Joe Strummer…was an artist profoundly shaped by his time and place. In a 1970s Britain wracked by racism and unemployment, Strummer chose to put himself squarely in opposition. The newspapers called the Clash “degenerates,” “hoodlums,” “anarchists.” To young people, they were “the only band that matters,” and it wasn’t because they sold a million records or made the most money. They mattered because they were the first band in a great long while that tapped into how the majority of youth actually felt. Continue reading