the zombies have cannibalized all the officials’ minds. Can – You – Hear – What – He – Is – Say – Ing? – He – Is – Say – Ing – That – He – And – The – Suits – Will – Take – All – Of – Our – Dol – lars – To – Give – To – The – Rest – Of – The – Suits.”

The little girl stared at the screen. “I don’t think the President can ever get the duck, do you?”

“All this duck business,” spoke the President. “Let us pay it no mind.” quack “When I need to address the people of the USA and the world, I will not hesitate.” Honk! “Forget the image of the duck.” quack quack quack “It is only the mockery of cowards.” splish splash woosh! “We will soon root them out and send them flying” quack “to prison.” quack quack “And for the time being…” The duck waved a wing. ” …we will let these silly images of orange cartoon ducks roll like water off our backs.” QUANK HONK!

The duck ruffled up its feathers as if freeing itself of a chill.

“I don’t believe that guy,” said the mother. “He’s a real quacker.”

“He thinks he is,” said the daughter. “But he’s not.”

“I think the duck plucked the President.”

“I just hope the duck gets away. Go, Duck, Go!”

DUCKAGE 5

The State of the Duck Nation Address

Then came the day the duck migrated to talk radio.

QUACK, QUACK, QUACK, QUACK

When teachers in New Jersey sought good pay, and students walked out to protest state budget cuts for schools, dozens of students were suspended. Talk radio – most of it reactionary, Republican, “conservative,” right wing, and white nationalist – called the student strikers “stupid” and decried the teachers and others as a “giant entitlement class.” So the duck powered up and flew into action, as it did often now.

The duck rose up on its tippy webs and flapped its wings and pointed its tail feathers and cocked its head and opened its beak, and the duck declared that “The ‘giant entitlement class’ consists of the bankers and executives and the other major owners of the country who rule and who funnel half the national budget to the military and who are wrecking the country and the world and the people in it. The ‘giant entitlement class’ consists of those people and the apologists for them, like propaganda radio shows that surrender the country ever more to the rich, that smear the teachers and others who do the necessary work of the world. Meanwhile, asinine radio shows kiss up to the rich owners who put us in debt and keep us in debt. We are slaves to their wallets, slaves to their bank accounts, slaves to their banks! Down with banks! Up with peoples’ credit unions! One person, one vote! No tyranny of money!”

Unable to mute the duck, the radio host shouted, “What a bunch of malarkey! Without the rich, there would be no country! There would be no country worth living in. Without the rich there would be no economy. Sure there is some of the entitlement class in the ranks of wealth. They make the country strong.”

QUACK, QUACK, QUACK, QUACK

The duck broke back in: “The rich wreck country. Big money rapes the country and the people it in for their own gain. I’m not saying that the owner class is made up of terrible parents or terrible grandparents or anything. I’m saying that they have long since pushed for legislation and court rulings that force them, that legally obligate them to prioritize profits above all, even above the survival of their own grandchildren, and the human species, let alone other species, like my own glorious self, the duck. So you see it is the big owners as a class and as institutions, as powerful corporate companies and banks that are the greatest, most dominant, most menacing ‘entitlement class’ – orders of magnitude beyond any other group, beyond the people and peoples’ organizations that rich radio smears as entitlement groups or ‘special interests.’  The real entitlement class, the dominant ‘special interests,’ are the owners and their fronters who are destroying the country and the world. They keep pushing people down and keeping them down, filling up the jails with people who can find no good jobs, or no jobs at all. Wealth has arranged the laws to allow this and to force it. And that is what must be recognized and stopped.”

The radio host screamed, “The duck is un-American! The duck is anti-American! The duck is an America hater! a wretched little evil fowl who hates and hates and hates! The duck is a hater of all we love and hold dear in this great land of ours! We are pure Americans. The duck is a foul fowl anti-American.” QUACK, QUACK “No pure American can agree with the duck. This so-called entitlement class of wealth cannot afford to be as callous as the duck presumes. If we assume that free enterprise – at its very core – has no heart, which we cannot but even if we could, then we can assume that killing people is, if nothing else, bad for business.”

QUACK, QUACK, QUACK, QUACK

“Oh dry up,” said the duck. “Big money can easily afford to be more deadly and impoverishing than Big Mouth Radio cares to know or admit. How does Big Mouth Radio think the boss class makes its money? Big Coal? Big Oil? All Big Industry? By killing more of its workers than it would if the workers ran the mines. Union workplaces are the safest, and the best paying, but unions have been destroyed by Big Money. And then there is Big Gun. Half the national budget goes to the military, to Big Gun. And what does Big Gun do to earn its money? It kills people. Congress is not legally allowed to see how 40 percent of the military’s budget is spent, and none of how any intelligence budgets are spent. What do the alcohol and tobacco industries do, Big Smoke and Big Drink? They kill people, hundreds of thousands per year. And what about all the funds ripped off from the public by industry lobbyists that could be spent saving lives through public health, safety, and education spending? Why are the entertainment industries are allowed to be so violent? Big Screen. Because violence and killing people is glorified by Big Money’s Big Screens on the one hand, to numb people to its horror, and used by Big Money under the cloak of propaganda on the other, to kill for profit. And that is how a lot of establishment money is made. Take transportation. Big Wheel. Car travel is deadly compared to much safer but lousy or non-existent public transportation. And on and on and on. The facts make it clear. The real “giant entitlement class” profits enormously off killing people. Big Entitlement. The Official Establishment. Big Radio and other monied mouthpieces can’t see it, and deny it if they do, which make our country and world more rich for a few and more deadly and desperate for the many.”

The radio host srcreamed once again. “Who, then, would determine whether you should be able to have a beer!? Or watch a movie that has violence!? Or eat fatty foods!? The idiot duck puts too much faith in a benevolent government! Big Government wants only power, power, power!!!”

QUACK, QUACK, QUACK, QUACK

The duck ruffled its feathers audibly. “And what does Big Money want? It wants more money above all! You blowhards on radio constantly defend private tyrannies. Corporations are private governments, with enormous resources and power that the public has no direct control over, and scant indirect means to control. These private governments by way of propaganda and deployment of resources and selection of candidates essentially dictate whether beer and cigarettes are legal or, say, the far less dangerous marijuana. The private governments that are corporations determine how much violence goes into movies, how much fat goes into foods, and on and on and on. The private governments that are corporations own and run the world (and own and run the public government). You see no problem with this. To you, better that the far more unaccountable governments, the private ones, run, rule, and shape our lives, than the public government, the one closer to the people. You are in favor of private government over public government. Your favoritism, your faith in private government, your insistent preference for it, is anti-democracy. And generally destructive.”

“Pure balderdash!” screamed the radio host. “A private company is a tyranny only if it has no opposition. The only institution that comes close to that today is the federal government. The public school system could be considered a near-tyranny since it has virtually no competition. All private companies have competitors. It cannot do whatever it wants because, in a free market, someone will come along and do it better. Consider GM.”

QUACK, QUACK, QUACK, QUACK

“You bet,” said the duck. HONK! HONK! HONK! “Do let us consider General Motors. The people at GM have jobs today only because the public government came to the rescue to operate a company the private owners drove off a cliff. Those workers would have been thrown out on the street by the failures and negligence of the private owners, but the public government rescued them. True the government could do a better job of it, by converting the factories to high speed rail production instead of contracting such work out to European corporations. But at least they salvaged something, when the private owners wrecked it.”

“Non one should believe a word of that duckcrap! You’re just a putrid fowl!”

QUACK, QUACK, QUACK, QUACK

“Why does Big Radio despise democracy? Oh, that’s right, because Big Radio is a Big Tyranny and not a democracy! Big Radio knows that private companies are ruled from the top down, that the people with the most money tell everyone else what to do. They have competition only from other wealthy actors. That’s an oligarchy and a plutocracy, not a democracy. Public governments are set up to operate democratically, one person, one vote. Big Radio, Big TV, Big Media favor oligarchy and plutocracy, where the wealthy jockey to rule. Big Radio Man labels organizations of democracy as tyrannies. That’s pure wolfshit and he knows it. Organizations that are designed to be controlled by democracy, by one person one vote, are to Big Radio Man tyrannies; and organizations that are designed to be controlled by the wealthy few are the legitimate rulers to Big Radio Man since they have competition from other rich actors. Big Radio Man prefers a competition between money to a competition between people. That’s what he blows hard for. He prefers oligarchy and plutocracy to democracy. How very feudal of Big Radio, Big TV, Big Media, how very slavery loving. ’We’re free boys! the plantation owners are squabbling!’ ‘What about our own vote in our own government?’ ‘Hell no! that would be tyranny because there are so many of us, the rich few would never stand a chance! the rich would have to leave us free to manage our own affairs, the poor bastards!’ ‘Poor, hell! Down with the tyrants! Up with the people and the power of the people!’ The rich few rule, and the indebted many are tyrants in the eyes of Big Radio Man for claiming their one person one vote. That’s rich. Very rich. The Declaration of Emancipation of the Serfs, and Lincoln’s Emancipation Proclamation, and the US Declaration of Independence, these are tyrannical scraps of paper to Big Radio Man.”

“Malarkey, Malarkey, Malarkey!” screamed the radio host.

At which point the long and loud and unmistakable sound of a duck relieving its pent up digestive tract could be heard and practically smelled perfuming the national and international airwaves of Big Radio.

Big Radio Man swatted at his studio microphone, thumping and banging it over and again.

Duck inspired laughter echoed around the globe.

DUCKAGE 6

Whereupon The Duck Returns From The Gulf Oil Blowout

The Duck appeared on all the TV screens in all the world drenched in black goo.

“My finned and feathered friends in the Gulf of Mexico south of Louisiana, Alabama, Georgia, and west of Florida are not doing so well these days.” The duck explained how there has long been oil tar on the beaches from Texas to Trinidad and beyond because these oil eruptions happen all the time, though usually at somewhat less catastrophic scale.

“‘Drill, Baby, Drill!’ cry the American lunatics. They don’t care about us poor ducks,” said the duck. ”‘Drill, Baby, Drill!’ chant silently to themselves the politicos in both dominant parties, as they silently pocket the oil industry lobbyist cash for their bought and paid for by Big Money elections.”

Said the duck, “Like a good friend of mine tells it, ‘You drill, you spill,’ you know. Solar energy is the way to go. You nationalize the energy companies and run them more safely and more fairly, and you use the profits to develop green solar energy, so you drill less and you spill less, and maybe one day you don’t have to drill at all. And the same for mining. Like another good friend of mine says, ‘You mine, you die. You mine, you dine with death.’ We ducks should nationalize the mines to run them more safely and fairly and use the profits to develop the good jobs of green solar energy. Like yet another friend of mine likes to say,” the duck jabbed its oil soaked wingtip as high into the air as it could, “‘You go green, you go good,’ and that’s a future worth working for. Or do you wish to see me forever caked, crushed, and poisoned in oil slime? and cast out of creeks destroyed by mountaintop removal mining? Give us poor ducks a break, why don’t you? The workers of the world would benefit so. And the people of the planet. What have we done to deserve your black plague, your black death, your bubonic oil and coal dug from the belly of the beast, and drilled from the rump of the devil. You can take your shit and shove it, you foul Destroyers Incorporated, you hideous hellions of the dank hole, you treacherous tyrants of the trademark.”

The duck pucked up its beak and spit out a giant blob of oil tar that splatted against the camera lens and cast all the screens upon the globe into utter dark.

DUCKAGE 7

TV viewers all across the globe heard a dull thwacking as the revolutionary duck recently returned from the Gulf Oil Blowout continued to spit gob after glob of oil tar at the blackened camera lens.

Finally the duck choked out a final gob of crude. It picked up between its wings a bottled cleaning solvent and sprayed it on the camera lens. The oil goo slowly began to streak and dissolve and drip, a toxic mess, into a bucket beneath the camera.

Viewers next watched the oil drenched duck set aside the bottle and use a series of detergent-dipped cloths to clean the camera lens. The duck wore a special respiratory mask to protect itself from toxic oil fumes. The duck dropped used cloths one by one into the bucket before it dried the lens with a clean cloth and snapped the bucket lid shut.

The duck removed the mask. It spat out the specially sealed bag once full of oil tar balls that it had collected from the gulf to launch the attack against the camera lens.

Viewers watched now as the duck pointed its tarred wingtip at the camera.

“Don’t push the duck. Don’t push the duck beyond its natural bounds. Or the duck will strike back.”

At which point, a stupendous flock of ducks swooped into view holding towels and cleanser between their webbed feet.  These oil-free ducks swarmed the oil-coated duck to wash and dry it until every feather glistened in light fluff.

And then the ducks all at once turned to the camera and screeched and screamed. The lens shattered. The orange ducks burst into brilliant fractals, and their wail pierced the world.

DUCKAGE 8

In Which The President Duck Goes Viral

There came a fateful day in the course of the Peoples’ Hour revolution avatared by the orange cartoon duck, when history as it was once known arrived at an ignominious end. The duck ended it.

From many ends are great beginnings sprung, and so it was for the Peoples’ Hour revolution.

On that fateful day, the President of the United States of America got ducked, and the US Presidency was born again into a richly deserved prison of a 24 hours per day, 7 days per week reality show titled: 24/7, The Chronicles of the President Duck.

The unstoppable and invisible People’s Hour cameras followed the President Duck everywhere at all times and broadcast live everything he did and said, with few exceptions. No bathroom or bedroom audio or video, unless the President began to conduct business by phone or in person. Then tasteful audio-video shots were broadcast live.

Not only was the President Duck of the USA subject to 24/7 live broadcast, but so too were hundreds of thousands of officials and executives the world over. By far, however, the most widely watched People’s Hour reality show was that of the most powerful person on Earth, the President Duck of the USA.

All these high-powered Big Money reality show stars appeared naked in their own skin but with an orange duck bill on their face through which they talked and ate and kissed, and thick duck feathers around their genitals and chests, plus a blooming plume of a duck tail. A few stray orange duck feathers sprouted from their otherwise bare skin. All sported glowing orange duck feet. Otherwise the individuals were recognizable as their former selves. They continued to age. Several died immediately from heart attacks and strokes upon seeing their omnipresent duckified image on computer and TV. A small minority immediately retired, and when some continued to engage in Big Money activity they were immediately reducked. At which point most of these bailouts went off to live their lives in retirement and seclusion.

Major police and military operations, environmental crises, financial calamities, and other high powered moments caused the reality channels of different officials to spike periodically. However, far and away the greatest continuous duckified reality show star remained the President Duck of the United States of America.

The People’s Hour invincible cameras not only followed him everywhere all the time, the People Hours spokesduck perpetually accompanied the President Duck, not only onscreen but as a living breathing hologram by the President Duck.

The Peoples’ Hour Duck (PH Duck) incessantly talked at, with, or over the President Duck (P Duck). They engaged in many dialogues, frequent arguments, and no little bit of comedy, satire, drama, and philosophy.

“The damned Duck will not leave me alone!” cried the President Duck one day to no one in particular.

“On the contrary,” replied the PH Duck, “I would be more than happy to see you and all the other executives and officials go your merry way, if only you would get your gunboats and boots, your Big Money handcuffs off our backs, off our necks, if only you would stop destroying our habitat and nests. Deal?”

“We do what we can,” said the President Duck.

“To destroy us, yes.”

“‘No, for the betterment of all.”

“Like hell you do.”

“What can I say? We try.”

“It’s what you do that matters. Look at the state of the world. It’s a disaster.”

“That’s life, the world we know.”

“The world Big Money made, you should know. Time to unmake it. Or do you like being held prisoner to the eye of the People’s Hour.”

The President duck put his hands to his head and screamed. “You’re not even a duck! You’re just a hologram! I don’t have to listen to you!” The President duck turned his back on the hologram.

“Oh, really?” said the People’s Hour hologram duck sliding around in front of the President. “Well hear this –”

QUACK! QUACK QUACK QUACK! QUACK!!! QUACK!!! QUACK!!!!!!!

DUCKAGE 9

The People’s Hour Hones Its Tactics

Shortly after the People’s Hour put the Revolutionary duck forever onscreen to correct and spar with the President duck of the USA, the revolutionary group decided it ought to better visually distinguish between the two waddlers.

The humble but lively image of the duck fit the popular movement more than it did the owner ruler of much of the world, no?

What more appropriate image then, to better fit the President of the USA, the most powerful figure on a planet ravaged by inequality and violence, often of the USA’s own making – noted by Amnesty International and other progressive organizations. What better image than the cartoon duck to represent the President of the USA in official capacity and function?

The People’s Hour considered many avatars. It first dismissed the image of Hitler for being overused and just flat ugly; it dismissed the image of a greedy overstuffed pig for being ultimately too soft; it dismissed the image of a caricatured mad military General for not getting at all the incredible violence wreaked by the USA, that most powerful state.

The People’s Hour selected instead, as the most appropriate avatar of the militant business state that was the USA: the Grim Reaper.

Henceforth, the orange cartoon revolutionary duck waddled around with the tall black cloaked Grim Reaper – variously known as President Grim, Hail to the Reaper! the Commander-in-Reaping, simply Grim, the Reaper, or President Reaper – complete with bleached skull, black and gold teeth, empty eye sockets, and a titanium scythe. Such was the revolutionary people’s image of the President of the United States of America. The people’s duck accompanied President Grim the Reaper everywhere, ducking and dodging Grim’s scythe as the President turned suddenly or brandished his professional tool while speaking. QUACK! QUACK!

On more than one occasion the people’s duck lost a few feathers, it must be said, tail feathers when too slow in the jumping, but nothing that could even momentarily deter the plucky orange avatar of the revolutionary people.

DUCKAGE 10

At which point the President begins to lose his mind

“I am not the Grim Reaper!” screamed the President of the USA.

“Oh, but you are,” said the revolutionary duck. “Why don’t we prove it? Pick a spot on Earth, any spot. Oh, hey, I know. How about we head off to the Af-Pak conquest? Let’s see how that is working out for everyone.”

The 24/7 reality show screen flashed and dazzled. Suddenly President Reaper and the People’s duck appeared from out of a flash fade-from-black stepping across the mountainous border of Iraq into Afghanistan, where they were met by the regional commander, General McDuck.

“Commander-in-Chief.” General McDuck saluted.

“Commander General.” President Reaper met the General’s salute with one of his own. He used the gleaming platinum blade of his scythe.

Suddenly the General duck turned into a Grim Reaper himself. He held a bayonet instead of a scythe, and saluted now with his own blade. Then President Reaper and General Reaper clicked blades formally.

President Grim asked, “What’s the prognosis for the patient, General Reaper?”

“Terminal, sir. Quite terminal. Take the checkpoints. Where we’ve shot an amazing number of people and killed some. To my knowledge, none has proven to have been a real threat to the force, Sir. To my knowledge, in the nine-plus months I’ve been here, not a single case where we have engaged in an escalation of force incident and hurt someone has it turned out that the vehicle had a suicide bomb or weapons in it and, in many cases, had families in it.”

“The slaughter has been great, has it, General? Here in Afghanistan.”

“Indeed, Sir.”

“Imagine some occupying Afghani force making this kind of slaughter of Americans in, you know, Iowa. Or Maine. Or Texas. If they ever had the power to manage it, to come after our oil and our oil pipelines.”

“We would nuke them, Sir.”

“That is correct, General Reaper.”

“Just imagine.”

“Imagine.”

“Never in America.”

“Never.”

“Except for 9-11. That is why we are here, Sir.”

“Er, well, you see, General, ahh…”

“I mean, in addition to the oil, Sir. Don’t think I’m as naive as our PR, President Reaper, Sir. Speaking privately here, from myself General Reaper to yourself President Reaper. 9-11 sure is a great cover for securing Afghani oil pipelines.”

“We need oil, General. We need oil to fuel the planes that bomb the people to secure the oil to fuel the planes to bomb away. You see what I mean, General Reaper.”

“Indeed, President Reaper. I direct what you mean. Bombs ahoy! Oil abroad! Lock and Load! Drill, Baby, Drill!”

The President Reaper of the USA staggered toward his Oval Office desk in the White House, then fell to his knees. “What have I become?!”

“President Reaper, President Reaper!” The People’s Duck tried to help Grim up. But to no avail. After all, the People’s Duck was a mere cartoon image. Only the President was real.

“I’m a killer!”

“President Reaper! President Reaper! The show must go on!” cried the Duck.

“No! Kill it! Kill it now! Kill them all!”

“All of whom!”

“All of them! All of the killers!”

“But, Grim, Sir, you don’t mean, you can’t-”

“I do, I mean kill them now. Kill them all.”

“But you, Sir President, are the Grim Reaper yourself, the Killer-in-Chief.”

“I resign. I hereby resign the office, this Presidency, as of now. I resign forthwith,  whatever it takes. I am no longer the President of the United Snakes! I mean States!”

“You can’t do that, Sir.”

“Why not? I’m the President. I can do damn near anything I want.”

“This is only a dream, Sir.”

The 24/7 reality show screen flashed and dazzled. Suddenly President Reaper and the People’s duck appeared in the White House bedroom. President Grim slumbered beside his wife, the First Lady Reaper. His Scythe hung on the wall near the head of the bed. The People’s duck roosted in a corner on a dresser, its beak tucked into its wing.

Must the show go on?

Not necessarily.

But tonight it would.

QUACK! QUACK! QUACK! QUACK! QUACK! QUACK! QUACK!

Duckage 11

“No! No! No! I am not a killer!” screamed the President of the USA, and this time he woke up, staggered out of bed, stumbled out of the bedroom to the nearest TV. He brought up the People’s Hour President’s 24/7 reality channel and saw himself fully guised as the Grim Reaper, scythe in hand, staring at the TV. He hoisted the scythe and slashed at the TV, knocking it off the stand. He raised the scythe with both arms above his head and screamed for all the world to witness, “I am not a killer!” Two aides burst through the door. One grappled the scythe from his hands, the other body-locked the President and carried him back into his bedroom and shut the door.

Nevertheless the 24/7 reality show continued onscreen from the bedroom. “No! No! No!” screamed the President. “The American way of life is not deadly! We are good people! We value life! We make the world a better place to be! Our military is stationed and active all over the globe to do good for everyone! It’s even cost effective! We get oil, copper, gold for our efforts! Even fruit! And spices! And we export bang-up Hollywood films for the entertainment of all! Our mighty corporations not only reap wealth from the world, they sow it too! Why just look at…just look at…no, not Central America…uh…let’s see…not South America so much either…or Africa…uh…well…just look at Japan! See, the US shares the wealth! The Japanese have money too! And they are not even white like us! So we are not racist! Why, the Japanese are Honorary Whites! Oh, cash is good!”

At which point a secret service agent calmly walked in the room and tranquilized President Reaper of the USA. “This will help you sleep, Sir,” said the agent and drove the needle in.

QUACK! QUACK!!!!! QUACK! QUACK! QUACK! QUACK! QUACK! QUACK!!!!!

Suddenly a real, or seemingly real, duck appeared in the bedroom and drove its webbed claws into the agent’s eyes, spinning him and sending him stumbling and driving him blindly from the bedroom.

QUACK! QUACK!!!!! QUACK! QUACK! QUACK! QUACK! QUACK! QUACK!!!!!

Duckage 12

And then everything changed.

The President of the USA began to act human, rather than only try to sound like he was human, by rhetoric. The shift was so uncanny and complete that there were those who said this was not the President at all but some imposter, as if some creature from outer space had snatched the President’s body and inhabited it for purposes totally alien to its former ruling self.

What remains not in dispute is that the President’s twin brother had arrived for a visit the day before the President broke down in face of the People’s Hour duck.

Then, as the duck drove the secret service agent out of the bedroom and away from the President, the twin brother entered, whereupon the President, his twin brother, and the President’s wife locked themselves in the bedroom for an entire day.

The People’s Hour movement refrained from broadcasting any audio or video of that day on the President’s 24/7 reality show.

In the following weeks, the most outlandish rumors circulated, including the old rumors that the first lady had long since been romantically involved with the President’s twin brother.

Given the President’s subsequent radical shift in policy initiatives, a shift that accorded closely with what was known of the brother’s views and values, there was some wild speculation that the President has suffered a total collapse and secretly, either, surrendered or gladly ceded both his dissatisfied wife and the office of the Presidency to his twin.

Curiously, after that pivotal day in the bedroom and in the office of the Presidency, the brother (or was it the President!?) was never heard from again. Not that he was disappeared and buried in a tomb somewhere, rather he did something seemingly totally out of character for him. He went on permanent vacation, accessing funds from no one knew where. He retired in mid-life to a little fishing village in the Caribbean Sea and spent his days doing what he said he had always wanted to do: sail. One day he sailed off into a hurricane and was lost forever.

Duckage 13

It changed once again, the look of the President of the USA on his 24/7 reality show channel.

He emerged from his White House bedroom with his wife on arm, cloaked as the grim reaper, and she too, each holding a scythe in their outside hand, but now with the added twist of a red-white-and-blue tie on him, and on her, red-white-and-blue locks of hair flowing around her hood from the bare bone of her skull.

They looked a beautiful couple, if you liked evil and menace incarnate.

President Reaper asked the gathered press corps, “Do you like my tie?”

And the first lady Reaper, “Do you like my hair?”

The press corps oohed and ahhed, from within their own dark cloaks, arms looped around their scythes to scribble on note pads. Others tapped eagerly on scythe-top computers.

Of course, this was not how they looked to themselves but video screens had been set up in the White House press room ever since the earliest days of the Duckotage so that the officials could see how they appeared to everyone else, throughout the USA and the world.

In this way they could keep an eye on whether or not the People’s Hour changed up the imagery suddenly. At which point, at least they would know what the world saw them as. They could even call off the press conference if need be, though they had not yet canceled one of these propaganda displays.

This time however, the press conference took a turn almost no one expected.

“First,” began President Reaper of the USA, “I wish to inform you that my health is fine. My checkup with the doctor this morning revealed no problems, no abnormalities. Stress and fatigue are what I need to watch. After taking yesterday off, I am on my way to being well rested. Second, from my daily briefing this morning, I can tell you that we have turned no corner yet in resolving the duckification and Reaperization of authority figures throughout the world. But we are working on it. Finally, I wish to address current events. I have not held a press conference in quite awhile, and for that I apologize. From now on I expect to meet the media on a far more regular frequent and regular basis. I wish to invigorate more discussion, to make matters that deeply concern the public…well…far more public. Hopefully, many people will become involved in solving our extraordinary challenges, resolving as many issues as possible, making progress as we go. Thank you. With that, and because I have found myself with little quality time to prepare a formal presentation for today, I would like to devote the remainder of this media conference to the questions of those gathered here today.”

President Reaper had randomly selected ten journalists to query him. Referring now to the list in his hands, he opened the floor to the first journalist, a fellow grim reaper, scythe propped against chair, notepad and pen in hand. He rose. “Mr. President, I am glad you are feeling more yourself today, Sir. Mr. President, the massive oil leak in the Gulf of Mexico. Mr. President there is great distress among area businesses and residents. They are angry at OilCorp who is responsible for the spill and the cleanup. They say the response by OilCorp is too slow, inadequate, and secretive. They claim much more could be done but that OilCorp either refuses or drags its feet. They also insist that the federal government is not doing enough, and could be doing far more than it currently is. Mr. President, can the federal government do anything more for the residents and businesses, and can the federal government encourage OilCorp to do more?”

“I’m very glad that you asked that question. Later today, I will sign an executive order that essentially nationalizes the response to the ongoing oil spill. The federal government will at least quadruple the cleanup efforts of OilCorp, and OilCorp will pay for it all. If OilCorp resists this nationalization, we will order out of production one of their oil producing rigs per day until they comply. If they fail to comply they will forfeit all right to drill for oil in any US territorial land or water.”

The room exploded in gasps and exclamations as the Grim Reapers with notepads looked wildly from side to side wondering who knew advance. Nationalization! Or something close to it. Holy damn! Who did the President think he was, Franklin Delano Roosevelt squared? When had the decision been made, who was party to it? What was OilCorp’s reaction? The questions flew thick and fast as no journalist waited to be called on. The President refused to answer.

“For now, I’ll tell you only who will benefit and how. The people and economy of the Gulf Coast will benefit. It’s going to be Civilian Conservation Corps camps all over again. Only this time, Civilian Cleanup Corps. We are going to have so many people cleaning up the beaches and islands and waters that we are going to cut unemployment in half and then in half again on and around the Gulf Coast. No longer will beaches and municipalities have to call in an alert of oil washing ashore and then wait for days for OilCorps to do an inspection and finally deliver a fraction of a crew. The federal government will employ and empower inspectors, and municipalities will be free to hire crews to cleanup at once any oil they discover. Send the bill to the Federal Emergency Management and FEMA will expedite it immediately. That reminds me, I will also be signing an executive order today that triples the number of FEMA personnel and that effectively raises its budget by an order of magnitude as we shift parts of other agencies under its domain.”

The President returned for a follow-up question to the journalist who had originally inquired about the spill.

On TV, the journalist appeared to stand with his scythe and bang it on the floor: “Given the government’s failure to protect New Orleans and the Gulf Coast prior to Hurricane Katrina, and given the government’s inadequate and trouble-plagued response in the aftermath, can the people of the Gulf Coast be confident that the government will improve their plight, or only make matters worse?”

“An excellent question, thank you. All that you stated is accurate. The government utterly failed the people of New Orleans and the Gulf Coast prior to Hurricane Katrina, and afterwards too. So it is that the people of the Gulf Coast cannot be confident that a nationalized government response to this oil disaster will be of any help whatsoever. However, there is only one way to find out. And that is to try. And we have not tried, not all out, full speed ahead. We have allowed OilCorp to go too much its own way. Well, no more. We will throw everything we have at this calamity, and we will order OilCorp to throw everything they have it. And at high speed. And if the result is a bankrupt OilCorp, so be it. Better a bankrupt OilCorp than our Gulf Coast destroyed because it was never given every chance to survive and prosper.”

People whooped and cheered all across the Gulf Coast and the world. What the future held no one could know for sure, but at least President Reaper sounded as if he had finally heard the people of the coast. He sounded as if he would finally and fully respond. And if he truly did, he would never be forgotten nor refused.

Meanwhile half of the journalist Reapers dropped their pens or fumbled their laptops and the other half let slip their scythes or knocked them clanking to the floor, because the President of the USA had floated the idea of a “bankrupt OilCorp,” of draining the immense company of every last drop of its money to help make whole again the Gulf waters and the Gulf Coast and its people. “A bankrupt OilCorp,” the President had said, “So be it.” Holy hot damn. It sounded revolutionary.

None of the remaining nine journalists on the President’s random list could move past the shock to ask about any other issue. Too bad. The President’s other pronouncements would have to wait. The journalists would experience a far greater shock another day.

At the close of the media conference, the President took the first lady by the hand and they proceeded to his office where there was a lot of work to be done.

That was strange, thought a few of the journalists. They could not recall the President taking the first lady by the hand very often before. Nor could they recall ever seeing the first lady respond so warmly, even exuberantly, to his touch.

All but one of the journalists basically shook it off, forgot about it in the aftermath of the stunning turn in policy. The one journalist, though, known in the profession as Eagle Eye Johnson, it shook him to the bone. He could not quite put his finger on what. Something had changed. Something maybe even greater than the government’s new response to the oil disaster. Something greater than nationalization. He shivered. His mind blinked, and blinked again, to no avail.

Eagle Eye Johnson made a quick note, then hoisted his scythe, and marched on.

Duckage 11

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“No! No! No! I am not a killer!” screamed the President of the USA, and this time he woke up, staggered out of bed, stumbled out of the bedroom to the nearest TV. He brought up the People’s Hour President’s 24/7 reality channel and saw himself fully guised as the Grim Reaper, scythe in hand, staring at the TV. He hoisted the scythe and slashed at the TV, knocking it off the stand. He raised the scythe with both arms above his head and screamed for all the world to witness, “I am not a killer!” Two aides burst through the door. One grappled the scythe from his hands, the other body-locked the President and carried him back into his bedroom and shut the door.

Nevertheless the 24/7 reality show continued onscreen from the bedroom. “No! No! No!” screamed the President. “The American way of life is not deadly! We are good people! We value life! We make the world a better place to be! Our military is stationed and active all over the globe to do good for everyone! It’s even cost effective! We get oil, copper, gold for our efforts! Even fruit! And spices! And we export bang-up Hollywood films for the entertainment of all! Our mighty corporations not only reap wealth from the world, they sow it too! Why just look at…just look at…no, not Central America…uh…let’s see…not South America so much either…or Africa…uh…well…just look at Japan! See, the US shares the wealth! The Japanese have money too! And they are not even white like us! So we are not racist! Why, the Japanese are Honorary Whites! Oh, cash is good!”

At which point a secret service agent calmly walked in the room and tranquilized President Reaper of the USA. “This will help you sleep, Sir,” said the agent and drove the needle in.

QUACK! QUACK!!!!! QUACK! QUACK! QUACK! QUACK! QUACK! QUACK!!!!!

Suddenly a real, or seemingly real, duck appeared in the bedroom and drove its webbed claws into the agent’s eyes, spinning him and sending him stumbling and driving him blindly from the bedroom.

QUACK! QUACK!!!!! QUACK! QUACK! QUACK! QUACK! QUACK! QUACK!!!!!


Duckage 10

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At which point the President begins to lose his mind

“I am not the Grim Reaper!” screamed the President of the USA.

“Oh, but you are,” said the revolutionary duck. “Why don’t we prove it? Pick a spot on Earth, any spot. Oh, hey, I know. How about we head off to the Af-Pak conquest? Let’s see how that is working out for everyone.”

The 24/7 reality show screen flashed and dazzled. Suddenly President Reaper and the People’s duck appeared from out of a flash fade-from-black stepping across the mountainous border of Iraq into Afghanistan, where they were met by the regional commander, General McDuck.

“Commander-in-Chief.” General McDuck saluted.

“Commander General.” President Reaper met the General’s salute with one of his own. He used the gleaming platinum blade of his scythe.

Suddenly the General duck turned into a Grim Reaper himself. He held a bayonet instead of a scythe, and saluted now with his own blade. Then President Reaper and General Reaper clicked blades formally.

President Grim asked, “What’s the prognosis for the patient, General Reaper?”

“Terminal, sir. Quite terminal. Take the checkpoints. Where we’ve shot an amazing number of people and killed some. To my knowledge, none has proven to have been a real threat to the force, Sir. To my knowledge, in the nine-plus months I’ve been here, not a single case where we have engaged in an escalation of force incident and hurt someone has it turned out that the vehicle had a suicide bomb or weapons in it and, in many cases, had families in it.”

“The slaughter has been great, has it, General? Here in Afghanistan.”

“Indeed, Sir.”

“Imagine some occupying Afghani force making this kind of slaughter of Americans in, you know, Iowa. Or Maine. Or Texas. If they ever had the power to manage it, to come after our oil and our oil pipelines.”

“We would nuke them, Sir.”

“That is correct, General Reaper.”

“Just imagine.”

“Imagine.”

“Never in America.”

“Never.”

“Except for 9-11. That is why we are here, Sir.”

“Er, well, you see, General, ahh…”

“I mean, in addition to the oil, Sir. Don’t think I’m as naive as our PR, President Reaper, Sir. Speaking privately here, from myself General Reaper to yourself President Reaper. 9-11 sure is a great cover for securing Afghani oil pipelines.”

“We need oil, General. We need oil to fuel the planes that bomb the people to secure the oil to fuel the planes to bomb away. You see what I mean, General Reaper.”

“Indeed, President Reaper. I direct what you mean. Bombs ahoy! Oil abroad! Lock and Load! Drill, Baby, Drill!”

The President Reaper of the USA staggered toward his Oval Office desk in the White House, then fell to his knees. “What have I become?!”

“President Reaper, President Reaper!” The People’s Duck tried to help Grim up. But to no avail. After all, the People’s Duck was a mere cartoon image. Only the President was real.

“I’m a killer!”

“President Reaper! President Reaper! The show must go on!” cried the Duck.

“No! Kill it! Kill it now! Kill them all!”

“All of whom!”

“All of them! All of the killers!”

“But, Grim, Sir, you don’t mean, you can’t-”

“I do, I mean kill them now. Kill them all.”

“But you, Sir President, are the Grim Reaper yourself, the Killer-in-Chief.”

“I resign. I hereby resign the office, this Presidency, as of now. I resign forthwith,  whatever it takes. I am no longer the President of the United Snakes! I mean States!”

“You can’t do that, Sir.”

“Why not? I’m the President. I can do damn near anything I want.”

“This is only a dream, Sir.”

The 24/7 reality show screen flashed and dazzled. Suddenly President Reaper and the People’s duck appeared in the White House bedroom. President Grim slumbered beside his wife, the First Lady Reaper. His Scythe hung on the wall near the head of the bed. The People’s duck roosted in a corner on a dresser, its beak tucked into its wing.

Must the show go on?

Not necessarily.

But tonight it would.

Duckage 9

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The People’s Hour Hones Its Tactics

Shortly after the People’s Hour put the Revolutionary duck forever onscreen to correct and spar with the President duck of the USA, the revolutionary group decided it ought to better visually distinguish between the two waddlers.

The humble but lively image of the duck fit the popular movement more than it did the owner ruler of much of the world, no?

What more appropriate image then, to better fit the President of the USA, the most powerful figure on a planet ravaged by inequality and violence, often of the USA’s own making – noted by Amnesty International and other progressive organizations. What better image than the cartoon duck to represent the President of the USA in official capacity and function?

The People’s Hour considered many avatars. It first dismissed the image of Hitler for being overused and just flat ugly; it dismissed the image of a greedy overstuffed pig for being ultimately too soft; it dismissed the image of a caricatured mad military General for not getting at all the incredible violence wreaked by the USA, that most powerful state.

The People’s Hour selected instead, as the most appropriate avatar of the militant business state that was the USA: the Grim Reaper.

Henceforth, the orange cartoon revolutionary duck waddled around with the tall black cloaked Grim Reaper – variously known as President Grim, Hail to the Reaper! the Commander-in-Reaping, simply Grim, the Reaper, or President Reaper – complete with bleached skull, black and gold teeth, empty eye sockets, and a titanium scythe. Such was the revolutionary people’s image of the President of the United States of America. The people’s duck accompanied President Grim the Reaper everywhere, ducking and dodging Grim’s scythe as the President turned suddenly or brandished his professional tool while speaking. Quack! Quack!

On more than one occasion the people’s duck lost a few feathers, it must be said, tail feathers when too slow in the jumping, but nothing that could even momentarily deter the plucky orange avatar of the revolutionary people.

DUCKAGE 8

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In Which The President Duck Goes Viral

There came a fateful day in the course of the Peoples’ Hour revolution avatared by the orange cartoon duck, when history as it was once known arrived at an ignominious end. The duck ended it.

From many ends are great beginnings sprung, and so it was for the Peoples’ Hour revolution.

On that fateful day, the President of the United States of America gotducked, and the US Presidency was born again into a richly deserved prison of a 24 hours per day, 7 days per week reality show titled: 24/7, The Chronicles of the President Duck.

The unstoppable and invisible People’s Hour cameras followed the President Duck everywhere at all times and broadcast live everything he did and said, with few exceptions. No bathroom or bedroom audio or video, unless the President began to conduct business by phone or in person. Then tasteful audio-video shots were broadcast live.

Not only was the President Duck of the USA subject to 24/7 live broadcast, but so too were hundreds of thousands of officials and executives the world over. By far, however, the most widely watched People’s Hour reality show was that of the most powerful person on Earth, the President Duck of the USA.

All these high-powered Big Money reality show stars appeared naked in their own skin but with an orange duck bill on their face through which they talked and ate and kissed, and thick duck feathers around their genitals and chests, plus a blooming plume of a duck tail. A few stray orange duck feathers sprouted from their otherwise bare skin. All sported glowing orange duck feet. Otherwise the individuals were recognizable as their former selves. They continued to age. Several died immediately from heart attacks and strokes upon seeing their omnipresent duckified image on computer and TV. A small minority immediately retired, and when some continued to engage in Big Money activity they were immediately reducked. At which point most of these bailouts went off to live their lives in retirement and seclusion.

Major police and military operations, environmental crises, financial calamities, and other high powered moments caused the reality channels of different officials to spike periodically. However, far and away the greatest continuous duckified reality show star remained the President Duck of the United States of America.

The People’s Hour invincible cameras not only followed him everywhere all the time, the People Hours spokesduck perpetually accompanied the President Duck, not only onscreen but as a living breathing hologram by the President Duck.

The Peoples’ Hour Duck (PH Duck) incessantly talked at, with, or over the President Duck (P Duck). They engaged in many dialogues, frequent arguments, and no little bit of comedy, satire, drama, and philosophy.

“The damned Duck will not leave me alone!” cried the President Duck one day to no one in particular.

“On the contrary,” replied the PH Duck, “I would be more than happy to see you and all the other executives and officials go your merry way, if only you would get your gunboats and boots, your Big Money handcuffs off our backs, off our necks, if only you would stop destroying our habitat and nests. Deal?”

“We do what we can,” said the President Duck.

“To destroy us, yes.”

“‘No, for the betterment of all.”

“Like hell you do.”

“What can I say? We try.”

“It’s what you do that matters. Look at the state of the world. It’s a disaster.”

“That’s life, the world we know.”

“The world Big Money made, you should know. Time to unmake it. Or do you like being held prisoner to the eye of the People’s Hour.”

The President duck put his hands to his head and screamed. “You’re not even a duck! You’re just a hologram! I don’t have to listen to you!” The President duck turned his back on the hologram.

“Oh, really?” said the People’s Hour hologram duck sliding around in front of the President. “Well hear this –”

QUACK! QUACK QUACK QUACK! QUACK!!! QUACK!!! QUACK!!!!!!!

DUCKAGE 7

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TV viewers all across the globe heard a dull thwacking as the revolutionary duck recently returned from the Gulf Oil Blowout continued to spit gob after glob of oil tar at the blackened camera lens.

Finally the duck choked out a final gob of crude. It picked up between its wings a bottled cleaning solvent and sprayed it on the camera lens. The oil goo slowly began to streak and dissolve and drip, a toxic mess, into a bucket beneath the camera.

Viewers next watched the oil drenched duck set aside the bottle and use a series of detergent-dipped cloths to clean the camera lens. The duck wore a special respiratory mask to protect itself from toxic oil fumes. The duck dropped used cloths one by one into the bucket before it dried the lens with a clean cloth and snapped the bucket lid shut.

The duck removed the mask. It spat out the specially sealed bag once full of oil tar balls that it had collected from the gulf to launch the attack against the camera lens.

Viewers watched now as the duck pointed its tarred wingtip at the camera.

“Don’t push the duck. Don’t push the duck beyond its natural bounds. Or the duck will strike back.”

At which point, a stupendous flock of ducks swooped into view holding towels and cleanser between their webbed feet.  These oil-free ducks swarmed the oil-coated duck to wash and dry it until every feather glistened in light fluff.

And then the ducks all at once turned to the camera and screeched and screamed. The lens shattered. The orange ducks burst into brilliant fractals, and their wail pierced the world.

DUCKAGE 6

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Whereupon The Duck Returns From The Gulf Oil Blowout

The Duck appeared on all the TV screens in all the world drenched in black goo.

“My finned and feathered friends in the Gulf of Mexico south of Louisiana, Alabama, Georgia, and west of Florida are not doing so well these days.” The duck explained how there has long been oil tar on the beaches from Texas to Trinidad and beyond because these oil eruptions happen all the time, though usually at somewhat less catastrophic scale.

“‘Drill, Baby, Drill!’ cry the American lunatics. They don’t care about us poor ducks,” said the duck. ”‘Drill, Baby, Drill!’ chant silently to themselves the politicos in both dominant parties, as they silently pocket the oil industry lobbyist cash for their bought and paid for by Big Money elections.”

Said the duck, “Like a good friend of mine tells it, ‘You drill, you spill,’ you know. Solar energy is the way to go. You nationalize the energy companies and run them more safely and more fairly, and you use the profits to develop green solar energy, so you drill less and you spill less, and maybe one day you don’t have to drill at all. And the same for mining. Like another good friend of mine says, ‘You mine, you die. You mine, you dine with death.’ We ducks should nationalize the mines to run them more safely and fairly and use the profits to develop the good jobs of green solar energy. Like yet another friend of mine likes to say,” the duck jabbed its oil soaked wingtip as high into the air as it could, “‘You go green, you go good,’ and that’s a future worth working for. Or do you wish to see me forever caked, crushed, and poisoned in oil slime? and cast out of creeks destroyed by mountaintop removal mining? Give us poor ducks a break, why don’t you? The workers of the world would benefit so. And the people of the planet. What have we done to deserve your black plague, your black death, your bubonic oil and coal dug from the belly of the beast, and drilled from the rump of the devil. You can take your shit and shove it, you foul Destroyers Incorporated, you hideous hellions of the dank hole, you treacherous tyrants of the trademark.”

The duck pucked up its beak and spit out a giant blob of oil tar that splatted against the camera lens and cast all the screens upon the globe into utter dark.

Fok Killing

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This is a story I can scarcely bear to tell. It involves my childhood, my father’s mistress, and my great aunt. It’s like a dream I can scarcely bear.

There was precious little great about my great aunt. She had a habit, quite noxious, of pacing in little circles in her living room while smoking three or four packs of cigarettes per day.

My father’s story is no less dreary. His mistress, a barely adult orphan from Verlutsk, watched soap operas four days of each week. The fifth day she went to town and shopped so as to provide more intrigue in her shows when she tried to figure out what was going on the following week. Success if she kept it fresh.

My childhood, you might have guessed, was an utter disaster. I was fat, an unpleasant child agreeable only in the consistency of my disagreeableness. A series of pets – chipmunks, skunks, and gerbils – all died on a regular basis more or less consistent with my emotional state.

My father got his mistress (“got” basically describes the transaction as well as approximates the sound of her surname) through not so much as a magazine but a catalog printed on gray paper with blurry photos of young desirables looking for a way out of the economically collapsed former Soviet blocs. I can’t say the mistress found the rust belt of eastern Ohio much more desirable than eastern Europe but all out access to the soaps seemed to make the difference. She did a half decent job of keeping my father clean, in both most literal and most figurative senses, and probably as a fundamental measure of self protection.

My great aunt who lived in a little shack on the same lot behind our slightly bigger shack of a house took a smoke break once per day by coming in to help prepare lunch or dinner, and that was about all we managed to see of her. She was on a fixed income, widowed, surviving. We didn’t need to worry about her, we assumed, and in any case apparently could manage no more.

My mother, drugs got her. Alive or dead, no idea. She followed her supplier south to Texas or Florida, years ago, according to a couple postcards we received in the ensuing months and then that was the end of that. I did not really understand the protocol of sending postcards to people you had run out on but there was a lot I did not understand. I felt I could hardly blame her for splitting as I was on the verge of always running out myself. Mostly I was numb so as to keep myself somehow alive to the world, at least as I thought of it. May well have been kidding myself. My parents were never married so apparently no divorce was necessary for my father to marry Ms. Verlutsk and make a legal soap opera watching resident out of her. No idea what the common law marriage rules are in Ohio. No one seems to care. No one I know. They have their own rules, we do.

Oh I fantasized all right about my father’s mistress wife. For years. She wasn’t much physically but neither was I. It was sort of messed up. To tell you the truth it felt like she was more married to me than to my father. I mean I felt that more than once. And some days she seemed to feel that too, or wish for it maybe sort of wistfully, dreamily. Very sad, mixed up. The mistress mothered me with an occasional look or word or gesture. Maybe she considered me to be an orphan of a sort like her, as I sometimes imagined I was. Maybe her whole existence to me was my own projection, or half.

And then my great aunt died when I was sixteen. A smoking stroke, I guess. It was like she died just for me. I don’t mean to sound flip about it but I was touched somehow. I moved right in to her shack, that little house. It was like she did it just for me, dying so I could have shelter. It was the perfect time to quit school and I did then in my junior year and began working full time changing oil.

I loved that job, I have to say. It was something to do with some guys you could talk to. It wasn’t school. The little bit of money was good to have. My father let me live rent free in the shack out back and any time I got seriously hungry, Ms. Verlutsk was glad for the company, glad to feed me.

She had zero imagination, Ms. Verlutsk. So that’s what I called her. That’s why she stayed with my father. If she had ever grown up, or gotten a job, maybe I could have called her by her real name, Petra – my father called her Pay – but she never did, she never left Europe really, so I called her ma’am, and decided to not ever be anything like her. Passive in everything except aggressive in trying to stay in place.

She never left Europe, I have to say again, though I’ve never been there and wouldn’t know.

I changed oil for one year until it began to seem like old Europe to me too. I needed upward mobility. There were some cars I could have stolen for the parts. I knew where to take them. There were drugs I could have tried to move, but for that I didn’t really have the connections, wasn’t what you would call middle class, so I could not exactly get on the lucrative end of that trade. You want to make money off drugs you got to have class and move among those people. My mother taught me that. I think she saw drugs as her chance at upward mobility but drugs for my people are really for those whose mobility has tapped out. The selling side anyway. I don’t know what became of my mother. And since I saw myself as just getting started, I joined the Army.

They helped me get the GED, the recruiters. They talked to me a lot, so that in basic training I knew just what to expect – just hard, man, go hard and do what you’re told – and just like they promised I came out of it a man. I felt strong, decisive, and so full of energy it seemed a shame really that I had to go to Iraq. I mean, I felt now I could really do something here in the states. Make it good, make a good life, you know? I felt I could finally afford to move somewhere curious, somewhere I just wanted to see, somewhere – California or Arizona – somewhere I was compelled to live and love the sun and sky and life the way I never had, the way I had never dared dare, and could scarcely dream. Somewhere, man, alive. After basic, I said to myself, I want to try it out west, I want to ride this life out there into the dry sun and shine of the southwest. That was almost the most glorious moment of my life, that longing, and I knew I was going to make it. Felt I knew what life was, after basic. These dreams got me through sometimes. I got through well enough. Except then I had to go to Iraq.

In Iraq, let me put this delicately, we had to give people the fokken business. The fokken business. You think they wanted us there? Not the most of them. You think we wanted to be there? Almost nobody. It felt like Ohio all over again, except more of a throwback to when Ohio was the Western frontier in a bad year where you had nothing but nothing, and attacks.

In Iraq we were like camouflaged cowboys, and the Indians were everywhere. I thought a lot about the Western movies I had seen growing up. A lot of people died in those Westerns. I thought a lot about that. I thought about Clint Eastwood in The Outlaw Josey Wales. He made it. And he even made peace there among the Natives. He made peace for a little group of people along a creek with pure water and a beautiful stand of cottonwoods. And when the federal Army came riding up to capture or kill Josey Wales, his little clan fought off the Army from their bit of paradise along the creek. In fact, they killed every last soldier. It wasn’t like most Westerns. It sure as hell wasn’t like Iraq. Then they sang and danced and celebrated life. Okay, well there I was in the Army, you know. In Iraq, I did not really know what I was – soldier, Indian, settler, invader, or simple jobber. Made it hard to work out my dreams sometimes. Made it hard to carry the day. One day I said to myself, Fok Killing. I kept saying it over and over again. Fok Killing. Fokken killing.

Survived my hitch. Two years. And then miracle of miracle did not get stop-lossed. They tempted me with tens of thousands of dollars worth of re-up bonuses and extras. I walked away.

I bought a car and drove through little tough towns in eastern Arizona. Kept driving. Cruised through Tucson, checked out Phoenix, sprawl and all, and then returned to Tucson. Got a job changing oil. Later, got a municipal maintenance job; next, the same sort of work but for the federal park system. Now, if a truck breaks down out there among the saguaro, I’m the one to fix it.

I have the feeling I’m going to marry a poor Navajo girl, if she’ll ever have me. Maybe not too poor, not too dull. It’s sort of my dream now. I almost think I know what I’m getting into every day of my life now, and you know it’s never easy. But it ain’t Iraq, and it ain’t eastern Ohio, and it sure as hell ain’t Verlutsk, I hope, wherever and whatever the hell that is.

I figure once I get with wife, and maybe a child or two, then I’ll go back to eastern Ohio and see what’s still there, if anything. My old man? Ms. Verlutsk? Some strung out dude paying rent, in a good month, in the backyard.

I figure I’ll go back but that time is not yet. I’m not ready to see the bitter look in the eyes of Ms. Verlutsk or the anger and sad in my father. I’m not ready to face myself so far from their dreams. Or my own. I’ve come a long way in America. It ain’t Iraq. It ain’t AfPak. And I plan on going a long way more.

What Would Not Do To Say [full article]

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WHAT WOULD NOT DO TO SAY

THE “CLEANSING” OF GEORGE ORWELL

A Real Shove from Above

In many ways, George Orwell’s greatest book is Homage to Catalonia, which documents his direct participation in the Spanish Revolution (civil war), a great book of a crucial revolution that is essentially elided from James Wood’s sociopolitical take on Orwell’s life and works in his April 2009 New Yorker article, “A Fine Rage” slugged “George Orwell’s revolutions.” Orwellian: the most liberatory of “revolutions” involving George Orwell is essentially nowhere to be found in “A Fine Rage… George Orwell’s revolutions.”

Wood claims Orwell “idealizes” the working class, then immediately cites Orwell’s description of what Wood labels “the best kind of proletarian home.” If “best” does not tend toward the “ideal” what does? A month earlier in the New York Review of Books, Julian Barnes notes in “Such, Such was Eric Blair” that Orwell “described the condition of the working class with sympathy and rage, thought them wiser than intellectuals, but didn’t sentimentalize them; in their struggle they were as ‘blind and stupid’ as a plant struggling toward the light.” Hardly ideal.

Wood describes Orwell as having “Rousseauian tendencies” (to be a sort of nature lover, Wood means), and additionally calls him a “puritan,” and labels him an “upper-class masochist” who wanted not to “level up society” but to “level it down” – and then, a “puritan masochist” whose “real struggle… was personal…the struggle to obliterate privilege, and thus, in some sense, to obliterate himself. This was at bottom a religious mortification.” And “perhaps Orwell had, by the late nineteen-forties, soured on socialism, along with capitalism.” No longer then a masochist suicide? Please. Wood would do well to save the amateur psychoanalysis hour for himself. “Orwell feared what he most desired: the future.” Orwell had “a tendency toward drab omnipotence.” Such is Wood’s New Yorker style piety, vacuity, and smear.

Wood describes a “judgment against Dickens” by Orwell as being “unwittingly comic.” Orwell: “However much Dickens may admire the working classes, he does not wish to resemble them.” Wood wonders, “Why would anyone want to…resemble …the working classes…least of all the working classes themselves?” He adds “…the problem with ‘admiring’ the working class is that it doesn’t, on its own, help anyone to get out of it at all.” Which is evidently why Orwell, far beyond admiration, risked his life in fighting on behalf of the working classes during the Spanish Revolution, as described in Homage to Catalonia.

Clearly Orwell saw more virtues and value in “the working classes” than Wood does. In fact, it is the many pressures applied by the working classes against the ruling classes that help to shrink the size of the more oppressed classes and ameliorate conditions within. Gifts are rarely granted from above, not without being forced from below by those who do the work – an active feature of many working classes that is admirable, and worth resembling.

In Spain, Orwell was willing to fight and to risk dying among the working classes who were in revolutionary mode, attempting a liberatory revolution that certainly did not spring from the privileged ruling classes but rather pushed against them – a “real shove from below,” a means to change mocked by Wood: “Ah, that will do the trick.” Does principled, justified force from below not sometimes produce real concessions from above? Does not much progress, let alone a revolution, often require it? Does Wood forget how the American colonies once sent his homeland’s Kingdom packing? The Spanish revolt of the working classes was largely a liberatory revolution that the wealth of the world left on its own, to be crushed. Other working class revolutions succeed or lay groundwork for progressive movements to come, to gain power under more peaceful conditions. One may see the Americas not least, including contemporaneously, for inspiring examples.

Before and during the Spanish Revolution (civil war), largely working class Spanish socialists and anarchists organized popular workers groups and movements, struggled, fought, and in part successfully replaced Republican Spain’s oppressive liberal capitalist rule, while holding off the fascism of Franco, for a time at least, greatly transforming peoples lives on a large scale, until the revolution was crushed by force – and mocked or ignored by others.

Establishment Innuendo

There is no little reason to want to embody the genuine qualities and enlivening characteristics of the working classes in a variety of ways. Orwell shows why most dramatically in Homage to Catalonia, the revolution blanked from Wood’s New Yorker article on “George Orwell’s revolutions”:

[In Barcelona 1936] it was the aspect of the crowds that was the queerest thing of all. In outward appearance it was a town in which the wealthy classes had practically ceased to exist. Except for a small number of women and foreigners there were no ‘well-dressed’ people at all. Practically everyone wore rough working-class clothes, or blue overalls or some variant of militia uniform. All this was queer and moving. There was much in this that I did not understand, in some ways I did not even like it, but I recognized it immediately as a state of affairs worth fighting for. Also, I believed that things were as they appeared, that this was really a workers’ State and that the entire bourgeoisie had either fled, been killed or voluntarily come over to the workers’ side; I did not realise that great numbers of well-to-do bourgeois were simply lying low and disguising themselves as proletarians for the time being.

[See an expanded excerpt of Homage to Catalonia appended.] What occurred in Barcelona, revolutionary Spain in 1936 was extraordinary, partially witnessed and participated in by Orwell, and had been long built toward by working class organizing – popular progressive action. Had western “democracies” lifted a finger to assist the anarchists and liberatory socialists, rather than purposefully failing to support them and even working against them, the world could well be a far better place today. But little official sympathy and far less than needed appreciation and understanding of such popular movements exists or is tolerated still today and little, none, or negative appreciation is mainly engendered by the most highly acclaimed prominent fiction and prominent literary criticism of our time – as we see in the essential blanking of Homage to Catalonia and its crucial import in Wood’s sociopolitical review of Orwell and his works.

Regarding various features of Orwell’s work, Wood belittles the thoughtful observations (Wood calls them “attacks”) of postcolonial analyst Edward Said on the one hand, and quotes approvingly and snidely from Philip Larkin, “a racist who wrote of stringing up strikers,” as Terry Eagleton notes. Such tenor and shading readily come across to many casual readers, let alone to close readers. As does plenty of other establishment innuendo: “So the question hangs over Orwell, as it does over many well-heeled revolutionaries: Did he want to level up society or level it down.” If such a “question hangs over…many well-heeled revolutionaries” (hanging above one’s head by a thread like the deadly Sword of Damocles, one presumes), then similarly loaded questions hang over all establishmentarians, and especially over prominent ones like James Wood, only moreso. At best, the former has much to lose, and the latter has much to save. The innuendo is of some potentially frightening change posed by revolutionaries, never mind that establishmentarian forces have long been deadly and oppressive for many, and are potentially fatal for the species entire. Such is the status quo or reactionary rhetoric, the basic line of Wood’s essay. This is the voice of not only the counter-revolutionary, which one assumes Wood realizes, it’s the voice of the anti-humane, the inhuman, which he either fails to grasp or does not want to, joining a long line of Harvard type intellectuals committed in opposition to libertarian socialism – an overt acceptance of which, recent polls indicate, is on the rise in the US, the basics ever more popular.

Establishment PR

The basic ideology of James Wood to this point is that of a status quo liberal, that is a neo cold warrior, an ideology that may delude itself to presume it is largely progressive, while essentially manifesting itself as status quo, with reactionary tendencies.

James Wood is typical of the New Yorker, or maybe somewhat more reactionary. His article on Orwell presents the New Yorker’s kind of mental cleansing for and by the liberal and conservative readers of the magazine, the mindset of ruling class culture and society. It’s not only the voice of going along with the ruling establishment to get along, it’s the voice of the blinkered and the blinding. “If you have gone to the best schools,” notes Noam Chomsky –

and graduated from Oxford and Cambridge, and so on, you have instilled in you the understanding that there are certain things it would not do to say; actually, it would not do to think. That is the primary way to prevent unpopular ideas from being expressed. The ideas of the overwhelming majority of the population, who don’t attend Harvard, Princeton, Oxford and Cambridge, enable them to react like human beings, as they often do. There is a lesson there for activists.

Activists and artists in general. (One such lesson: read and write through Liberation Lit – liblit.org – and other liberatory venues.) Though sometimes beneficial in truncated ways, the New Yorker’s literary and other art efforts are often slight, wrong, corrosive, or beside the point. Much of the literary establishment takes its cue from the New Yorker, or otherwise more-or-less shares its class-based affinities, not infrequently with much admiration and the wish to resemble.

Wood points to the contemporary relevance of Orwell’s “coinages” in his novel 1984, such as “‘doublethink’ and ‘Newspeak’ and ‘Big Brother’ [that] now live an unexpectedly acute second life” – only “now”? “unexpectedly”? – “in the supposedly free West” but Wood makes no mention that Orwell wrote 1984 based in substantial part on his experience of working as a propagandist for BBC during World War II, where he was surrounded by and part of propaganda techniques, including those of the sort commonly used by the Nazis. Jutta Paczulla notes in the Canadian Journal of History (Spring-Summer 2007):

When writing Nineteen Eighty-Four, Orwell drew on the MOI [Britain’s Ministry of Information] as a model for the novel’s Ministry of Truth. Not only does the Ministry of Truth building in the novel resemble that of the MOI, but Room 101, where the Eastern Service Committee held its meetings, becomes the room in which Winston, the central character in Nineteen Eighty-Four is tortured and broken. Moreover, the atmosphere created by the mutual censorship conducted by [Orwell’s] BBC colleagues is reflected in the novel’s atmosphere of paranoia and anxiety.

Introducing the first book of the recent two volume edition of Orwell’s work that prompts Wood’s article is George Packer, another of the New Yorker’s liberal apologists for imperialism, as detailed by Edward Herman in “George Packer and the Liberal Struggle to Support Imperialism” Z Magazine 2005. Packer claims there is:

a strange gap in Orwell’s work – for he never wrote a novel or nonfiction book about the most historically important event of his life [World War II, during which] he spent ‘two wasted years’ as a producer in the Eastern Service of the BBC.

Setting aside the question of whether or not WWII or the Spanish civil war or some other event was “the most historically important event in Orwell’s life,” the point is apparently inconceivable to both Packer and Wood that Orwell’s famed novel 1984 is based substantially on his time working for the BBC during World War II. While Orwell directs the satire of 1984 most evidently toward the Soviet Union, also Franco Spain, the satire applies directly to the propaganda institutions and capacities of the liberal “democracies” where Orwell lived and breathed some of the atmosphere and propaganda realities and irrealities that he describes and conjures up in 1984. Newspeak, doublethink, Big Brother, memory hole – all are longstanding specialties of the BBC, and dominant US media, as Orwell came to know and experience ever more intimately during World War II. Thus, the “strange gap” is resoundingly filled and the centrality of Orwell’s coinages to the West today is not only not unexpected by unbiased observers, but an understanding of the Orwellian has long since been remarked upon and employed in independent media analyses of the dominant corporate media of the US, England, and allied states.

About his state propaganda work at the BBC, Orwell expressed publicly that he kept the “propaganda slightly less disgusting than it might otherwise have been”…while writing privately in his diary:

You can go on and on telling lies, and the most palpable lies at that, and even if they are not actually believed, there is no strong revulsion. We are all drowning in filth…. I feel that intellectual honesty and balanced judgement have simply disappeared from the face of the earth….

“Orwell’s problem,” as Noam Chomsky describes it, permeates the establishment in the US and beyond: How is it that oppressive ideological systems are able to “instill beliefs that are firmly held and widely accepted although they are completely without foundation and often plainly at variance with the obvious facts about the world around us?” As evidenced in James Wood, George Packer, et al, Orwell’s problem has not lessened since Orwell’s lifetime, and now the Obama administration is a leading part of the problem. There is no mention in Wood’s article about the Orwellian nature of today’s top rulers. No mention that President Obama and his administration’s rhetoric of “change” and “security” purposefully mask the essential preservation of the status quo, let alone continue and escalate the militarism – a state of affairs that recalls “doublethink” and “Newspeak” and “Big Brother” as much as “Fox News…during the last Presidential election” recalls 1984’s “Hate Week.”

By mentioning only Fox News election coverage, Wood softens his weak nod to the relevant immediate, neatly placing Orwell and Hate Week distinctly in the past. (Meanwhile, for similar ongoing Hate Years in regard to immigration see CNN and Lou Dobbs…) This helps the establishment generally and the Obama administration in particular to “manage expectations” raised by sweeping progressive campaign rhetoric. It gives ruling party Orwellisms a pass. It overlooks the brazen duplicitous propaganda of the current rulers – never mind that they all along as background clinically and soberly revealed that their sweeping progressive flourishes were not to be taken seriously, that is honestly. In this empire of lies, to fuel this empire of lies, the financial institutions – the core funders of both the Democrats and the Republicans that are currently thieving bottomless dollars from taxpayers by way of the Obama administration – gave more money to candidate Obama than to candidate McCain. For now at least, the Obama crowd are more the establishment’s preferred front faces than are the “Hate Week” “Axis of Evil” demonizers. Wood gives an Orwellian pass to the current rulers.

Like a “good liberal” – though many liberals (Hillary Clinton, for example) ludicrously prefer to be thought of as “progressive and perhaps soon as “socialist” – Wood lauds the establishment line about the basic economic status quo, giving the impression that “upwardly mobile working classes” change society enough to justify it. At least Wood gives no indication otherwise. Where has he written for libertarian socialism or for much or any vision of emancipation from class and conquest? That’s no minor or irrelevant part of literature, or shouldn’t be. He gives a few nods to the oblique or roundabout, say, the allegories of Saramago, while part-and-parcel with the establishment he largely ignores or distorts central works and tendencies in literature that are especially liberatory and comprehensive and basic – for example: of the Victorian era, Victor Hugo’s anti death penalty novel The Last Day of a Condemned Man (1829) and his anti-class-exploitation novel, Les Misérables (1862); of the “modernist” era George Orwell’s liberatory partisan nonfiction narrative Homage to Catalonia (1938); of today Ngũgĩ wa Thiong’o’s unsurpassed novel Wizard of the Crow (2006). Les Misérables and Wizard of the Crow are as great as any novels ever written, plus of more profound, comprehensive, and quality norms than perhaps any. Wood has never mentioned these tremendous works, or others of the sort, while writing out of history the liberatory tendency of which they are part – sent down the Orwellian memory hole – and instead expounds at length along the establishment’s bunkered path.

The Sinister Fact

Where are today’s liberatory critics? At Counterpunch. ZNet. Liberation Lit and related sites. And scattered in some limited handfuls in virtually invisible academic journals. The status quo discourages them and filters them out. One does not become either a New Republic or a New Yorker critic by taking a much liberatory route. Instead one propounds a liberal (and conservative and reactionary) literature of class oppression, repression, distortion, or marginalization. In fact, one had better take issue with those who do venture too close, too deep into the more fully liberatory, as Wood does in chastising Orwell for not appreciating the appeal and benefits of “upward mobility,” while essentially blanking any mention that Orwell went out of his way to put his life on the line for full working class emancipation. Wood, at best, sometimes lauds improvements in the conditions of oppression, while mainly propounding the point of view of the victors, the basic status quo, the so-called “conventional wisdom” of which Wood is largely a synthesizer and delimiter in literature. Orwell dared more – intellectually, not to mention otherwise – and in doing so achieved far more of vital insight and work than Wood and the New Yorker can allow. With the New Yorker goes the vast majority of the literary establishment, academic and otherwise, minimal ranging aside.

In addition to extraordinary work that is especially accomplished, like Wizard of the Crow, there are other less accomplished but extremely important and powerful popular novels like Harriet Beecher Stowe’s Uncle Tom’s Cabin that also get regularly slighted and dismissed by the relatively prominent, including Keith Gessen in his introduction to the second book of the recent two volume edition of Orwell’s work. No slight intended! Gessen would no doubt protest, though unless he can read the future, he has no way of knowing that Orwell is wrong, let alone “howlingly wrong when [Orwell] says that Uncle Tom’s Cabin will out-live the complete works of Virginia Woolf.”

First, Uncle Tom’s Cabin and Woolf’s complete works both remain of general interest, both may try one’s patience, both are valuable and compelling. Second, due to historical and social reasons, Uncle Tom’s Cabin is at least as culturally integral as Woolf’s complete works, possibly moreso and plausibly considerably moreso. Meanwhile, the novel continues to sell well, as do Woolf’s works. Third, speaking of the accuracy of “outliving,” in his 1945 essay “Good Bad Books,” Orwell explained:

Perhaps the supreme example of the ‘good bad’ book is Uncle Tom’s Cabin. It is an unintentionally ludicrous book, full of preposterous melodramatic incidents; it is also deeply moving and essentially true; it is hard to say which quality outweighs the other. But Uncle Tom’s Cabin, after all, is trying to be serious and to deal with the real world. How about the frankly escapist writers, the purveyors of thrills and ‘light’ humour? How about Sherlock Holmes, Vice Versa, Dracula, Helen’s Babies or King Solomon’s Mines? All of these are definitely absurd books, books which one is more inclined to laugh at than with, and which were hardly taken seriously even by their authors; yet they have survived, and will probably continue to do so. All one can say is that, while civilisation remains such that one needs distraction from time to time, ‘light’ literature has its appointed place; also that there is such a thing as sheer skill, or native grace, which may have more survival value than erudition or intellectual power. There are music-hall songs which are better poems than three-quarters of the stuff that gets into the anthologies…[which] I would far rather have written…. And by the same token I would back Uncle Tom’s Cabin to outlive the complete works of Virginia Woolf or George Moore….

By now, Orwell’s “backing” of Uncle Tom’s Cabin over George Moore appears ever more solid, and time will have to tell regarding the works of Virginia Woolf. At this point, both Uncle Tom’s Cabin and Woolf’s works seem they may be equally durable, as much as any other outcome. That’s far from a “howlingly wrong” estimation of the books’ comparative durability after these few decades, let alone of their ultimate durability. But Gessen like Wood conveys a smug, presumptuous, corrosive, and misleading “conventional wisdom.” Gessen conveys an establishment impression that liberatory works like Uncle Tom’s Cabin do not measure up to certain establishment favorites (let alone surpass them socially or culturally), and even are laughingly not worth the time of day – an impression that comes across, intended or not – that great estimations of the lasting nature of such liberatory works are to be laughed at to the point of howling. The indoctrination goes deep. Uncle Tom’s Cabin more enduring than Woolf’s complete works? Everyone knows that’s a howler! Wait a minute. The fact is, Stowe’s novel and Woolf’s works both continue to be strong sellers. The jury is still out, and the verdict has not remotely begun to be returned conclusively. But Harvard grad Gessen is howling, his mind educated to its foregone conclusion, however empirically challenged, however theoretically lacking. Which is actually what may sensibly draw a laugh in all this. Upton Sinclair’s kindred novel to Uncle Tom’s Cabin, The Jungle, is doing well also. How finely written is much of, say, the Bible or the several millennia old epic of Gilgamesh? How enduring?

The New Yorker’s lead story for the issue of Wood’s essay on Orwell asks as title: “Can Iran Change?” More telling to ask, Can the US? Can the New Yorker change? Can status quo criticism? I suppose they can – at the point of revolution, probably best arrived at step by step. This article on Orwell is certainly no step, except backwards. To further help see why such work gets published as it does, we turn again to Orwell in “The Freedom of the Press,” an excerpt from his suppressed preface to Animal Farm:

The sinister fact about literary censorship in England is that it is largely voluntary. Unpopular ideas can be silenced, and inconvenient facts kept dark, without the need for any official ban…. The British press is extremely centralized, and most of it is owned by wealthy men who have every motive to be dishonest on certain important topics. But the same kind of veiled censorship also operates in books and periodicals, as well as in plays, films and radio. At any given moment there is an orthodoxy, a body of ideas which it is assumed that all right-thinking people will accept without question. It is not exactly forbidden to say this, that or the other, but it is ‘not done’ to say it, just as in mid-Victorian times it was ‘not done’ to mention trouser in the presence of a lady. Anyone who challenges the prevailing orthodoxy finds himself silenced with surprising effectiveness. A genuinely unfashionable opinion is almost never given a fair hearing, either in the popular press or in the highbrow periodicals.

This from even Orwell, who was far from always the most progressive or revolutionary (sometimes the flip opposite) writer or thinker one might find or imagine.

Moving Beyond Class Structure

While there are some real individual and social gains from “upward mobility,” there are those central and fundamental features of life in an oppressive system that no amount of “upward mobility” can touch, and which Wood scarcely approaches in the New Yorker article, or ever much concerns himself with, unlike Orwell. Class mobility is far from any guarantor of overcoming as a society the unjust and devastating class structure and imperial nature of states. In fact, class mobility greatly functions to preserve the fundamentally inegalitarian and anti-democracy hierarchies found throughout “the West” and beyond. In a review of Paul Lauter and Ann Fitzgerald’s anthology, Literature, Class and Culture, Lisa A. Cooper notes:

As Laura Hapke points out, in working-class writings, students’ belief systems are called into question as they read works ‘that challenge rather than celebrate upward mobility,’ and upward mobility and this idea of a shared notion of success is what most middle or upper class students have been taught to give credence to in capitalistic society.

Additionally, class mobility works both ways in the US, the much lauded land of upward mobility (more and more a relative myth). Leaving even the recent economic collapse aside – the ongoing multi-trillion dollar thefts from the populace by the wealthy ruling classes – the US prison system continues to grow like the torturing monster that it is. Even the establishment New Yorker recently gave some decent related insight into this, in its article “Hellhole” by Atul Gawande, on the widespread practice of torture in US prisons that is long-term solitary confinement (among other official barbarities). By 2006, “1 of every 31 adults in the US was on probation or parole or incarcerated in jail or prison” – the highest rate of incarceration and the largest prison population of any country anywhere – not to mention those imprisoned or living and dying under US guns all around the globe. The sun never sets on the US garrisons and guns of the world, as with the British Empire of old. Neither does the sun set on its Empire of lies and its other deceptions and misrepresentations, fostered near and far by establishment media and other institutions of the status quo.

Since class-based society fosters mobility both up and down, does that mean its inhabitants whether privileged or virtual vassals, serfs, and real prisoners are doubly free? Or should they be working, thinking, and organizing internationally and domestically toward progressive and revolutionary accomplishments that achieve and surpass those temporarily gained in Spain, and more permanently elsewhere – or should one wish to be and “resemble” the relatively privileged classes and their typical literary criticism (and fiction), such as in the New Yorker that sees fit to send continuously down the memory hole key liberatory realities and possibilities?

Apparently some particular class or readership might be tempted to “gloat” over any of Orwell’s shortcomings, for Wood is compelled to add that “it is too easy to gloat over his contradictions.” Gloat? Now who – which people, which classes – would want to “gloat” over Orwell’s “contradictions”? The ones whom Orwell at his best wrote on behalf of and fought alongside? Or…the privileged classes. Orwell noted in 1946: “Every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism and for democratic socialism, as I understand it.” So who are these anti-democratic-socialists so craven as to apparently instinctively “gloat” over the contradictions, perceived and otherwise, of Orwell? The implications are striking.

In The Lion and the Unicorn: Socialism and the English Genius, Orwell wrote that ruling types could:

keep society in its existing shape only by being unable to grasp that any improvement was possible. Difficult though this was, they achieved it, largely by fixing their eyes on the past and refusing to notice the changes that were going on round them.

Orwell:

They are not wicked, or not altogether wicked; they are merely unteachable. Only when their money and power are gone will the younger among them begin to grasp what century they are living in.

Orwell:

Even among the inner clique of politicians who brought us to our present pass [World War II] it is doubtful whether there were any conscious traitors. The corruption is more in the nature of self-deception… And being unconscious, it is limited. One sees this at its most obvious in the English press. Is the English press honest or dishonest? At normal times it is deeply dishonest. All the papers that matter live off their advertisements, and the advertisers exercise an indirect censorship over news. Yet I do not suppose there is one paper in England that can be straight-forwardly bribed with hard cash.

Orwell:

The underlying fact was that the whole position of the monied class had long ceased to be justifiable.

Wood’s emphasis on “upward mobility” gives the impression that the upper classes are the hope of the working classes, a place to escape to, where they may become the new managers and class system enforcers – devil take the hindmost. It sure worked like nothing else in Weimar and Nazi Germany. Journalist Alex Constantine observes:

To quote [historian] Felix Gilbert, ‘At the time the Nazis took over, recovery from the recession was beginning’ and Germany was economically prospering…

Economic prosperity, however, as catchwords like public works and infrastructure programs reveal, also meant the continued Americanization of Germany’s economy under Hitler. Indeed, the dictator himself seems to have welcomed America’s efficient methods of production. Hitler was, for instance, a proponent of mass-consumption, as shown by his statement from September 1941: ‘Frugality is the enemy of progress. Therein we are similar to the Americans, that we are fastidious.’ [Historian] Detlev Peukert underlines Hitler’s pro-American stance, arguing that, not unlike the U.S., the Third Reich consciously aimed to represent ‘the dawning of the new achievement-orientated consumer society based on the nuclear family, upward mobility, mass media, leisure and an interventionist welfare state […].’

And mass incarceration. Alongside “upward mobility.” Ah, that will do the trick. Things sure turned out well. That was quite a path, that route of mass confinement and upward mobility. Quite a final solution. Today: the great American lockup and Good Americans moving up to help administer and expand Empire USA, the Good British always ready to lend a helping military hand. “The descent into barbarism” of Germany in a mere decade from much admired heights of Western civilization – forgotten already? Conditions today are especially volatile and disastrous for many, and not only socially – also environmentally and militarily–

in part due to the establishment notion of “economic growth” that conquests and trashes the earth. Conditions are grave. (Meanwhile there exist far more constructive realities and movements in the arts and culture, in society and politics however marginalized – efforts that struggle for all the energy, growth, support, and progress they can possibly achieve.)

Orwell:

There they sat, at the center of a vast empire and a worldwide financial network, drawing interest and profits and spending them – on what? The British ruling class obviously could not admit to themselves that their usefulness was at an end. Had they done that they would have had to abdicate. For it was not possible for them to turn themselves into mere bandits, like the American millionaires, consciously clinging to unjust privileges and beating down opposition by bribery and tear-gas bombs. After all, they belonged to a class with a certain tradition, they had been to public schools where the duty of dying for your country, if necessary, is laid down as the first and greatest of the Commandments. They had to feel themselves true patriots, even while they plundered their countrymen. Clearly there was only one escape for them – into stupidity.

Into the mental cleansing of history.

Valuing the Work of Orwell

Near the end of his New Yorker article on Orwell, James Wood tutors the establishment to not “gloat” at Orwell’s “contradictions.” That would be “too easy.” Not too mention pitifully superficial, ignorant, and outrageously reactionary, particularly due to Wood’s blanking of Orwell’s most liberatory understandings and efforts.

“Instead,” Wood declaims, “one is gratefully struck by how prescient Orwell was, and by how much he got right” and how “curiously precise: he was…because of his contradictions…”:

This combination of conservatism and radicalism, of political sleepiness and insomnia, this centuries-long brotherhood of gamekeeper and poacher, which Orwell called ‘the English genius’, was also Orwell’s genius, finding in English life its own ideological brotherhood. For Good and ill, those English contradictions have lasted.

So you see, Dear Readers of the New Yorker, we cannot gloat for we would be gloating at the “contradictions” of ourselves, for we are not essentially keepers of the status quo, we too are like Orwell at his best, propagandizing for democratic socialism, as he understands it, in everything we write, and in so very much that we do – just so, history has been obliterated into fantasy, in the pages of the New Yorker by the award winning critic (2009 American Society of Magazine Editors’ National Magazine Award for criticism).

In this splendid fiction according to James Wood – cultured good liberals and conservatives, or progressive pretenders, need not worry – need not even know – that Orwell was ever so very revolutionary after all, for Wood has leveled such history to the ground, and below. In this he is professionally assisted in the Orwell volumes I and II introductions by George Packer also of the New Yorker and Keith Gessen of n+1 in various ways, including fixations and ultimate focus on Orwell’s niceties of form and style. At least English novelist Julian Banes in the New York Review of Books, though a basically establishment write up, spends some time depicting the manufacture of Orwell’s reputation as National Treasure, then closes by quoting Orwell and emphasizing that:

“The central problem—how to prevent power from being abused—remains unsolved.” And until then, it is safe to predict that Orwell will remain a living writer.

Even this slim point of emphasis is beyond Wood, Packer, and Gessen for whom Orwell is far more to be cherished and known for his writing and his nationally treasured “English genius.” To Wood and his chorus, Orwell is “us” after all, in the end – the more-or-less talented and privileged status quo. For which we are grateful. He is our brother through and through. Not that there is nothing to that. After all, Orwell was early in his life an Imperial policeman, and though he emphasized how he despised it, at the end of his life he was a police informer, pointing out leftists or perceived leftists, including Charlie Chaplin. So there is certainly that establishment strain in Orwell.

Except, brazenly unrevealed in Wood’s largely socio-political article is Orwell’s most vital, greatest socio-political work. Moreover, Orwell pointedly noted that one group had opted out of “the English genius” that Wood says is “Orwell’s genius,” part of an “ideological brotherhood”: the intellectuals. They opted out of the English genius, the brotherhood, according to Orwell, and Wood pointedly omits this crucial fact – again, brazenly, especially in this day of the easy check internet. “Nearly everyone,” Orwell writes, “whatever his actual conduct may be, responds emotionally to the idea of human brotherhood,” that which Wood describes as the “centuries-long brotherhood of gamekeeper and poacher,” thus misrepresenting England as a land of legal workers and illegal workers – with no owners, no landlords to employ the gamekeepers or to prosecute the poachers, no monied rulers.

Contra Wood, Orwell in fact explicitly includes in the “brotherhood” the “millionaires” and the “class-structure” and “all ranks of society … [where] … the most atrocious injustices, cruelties, lies, snobberies exist everywhere,” which he claims are all part of a “cultural unity,” except for that one group, long since, the intellectuals. Orwell observes in his 1940 Dickens essay that the “brotherhood” has long been broken, that:

In one sense it is a feeling that is fifty years out of date. The common man is still living in the mental world of Dickens, but nearly every modern intellectual has gone over to some or other form of totalitarianism. From the Marxist or Fascist point of view, nearly all that Dickens stands for can be written off as ‘bourgeois morality’. But in moral outlook no one could be more ‘bourgeois’ than the English working classes. The ordinary people in the Western countries have never entered, mentally, into the world of ‘realism’ and power-politics. They may do so before long, in which case Dickens will be as out of date as the cab-horse.

And in its most liberatory forms actual democratic socialism may have a chance. The intellectuals – those who staff and run the governments, those who fill the privileged schools – opted out of the “brotherhood” one hundred and twenty years ago. And it is the establishment intellectuals, like Wood, who have a real stake, ruling stake, in keeping up “the lofty old schools” on both sides of the Atlantic, “much as always,” despite “all the transformations,” to “educate the upper classes to govern the country,” to “wreck” cities and countries and continents and to have their “lovely” homes and “parties.” Orwell’s “brotherhood,” his ostensible “genius,” the “English genius,” includes considerably more than Wood indicates (the “millionaires, the landlords – the owners) and considerably less (the “intellectuals”), and meanwhile, the brotherhood’s masses (working classes) would be “as out of date as the cab-horse” in revolutionary Spain, or in any functioning democracy or socialism worth of the name. For this genius that Wood mischaracterizes we are grateful? So who is “leveling down” and taking insight and possibility with it?[1]

And so it is that Wood leads readers blindly away from many of Orwell’s most valuable, outraged, and revolutionary insights[2] in the article titled with Orwellian flair, “A Fine Rage” and slugged, “George Orwell’s revolutions.”

Should journals of literature and other art aspire to the crucially gutted literary work so typically vaunted and displayed in the New Yorker and in periodicals of similar ethos? Are there no countervailing literary forces at work? No striking progress? No real revolutions in the brewing? None advancing step by step? Would anyone, could anyone, remotely know by reading the prominent literary voices of the US and the West? Is there no “sinister fact,” no voluntary suppression in the dominant media, the establishment media, anymore? Nothing Orwellian in the New Yorker?

____________________

NOTES:

1 Worth quoting in its entirety is this comment by “driedchar” to a particular blog post of George Packer, “Reading Orwell: George Packer” in the New Yorker April 23, 2009. “Driedchar is a big fan of John Updike, as noted in another comment. It doesn’t get much more establishment than Updike, a long time New Yorker writer. Yet such is the egregiousness of Wood’s misrepresentation of George Orwell that even from various points in the establishment one may feel compelled to point out Wood’s “irksome … condescension to Orwell and to the working class” and to “the mugging” that Wood delivers, courtesy of the New Yorker, in his article that George Packer calls “excellent.” The comment:

I agree with most of what Packer has to say, except his reference to James Wood’s “A Fine Rage” as an “excellent essay.” Wood’s piece is filled with questionable statements. For example, when he says, “There is a difference between being revolutionary and being a revolutionary, and journalists are not required to be tacticians,” he implies that Orwell didn’t really understand the realities of revolt. He fails to mention that Orwell fought (voluntarily) on the front lines against the Fascists in the Spanish Civil War. Wood takes a sentence in Orwell’s “The Lion and the Unicorn” (“However horrible this system [Fascism] may seem to us, it works.”) out of context and uses it to conclude: “So the example of efficient Fascism is what inspires the hope of efficient socialism.” Wood fails to point out that in “The Lion and the Unicorn,” not to mention many other essays and reviews, Orwell is at pains to distinguish between Fascism and socialism. For example, in “The Lion and the Unicorn,” Orwell says, “Hitler’s real self is in Mein Kampf, and in his actions. He has never persecuted the rich, except when they were Jews or when they tried actively to oppose him. He stands for a centralized economy which robs the capitalist of most of his power but leaves the structure of society much as before. The State controls industry, but there are still rich and poor, masters and men. Therefore, as against genuine Socialism, the moneyed class have always been on his side.” Orwell goes on to describe Fascism as “spectacular, conscious treachery.” Wood is wrong to connect Orwell’s socialism with Hitler’s fascism. He is also wrong to allege Orwell’s “reputation’s later theft at the hands of the right wing.” What exactly is Wood referring to here? Is it something disparaging T. S. Eliot and/or Malcolm Muggeridge said about “Animal Farm”? Wood does not substantiate his allegation; he merely says Orwell’s reputation was stolen by the Right. As far as I know, no such “theft” ever took place. Wood describes Orwell as a “puritan masochist.” Puritan apparently because he is sensitive to squalor; masochist because he repeatedly immersed himself in squalor? A fairer interpretation is that Orwell was onto a great subject – poverty and working class suffering – and that he was very good at describing it. The most irksome aspect of Wood’s piece is his condescension to Orwell and to the working class. He says of Orwell, “But it is too easy to gloat over his contradictions…. Gloat? Implicit in that is Wood’s enjoyment of the mugging he’s administering. Regarding the working class, Wood quotes Orwell on Dickens: “However much Dickens may admire the working classes, he does not wish to resemble them.” Woods then asks, “Why on earth should Dickens have wanted to resemble the working classes? Why would anyone want to, least of all the working classes themselves?” Well, I for one identify with the working classes and proudly consider myself part of them. I believe Wood is coming across here as quite a snob. I have only touched on a few of the many troublesome and problematic aspects of James Wood’s “A Fine Rage.” Far from being “excellent,” as Packer describes it, it is thoroughly rotten and regrettable.

2 An excerpt from George Orwell’s Homage to Catalonia:

I had dropped more or less by chance into the only community of any size in Western Europe where political consciousness and disbelief in capitalism were more normal than their opposites. Up here in Aragon one was among tens of thousands of people, mainly though not entirely of working-class origin, all living at the same level and mingling on terms of equality. In theory it was perfect equality, and even in practice it was not far from it. There is a sense in which it would be true to say that one was experiencing a foretaste of Socialism, by which I mean that the prevailing mental atmosphere was that of Socialism. Many of the normal motives of civilized life – snobbishness, money-grubbing, fear of the boss, etc. – had simply ceased to exist. The ordinary class-division of society had disappeared to an extent that is almost unthinkable in the money-tainted air of England; there was no one there except the peasants and ourselves, and no one owned anyone else as his master. Of course such a state of affairs could not last. It was simply a temporary and local phase in an enormous game that is being played over the whole surface of the earth. But it lasted long enough to have its effect upon anyone who experienced it. However much one cursed at the time, one realized afterwards that one had been in contact with something strange and valuable. One had been in a community where hope was more normal than apathy or cynicism, where the word ‘comrade’ stood for comradeship and not, as in most countries, for humbug. One had breathed the air of equality. I am well aware that it is now the fashion to deny that Socialism has anything to do with equality. In every country in the world a huge tribe of party-hacks and sleek little professors are busy ‘proving’ that Socialism means no more than a planned state-capitalism with the grab-motive left intact. But fortunately there also exists a vision of Socialism quite different from this. The thing that attracts ordinary men to Socialism and makes them willing to risk their skins for it, the ‘mystique’ of Socialism, is the idea of equality; to the vast majority of people Socialism means a classless society, or it means nothing at all…. In that community where no one was on the make, where there was a shortage of everything but no boot-licking, one got, perhaps, a crude forecast of what the opening stages of Socialism might be like. And, after all, instead of disillusioning me it deeply attracted me….

This was in late December 1936 [in Barcelona], less than seven months ago as I write, and yet it is a period that has already receded into enormous distance. Later events have obliterated it much more completely than they have obliterated 1935, or 1905, for that matter. I had come to Spain with some notion of writing newspaper articles, but I had joined the militia almost immediately, because at that time and in that atmosphere it seemed the only conceivable thing to do. The Anarchists were still in virtual control of Catalonia and the revolution was still in full swing. To anyone who had been there since the beginning it probably seemed even in December or January that the revolutionary period was ending; but when one came straight from England the aspect of Barcelona was something startling and overwhelming. It was the first time that I had ever been in a town where the working class was in the saddle. Practically every building of any size had been seized by the workers and was draped with red flags or with the red and black flag of the Anarchists; every wall was scrawled with the hammer and sickle and with the initials of the revolutionary parties; almost every church had been gutted and its images burnt. Churches here and there were being systematically demolished by gangs of workman. Every shop and cafe had an inscription saying that it had been collectivised; even the bootblacks had been collectivized and their boxes painted red and black. Waiters and shop-walkers looked you in the face and treated you as an equal. Servile and even ceremonial forms of speech had temporarily disappeared. Nobody said ‘Señor’ or ‘Don’ or even ‘Usted’; everyone called everyone else ‘Comrade’ or ‘Thou’, and said ‘Salud!’ instead of ‘Buenos dias’. Tipping had been forbidden by law since the time of Primo de Rivera; almost my first experience was receiving a lecture from a hotel manager for trying to tip a lift-boy. There were no private motor-cars, they had all been commandeered, and the trams and taxis and much of the other transport were painted red and black. The revolutionary posters were everywhere, flaming from the walls in clean reds and blues that made the few remaining advertisements look like daubs of mud. Down the Ramblas, the wide central artery of the town where crowds of people streamed constantly to and fro, the loud-speakers were bellowing revolutionary songs all day and far into the night. And it was the aspect of the crowds that was the queerest thing of all. In outward appearance it was a town in which the wealthy classes had practically ceased to exist. Except for a small number of women and foreigners there were no ‘well-dressed’ people at all. Practically everyone wore rough working-class clothes, or blue overalls or some variant of militia uniform. All this was queer and moving. There was much in this that I did not understand, in some ways I did not even like it, but I recognized it immediately as a state of affairs worth fighting for. Also, I believed that things were as they appeared, that this was really a workers’ State and that the entire bourgeoisie had either fled, been killed or voluntarily come over to the workers’ side; I did not realise that great numbers of well-to-do bourgeois were simply lying low and disguising themselves as proletarians for the time being.

Together with all this there was something of the evil atmosphere of war. The town had a gaunt untidy look, roads and buildings were in poor repair, the streets at night were dimly lit for fear of air-raids, the shops were mostly shabby and half-empty. Meat was scarce and milk practically unobtainable, there was a shortage of coal, sugar and petrol, and a really serious shortage of bread. Even at this period the bread-queues were often hundreds of yards long. Yet so far as one could judge the people were contented and hopeful. There was no unemployment, and the price of living was still extremely low; you saw very few conspicuously destitute people and no beggars except the gypsies. Above all, there was a belief in the revolution and the future, a feeling of having suddenly emerged into an era of equality and freedom. Human beings were trying to behave as human beings and not as cogs in the capitalist machine. In the barbers’ shops were Anarchist notices (the barbers were mostly Anarchists) solemnly explaining that barbers were no longer slaves. In the streets were coloured posters appealing to prostitutes to stop being prostitutes. To anyone from the hard-boiled, sneering civilization of the English-speaking races there was something rather pathetic in the literalness with which these idealistic Spaniards took the hackneyed phrase of revolution. At that time revolutionary ballads of the naivest kind, all about the proletarian brotherhood and the wickedness of Mussolini, were being sold on the streets for a few centimes each. I have often seen an illiterate militiaman buy one of these ballads, laboriously spell out the words, and then, when he had got the hang of it, begin singing it to an appropriate tune.

Iraq War Fiction

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The good and the bad, and the in-between – an incomplete list of Iraq and Afghanistan War fiction, 2003 – 2009:

NOVELS / GRAPHIC NOVELS / PLAYS / VIDEO, FILMS, MOVIE

IRAQ WAR NOVELS:
Story of the Sand – Mark B. Pickering
Lost Boys – James Miller

Zubaida’s Window – Iqbal Al-Qazwini
The Ghost – Robert Harris
Like No Other – Robert Mercer Nairne
A Desert Called Peace – Tom Kratman
Operation Supergoose – William Hart
Hocus Potus – Malcolm MacPherson
The Sirens of Baghdad – Yasmina Khadra
Last One In - Nicholas Kulish
Homefront – Tony Christini
The Conquest of Oila – Tony Christini
Still the Monkey – Alivia C. Tagliaferri
The Scorpion’s Gate – Richard A. Clarke
The Human War – Noah Cicero
Homeland – Paul William Roberts
Outsourced – R. J. Hillhouse
Body of Lies – David Ignatius
The Contractor – Charles Holdefer
Bowl of Cherries – Millard Kaufman
Jasmine’s Tortoise – Corinne Souza
Ever After – Karen Kingsbury
Refresh, Refresh – Benjamin Percy
The L. P. – David Walks-As-Bear
Checkpoint – Nicholson Baker
A Medic in Iraq – Cole Bolchoz
The Chameleon’s Shadow – Minette Walters
Ammi: Letter To A Democratic Mother – Saeed Mirza
We Are Now Beginning Our Descent – James Meek
Mojave Winds – Mark Biskeborn
Sufi’s Ghost – Mark Biskeborn
No Space for Further Burials – Feryal Ali Gauhar
Queen of Hearts & Black Hands – Daniel Homan
Blind Fall – Christopher Rice
One of Us – Melissa Benn
Sunrise Over Fallujah – Walter Dean Myers
Concealed…Inside the Enemy – Barbara Kline
100 Days and 99 Nights – Alan Madison
A Thousand Veils – D. J. Murphy
You Leader Will Control Your Fire – Roy William Scranton
The Reluctant Fundamentalist – Mohsin Hamid
Linger – M. E. Kerr
Homefront – Kristen Tsetsi
Nothing to Lose – Lee Child
A Dangerous Age – Ellen Gilchrist
One Weekend a Month – Craig Trebilcock
No Time for Ribbons – Craig Trebilcock
The Third River – Nisreen Ghandourah
One September Morning – Rosalind Noonan
Wrongful Death – Robert Dugoni
When You Come Home – Nora Eisenberg
Castle – J. Robert Lennon

IRAQ WAR GRAPHIC NOVELS:
Army@Love – Rick Veitch
Shooting War – Lappe and Goldman
“Greendale” as graphic novelNeil Young & Joshua Dysart
Pride of Baghdad – Vaughan and Henrichon
Iraq: Operation Corporate Takeover – Wilson and O’Connor
DMZ – Brian Wood
To Afghanistan and Back – Ted Rall
The War Within – Gary Trudeau

IRAQ WAR PLAYS:
The Wolf – Sean Huze
1984 – Tim Robbins
Peace Mom – Dario Fo
Stuff Happens – David Hare
The Vertical Hour – David Hare
9 Parts of Desire – Heather Raffomore info
Flags – Jane Martin
Black Watch – Gregory Burke1 | 2
Ward 57 – Jessica Goldberg
March On, Dream Normal – Jeanette Scherrer
Betrayed – George Packer (additional)
Get Your War On – Shawn Sides / David Rees
One Shot, One Kill – Richard Vetere
Palace of the End – Judith Thompson
Beast – Michael Weller
In Conflict – Yvonne Latty/students
The Warrior – Jake Gilhooley
Only We Who Guard the Mystery Shall be Unhappy – Tony Kushner
Prayer For My Enemy – Craig Lucas
Iraq War, The Musical! – Paul Cross
The Eyes of Babylon – Jeff Key
Prophecy – Karen Malpede
Bring the King, Bring Him – Haider Munathar
Welcome Home, Jenny Sutter – Julie Marie Myatt
How Many Miles to Basra? – Colin Teevan
The Lonely Soldier Monologues – Helen Benedict
Old Glory – Brett Neveu
Baghdad Wedding – Hassan Abdulrazzak
The Women of… – Edgecombe, Harrison, Pollack, cast
Soldiers Circle – Russell Vandenbroucke

IRAQ WAR FICTION FILMS AND VIDEO:
Lions for Lambs
Over There
Valley of the Wolves Iraq
The Tiger and the Snow
Stop-Loss
The Situation
G.I. Jesus
24
A Mighty Heart
Home of the Brave
Grace is Gone
In the Valley of Elah
Rendition
Redacted
Homecoming
Embedded
Body of Lies
The Kingdom
Battle for HadithaWalsh review
War, Inc.
A Journal for Jordan
Against All Enemies
Brothers
Shooting War
Ahlaam
Badland
Charlie Wilson’s War
“Green Zone”
Day Zero
Turtles Can Fly
Harold and Kumar Escape from Guantanamo Bay
The Lucky Ones
Diary of the Dead
The Hurt Locker
“W”
Army Wives
Saving Jessica Lynch
Generation Kill
Taking Chance
In the Loop
The Messenger
Brothers

COMMENTARY (on Iraq war fiction):
Hollywood’s New Censors – John Pilger
Hollywood Goes to War – Andrew Gumbel
Hollywood Always at War – Response to “Hollywood Goes to War”- Christini / (Pilger)
Too Soon for Iraq Dramas?
Don’t Mention the War – Eddie Cockrell
Footnotes to the Conquest: Iraq War Novels and Movies
Antiwar Novels Are “Belligerent”? – Tony Christini
The Iraq war movie: Military hopes to shape genre – Julian E. Barnes

War No More: The Antiwar Impulse in American Literature, 1861-1914 byCynthia Wachtell

See also:

Cover for 'Fiction Gutted: The Establishment and the Novel'

Iraq War Documentary Films and Video:
EXTENSIVE LIST AT WIKIPEDIA

The Hurt Locker: The Empire’s Best?

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Aaron Bady at The Valve calls 2010 Academy Award winning movie for best picture, The Hurt Locker, “a cinema of truthiness,” of a kind.

In my view, the main truthiness (truthiness being a sort of refined Orwellianism) is that “The Hurt Locker” is a biased cinema of retail violence, rather than an illuminating cinema of wholesale (and retail) violence – which the owners don’t allow to be portrayed for the masses.

The Cindy Sheehan Story, if done well as movie, incorporating Dahr Jamail type reporting, would be a poly-subjective/objective cinema of wholesale violence (also retail).

It would be a war (or rather conquest and resistance) story on a large scale, instead of being reductively confined to a warrior/occupier story.

Imagine retitling “The Hurt Locker” as “The Travails of the Conquistadors.” Or call it, symbolically, “The Good Russians in Afghanistan.”

“The Hurt Locker”? Orwellian dreams. A whole cinema of it. Best Picture! By the logic of reduction – possibly so. By the logic of empire – definitely. Political? Sure. Pernicious? Sure. Well wrought? Could be. One can admire what slaves make, whether it’s a good apple, or excitement in art, while despising what they are…enslaved, tools of empire; and/or, in the case of many soldiers (and occupying armies), mercenaries essentially, and lethal indentured servants.

And of course there is always the question of how admirable is what they make. The conquistadors suffered, and suffer today too. It’s the picture of the year, or the era. The excitement and the sufferings of the conquistadors are henceforth to be known as Kathryn Bigelow films? What an honor.

And The Cindy Sheehan Story?

Or what about An Iraqi Lament?

Picture of the never? Novel of the nowhere? Imagination unmappable? Unmapped? Or “…thoroughly forgotten, ignored, and under-articulated…” here, as elsewhere.

“…the representational conundrum that Kathryn Bigelow’s film is stuck in…” is a conundrum of genre and content.

“…the Iraq war…reality is a thing for which narrative is insufficient” in expression when expressed as a contemporary Western, or Spaghetti Western, or Knight-Errant tale – as The Hurt Locker is. This film that is a kind of Die Hard In Iraq! is set up to really show virtually nothing about what dying hard in Iraq today actually means. Die Hard in Baghdad, the enemy mechanized. In fact, the genre and content are a set up to show the opposite of what dying hard in Iraq today most essentially means. As comes natural to a conquistador culture. Picture of the year!

After millennia, is the endless reveling in the martial the best we can do in art? What would we think of a Russian “Hurt Locker” during the Russian invasion of Afghanistan? Wow, those Russian soldiers sure do rock and roll! And the important conundrum there would be what?

“Missing” and “Romero” – these are vital, high impact movies of “war,” that is of conquest and resistance. No academy awards though. And not much academic appreciation either. And I can think of such novels too. Not much conundrum there. Just some great and vital art. Buried like IEDs, I guess, in the paths of establishment scholars’ and critics’ careers, in favor of star shine and star drek. It makes sense to critique the star works of art because they are so visible, and to do so first and foremost at the most fundamental levels; it also makes sense to critique the invisible works of art that are far more vital, to render visible the vital invisible. Either or both done thoroughly can cost matriculation and tenure though, which is why it is so seldom seen in certain circles.

(What a novel that would make! and has partly been made in the great second novel by Miles Franklin, The End of My Career, 45 years delayed in publishing and apparently out of print in the US, though available used and in full online at Australia Gutenberg under its original, better title, My Career Goes Bung.)

Bolano and present and future of the novel continued

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xposted: Apart from local diversity, which is important or vital, I see far more similarities across European, American (North and South), African, and Asian novels than differences. (Though maybe I’ve read too selectively.) It seems there’s more variance within place than across it. (I think science has determined that the same is true for race.) Underlying this is the socio-political commitments, no matter the place, the kind of basic ground-level commitments of the novel. And while those can vary vastly within a single city, given the interests or commitments of the novelist, they can and have also taken form of a global solidarity and movement, as Denning points out.

So, human nature is universal, socio-political and other commitments of novelists vary but can and have taken the form of an international, and yet too much discussion of novels goes on out of all broad socio-political or historical context, as if the form or genre were not a living organic socio-political (that is, historical) thing, a knowable creature in the overall socio-historical web. So often novels are treated like alien objects landed from outer space which must be hermetically probed and de-encrypted. This is flattering to the author but shows weakness or snobbery in the critic. Which then impoverishes thinking and making, including novel thinking and novel making, as it makes even utterly typical novels look freakish, strange, and more unique, promising, or interesting than they are, due to some idiosyncratic quirk or particular threaded element. And this suits short term or short sight marketing, which goes its own pathological way.

Which goes back to Denning:

“Like world music, the world novel is a category to be distrusted; if it genuinely points to the transformed geography of the novel, it is also a marketing device that flattens distinct regional and linguistic traditions into a single cosmopolitan world beat, with magical realism serving as the aesthetic of globalization, often as empty and contrived a signifier as the modernism and socialist realism it supplanted”

The vapid and pathological marketing of marginal or pathological or subservient novels, one is to be wary of, but the novels that do represent the “transformed geography of the novel” of liberation, that Denning gets toward, that’s where the discussion of novels would do well to be, for humanistic, intellectual, and artistic reasons all. To do otherwise, is to engage in discussion that is “often…empty and contrived,” trivial or marginal, or obscurant, however sometimes or seemingly complex.

2666 and the Bolano oeuvre by and large, including the short stories, fail to impress, though are not totally without interest. Not totally. As for The Kindly Ones, I get the sense it was written as a joke or as a sheerly careerist effort, or a dull combination of the two. The flood of commentary on the The Kindly Ones reads to me much like a Bolano novel, that is, as a stunted phenomena barely endurable or alive, a few lively or pointed moments aside. Overly harsh? I’m comparing the work of Bolano to the great and vital works that are neglected, that are where the greater life of the novel, of fiction, is really going on.

Continued:

One can look at “The Part About the Crimes” as part 4 of 2666, or, as Bolano apparently wished, as a stand alone work. It hardly matters. Either way it’s the most vital thing there, and the greatest failure. It’s the most vital thing for obvious reasons, not least because the subject is so visceral and of serious magnitude. Unfortunately, because it is so relatively meaninglessly or minorly set forth (that is, contextualized) it is failed badly, if not utterly. What’s the point of the litany of gruesome horrific murders? Who knows? Could be this, that, or the others, depending on what you want to read into it, that is must read into it. There’s no reason a novel can’t posit great meaning to its subject, and yet then allow readers to read into _that_ at considerably more advanced levels. But here Bolano, as is typical in his work and in so much of the work celebrated by the establishment, fails in the former and thus effectively prevents, bars, vitiates the latter.

And I mean that criticism not primarily as a criticism of Bolano. Bolano did not make Bolano famous and prominent. The establishment did. So the main criticism goes to what the establishment values and celebrates (and reads, and allows published), first, and then to an analysis of his work, second. That said I think this secondary analysis is worthwhile too because it’s the sort of thing that goes too often unremarked, or decried: the importance of positing great meaning(s) to subjects, especially to dire subjects, before expecting readers to pay great attentions, or much attention at all.

Personally, I think Bolano is a mildly interesting minor author. Pretty tedious really. And that the adulation accorded him and other establishment stars is a far more interesting phenomenon, more worthy of study and critique. In many ways it can be more interesting, not to mention more worthwhile, to study what has not been published in any way, shape, or form (along with that which has been systematically marginalized) than to study what is regularly published and celebrated.

Bright present and future of the novel = Bolano? Not so much

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Adapted from comments at The Valve:

Have you read 2666? Compare your thoughts and feelings about it to an equally long novel. First, you may see more the mishmash of 2666. Second you may see what a wheel spinner it also is. That’s what I see. What Bolano has going for him is that he was not a total sellout to the nefarious conventions and mores of his time, and he goes his own way. In fact, he had a good bit of the thoughtful rebel in him. What he has going against him, is that it’s fine to be against this and that, but he is not for very much, is he? In his fiction. The game (his own way) doesn’t seem to me to be much worth the candle (our time and expense). The tedium, the tedium! And the trivia. That that is true of much of praised contemporary fiction makes it no less troublesome. Bolano is a sometimes jaunty explorer of deserts but even then it’s still the desert. The vital wider world goes wanting, a few stabs at larger life aside.

One can see why his work would become so celebrated in established circles. The vacuities don’t hurt him there.

Commenter: ” ‘The vital wider world goes wanting’?  I’m not so sure.  It’s been several months since I read the novel, but I found the fourth section a crucial material and historical frame of reference for the entire work.  I think it makes the book.”

The fourth section consists entirely of retail violence. As horrific and significant as it is, it’s virtually off the map when one looks at the wholesale violence of the world, say that carried out by, for example, the major state in the world, the US.

Obviously Bolano especially in that section is in the relevance to the world, journalistic and crime line of the novel. But that’s what I mean by “a stab” at larger life. Sure, the stabs are there, even bulked in like excess fiber, but in both a marginal and a marginalized way, leading essentially nowhere. Like I said, very establishment.

Compare to the off the radar big novels Wizard of the Crow (2006) by Ngugi, or to Les Miserables (1862) by Hugo.

I’ll add that the problem with creating great novels as with creating great (or even survivable) culture is that the right is bankrupt and the left is broke. (And the middle is middlin’.) I think only as part of the rebuilding and the establishing of the left can the needed novels be written, that is the far greater novels than the celebrated pap that dominates.

No blueprint for this but I think there’s a knowing where to to look, or at least a recognition of where the light is that helps, that is the only chance.

While it may appear that the novel collapsed in the “West” of its own weight around the turn of the century, a century ago, very roughly, I think it’s more accurate to note that it collapsed, or was warped, due to sociopolitical throttling.

The novel was partially revived in the twentieth century by the international and multicultural forces of the left – from where it seems to me the most exciting and promising developments continue to appear.

Much of this history and creativity is explored in our recently released Liberation Literature anthology.

Michael Denning has done some interesting work in this regard: Read the rest of this entry