A Practical Policy

excerpts via Vice:

Between seasons of a lot of hit shows, adjustments will be made that are clearly based on network notes about what’s perceived to be most popular with viewers.
We never had that dynamic in our heads. What we were asking was, “What should we spend 12 hours of television saying?” And that’s a journalistic impulse. That was coming from the  Wire writers who were journalists and, to an extent, the novelists who wrote for the show who write in a realistic framework, like researched fiction. People like Pelecanos, Price, and Lehane.

Those three guys seemed to have the perfect backgrounds to bring a lot of valuable stuff to The Wire.
It wasn’t like we were putting Isaac Bashevis Singer on staff. I love his stuff, but we were looking for novelists who were doing researched fiction, and particularly in an urban environment. I’m also not mistaking The Wire for journalism. I have too much respect for journalism to make such a statement. But the impulse, the initial impulse behind doing the show? It was the same reason somebody sits down to write an editorial or an op-ed. More

via Counterpunch:

Dick Wolf, who created “Law & Order” and its two successful spin-offs, “Law & Order: SVU” and “Law & Order: Criminal Intent,” should probably consider establishing a branch office in Pennsylvania.

It seems that whenever any of the New York City cops take a road trip to find a fugitive or track down a witness, they go to Pennsylvania. Apparently, New Jersey is only a buffer zone.

Part of the reason why Pennsylvania routinely figures into the hour-long dramas may be because Wolf, a New Yorker, is a graduate of the University of Pennsylvania. Another possibility, although much more remote, may be because his first of three wives was named Susan Scranton.

Nevertheless, Pennsylvania has been the site of sufficient plots the past couple of years as the three TV series have increased their levels of social consciousness.

from “A Very Nigerian Literary Festival” by Sefi Atta:

Unlike the students I’d encountered at Northwestern University, the students who attended my fiction workshop at the festival did not write about personal relationships.  Their stories were topical.